Yeah!
Penthauze
Major Bangz!Yeah!
Aguba adiro nko nwanne akwa maka na amuro ya amu
Ha na achu m achu, before ijide m iya afunu azu m
Said I’m not the best, keep playing, what are you telling me?
Ka m afulu iru yi
Ka Mike Tyson, iga enye m nti yi
All man nenilim
Back then mgbe obu so penny ji m
Now they can’t believe
When I pull up in the Mercedes
See my pedigree
Nwoke di hot, hundred degrees
Inspired the kids
We the next in line but you’re the shit (Yeah!)
Ezege Igbo niile, I speak that shit to existence
Ezege uwa niile, I trade in mils ka o fitness
Adi m ayozi nri, ife amaro kwuru I dey give thanks
Nye unu ezigbo distance
Si ndi mgbu stay out of my business
Since oku chukwu shine on me
Ndi imi eyes on me
They telling lies on me
But I stay wise homie
Matter of fact, na jungle anu na achu any
Welu m kpa amu
Ka ifu ka eke si anya anwu
Speak life!
They said I wouldn’t make it on my own
Now I’m the definition of a pro
Now when they see my picture they say ghost Nigga
Look at all the levels I unlocked
Nma kwusidi, I put it on God
Nma fudi gi, I put it on God
I’m coming forward, they said I could not (Yeah)
I’m coming forward, they said I could not
Agwa m chukwu na m cholu ka obulie m
Maka ife ndi uwa na eme bu ka ha menwute m
Acho m idi fly ka m ana efe na ugbo enu
Maka owu ite na enye men obara mgbalienu (Aah!)
Muwa enwero time for chit-chat
I just get the job done and they cannot believe that
Tell a hater sit back
Ka m loadu o ya ka Peace Park
Passia gi ka tik-tak
Before ijide m, I’m inside
I just wanna triple my worth
Multiply a ya by ten again and triple the worth
For all the sacrifice and pain mgbe anyi na acho result
Now egwu anyi melu na East ka anyi na ele na North
Still connecting the dots
For ndi che na m ga abu ofe ogiri
Ke ife ilozi
Nwe faith, never lose hope
Ga hard nwa, no ndidi
Kpu o brain gi
Ka ibu isi ogidi
Show love
Ka dew falling
Ka good vibe gi na ime obi gi
Osibe ike nwanne speak life!
They said I wouldn’t make it on my own
Now I’m the definition of a pro
Now when they see my picture they say ghost Nigga
Look at all the levels I unlocked
Nma kwusidi, I put it on God
Nma fudi gi, I put it on God
I’m coming forward, they said I could not (Yeah)
I’m coming forward, they said I could not
More numbers and I’m still counting
I’ve always believe, ma mgbe ha si na m di too trashy
Nwa o streetwise, ada akuzi OT na university
Men mu anya, oru anyi bu na nderi 2:30
Nwata anayo chieftaincy
Switch e up the frequency
Nwa Amagu di too classy
Fiko iru ka chimpanzee
Fuck your template
Bass m di fine, hook m di too catchy
Akwaa akwulu kwu fa ebute bulldozer I’m still standing
Oburo for the weak
I don’t belong in the mix
Do way more than I tweet
Fu m si na ha fulu beast
She ran for cover, hazie onwe gi e meaniro na igbalu oso
My shooters come for free piakacha ha juo m ma ofolu ozo
Anyi ma ife street solu aso
Aku amaro onye tolu ato
The way nwoke si e drip, iga eche na efe m akoro ako
M na ebizi udi life m na arobu na nlo
Kupu!
Major Bangz
You don’t know God (I know God)
If that you know God…he he he
You don’t know God, ima onye Chineke bu?
Chineke a di omnipotent
Lemon
Oluwa
Dachi
Kpokirikpo
O nwero ihe obula ikporo Chineke na Ozark
O Chineke mere mmiri ya awuru mmanya
Chineke mere akwukwo nri ya bury anwuru
Abeg!
Li63rty has built her sound around golden-era hip-hop influences, sharp wordplay and soulful production, with lyrics that move between street life, love, loss, ambition, spirituality and personal growth. Her confident delivery is grounded in reflection, and she often draws on her own experiences to explore resilience and self-discovery. That sense of independence reaches beyond the studio. Through writing and entrepreneurship, she has made ownership and empowerment central to her creative outlook, encouraging listeners to push past limitations and live on their own terms.
On “Without Your Love,” however, she lets a different side of that personality come forward. Leaving behind the grit of Brooklyn drill and the hard edges of boom-bap, Li63rty settles into a warmer blend of Afro-pop and R&B. Singer Roxy joins her on the track, lending a soulful melodic hook that gives the song much of its emotional pull.
The production has an easy, sunlit warmth, though there is something quietly introspective about its mood. An infectious drum groove provides the foundation, while bright synth accents add movement and colour. The syncopated rhythm makes it easy to imagine the song playing at a party, but its unhurried pace is equally suited to a late-night drive.
This is Li63rty’s first official move into Afrobeat, and the shift feels comfortable rather than forced. The accompanying cinematic music video extends the song’s focus on devotion and loyalty, exploring the emptiness that can come with imagining life without the person you love.
Roxy handles the melodic centre with an airy, hypnotic vocal performance. Li63rty responds in a conversational flow, easing back from the aggression that often shapes her rap delivery. Her verses give the groove room to breathe, yet retain the Brooklyn confidence that defines her work. The contrast between Roxy’s smooth singing and Li63rty’s measured cadence helps the arrangement feel cohesive.
At its heart, “Without Your Love” is a direct expression of deep devotion and affection. The line “where would I be without your love.” captures the question running through the track. There is little posturing here. Li63rty sounds willing to admit just how much one person can mean to her, and that openness brings a welcome tenderness to the song.
The result is warm, romantic and uplifting, with a late-summer feel that suits its easygoing production. It can sit comfortably in the background while driving or relaxing, then come alive when the rhythm draws people onto the dance floor. For an artist usually associated with a harder hip-hop sound, “Without Your Love” offers an appealing change of pace and a convincing glimpse of her range.
For longtime listeners, Nelia Ross has built a reputation as a versatile Italian international artist working at the meeting point of classical vocal technique, contemporary songwriting, and theatrical performance. A crossover operatic soprano, accomplished pianist, composer, and songwriter, Ross carries a powerful, expressive voice that lets her move between opera, pop, and rock while retaining the emotional weight of her classical background. Her international career, spanning Europe and the United States, has placed her on orchestral stages, alongside world renowned artists, and within the more intimate setting of her own original work.
She returns with another accomplished performance on “Unknown Man,” a raw, emotionally heavy pop-rock ballad that deliberately pulls away from the polished classical crossover sound often associated with Ross. In its place is something grittier and closer to the nerve. The song has been submitted for consideration at the 69th Annual GRAMMY Awards in the categories of “Song of the Year,” “Record of the Year,” “Rock Song,” “Rock Performance,” and “Arrangements, Instruments and Vocals.” At the center of it is a performance shaped by technical control, but driven by vulnerability.
“Unknown Man” represents a clear stylistic turn toward a rawer pop-rock space. Lyrically, Ross focuses on the longing to connect with a mysterious, distant figure who carries deep emotional significance. Vulnerability and intimacy sit at the heart of the song, along with the quiet courage involved in opening oneself to a fragile connection and hoping that something uncertain might become lasting.
The track steps away from electronic loops and heavy dance syncopation. Its foundation is organic and atmospheric, with electric guitar taking a prominent role alongside cello, bass, and drums. Backing vocals from various singers support Ross without crowding her emotionally charged lead. The pacing remains deliberate, with a mid-tempo pulse giving the song enough structure to move forward while leaving space for its emotion to gather naturally.
The arrangement expands and contracts with that feeling. Sparse, quieter passages gradually give way to larger full-band crescendos, creating a sense of scale without losing the song’s intimacy. Real instrumentation remains central. Sweeping, cinematic strings recall Ross’s classical roots, while electric guitar, piano, and cello give shape to the track’s climactic passages and add weight to its darker atmosphere.
As a trained dramatic soprano, Ross approaches the performance from a different angle than strict operatic theater. Her verses can feel tender, breathy, and close to the microphone, then open into soaring belts when the choruses arrive. That contrast shows the depth of her control, though the most affecting moments are often the less polished ones. The “aches” and textural cracks of the performance are allowed to remain audible, giving the vocal a lived-in quality instead of sanding everything down into pitch-perfect digital smoothness.
The result feels closer to a dramatic stage soliloquy than a pristine studio exercise. There is a high-stakes quality to the delivery, drawing from the emotional gravity of a live, un-ironic classic rock ballad. Ross leans fully into the song’s tension, and the performance gains its force from that willingness to sound exposed.
Conceptually, “Unknown Man” keeps returning to yearning, vulnerability, and the uneasy space between emotional safety and deeper intimacy. Its central conflict comes from opening one’s heart to someone distant and mysterious, then hoping that a brief spark can survive long enough to become something real.
Taken as a whole, “Unknown Man” is cinematic, haunting, and intensely passionate. Its dramatic sweep recalls the theatrical scale of a classic 90s power ballad, while its emotional framing carries the darker vulnerability of contemporary pop. The mood is melancholic, yet there is a sense of bravery in the hope running through it.
“Unknown Man” is not Ross’s only entry this season. She has also submitted two original songs, “Soul” and “Uniti se distanti”, for official GRAMMY consideration for Pop Solo Performance/Arrangements, and Instruments and Vocals respectively.
Stream “Unknown Man” here and let us know if you feel that it is GRAMMY worthy.
Originally from Michigan and now based in Philadelphia, Digital Guts is an artist who embraces anonymity, keeping attention on the music rather than the person behind it. That sense of mystery fits naturally with a deeply DIY approach. The self-titled 7-track album “Digital Guts” is a fascinating, genre-bending project, connecting an underground electronic and emo aesthetic with experimental, sample-heavy instrumental structures. The result feels committed to sonic exploration, with arrangements that resist cookie-cutter formulas and a production style that shifts deliberately from one track to the next.
Opener “Angels Ball Out” sets the record in motion with a grand introduction. Its beat leans heavily on clever, layered sampling, creating a textured foundation that feels nostalgic while remaining distinctly underground. The rhythm settles into a smooth, loop-centered hip-hop bounce. It functions almost like an overture, especially once the album reaches its final track, “Bye Bye,” which cleverly returns to “Angels Ball Out” through a full-circle structural reverse play. Weightless, ethereal, and triumphant, the opener creates a cinematic entryway into the album’s universe.
The second track, “Goth Girl,” moves directly toward darker alternative subcultures, driven by a shadowy trap bounce and alluring vocals. A deeply calming, hypnotic instrumental backdrop balances the vocal loop, while the rhythm stays slow, deliberate, and swaying. Much of the vocal cadence circles around one lingering question, “What you see in me?” At a faster tempo, that repetition might become tedious. Here, it works beautifully, drawing a comparison to Rihanna’s “Pour It Out,” filtered through a more gothic atmosphere.
What comes through is deep longing, melancholia, and romantic fixation. The restrained beat strengthens the sense of emotional vulnerability and keeps the listener absorbed in the atmospheric space surrounding the voice.
Third track “Broken” marks a huge sonic pivot. The smooth sampling falls away as the production dives headfirst into aggressive electronic hip-hop, powered by high-energy UK drum and bass patterns. The rhythm is high-octane, frenetic, and relentless. Its chaotic cadence recalls early The Prodigy and the aggressive electronic-punk style associated with Wargasm UK.
The mood is erratic, anxious, and explosive. “Broken” captures the sensation of mental fracturing or inner chaos, pushing the album’s energy suddenly into overdrive.
Another standout from the album is “cryonme,” easily its most experimental and polarizing track. The production is intensely maximalist, with so many elements moving at once that the beat can feel intentionally at odds with the underlying tone. Its eccentric layering carries a distinct art-pop Gorillaz influence, while hyper-pulsating electronic details become one of the track’s defining characteristics.
The rhythm is disjointed and constantly shifting. “cryonme” is among the album’s more lyric-driven moments, asking the listener to follow the vocal cadence through a maze of competing instrumental sounds. The mood is melodramatic, eccentric, and overwhelming. It resembles emotional overload poured into a blender, producing a surreal and slightly chaotic listening experience.
“Dreams” is a synthetic masterpiece, hauntingly beautiful throughout and capable of leaving a desirable aftertaste long after its final notes fade.
This, ladies and gentlemen, is the story of Digital Guts’ “Digital Guts,” streaming now on popular digital platforms.