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Khaligraph Jones Leave Me Alone Lyrics

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Khaligraph Jones Leave Me Alone Lyrics

Khaligraph Jones – Leave Me Alone (Wachana na mimi) OFFICIAL VIDEO

OG….eey
say leave me alone
ka huna mpango ama form
usinipigie simu, dont be calling on my phone
leave me alone, if you cant keep up with the jones
i’d rather ukae mbali dont be coming to my zone

leave me alone, leave me alone
leave me alone, wachana na mimi
leave me alone, leave me alone
leave me alone, wachana na mimi
leave me alone, leave me alone
leave me alone, wachana na mimi
leave me alone, wachana na mimi
leave me alone, wachana na mimi

unabambika na vako, zile nyi husoma mpasho
ile idhaa niko hustle, mi nikipanguza jasho
munaeneza udaku, ndio muongezwe za macho
lakini na kuna kichapo, kofi soki na kahasho

tangu niende commercial, nimekuwa controversial
ngori zile niko nazo, zimenilete vikwazo
mahater wanakaza mata, OG anakazanga muscle
so usidedi na mawazo, juu kama si yako ni yako

now you can OB my sacco, Omollo, Odinga, Obako
presenter anaringa na passo, utadhani amenunua Rav4
mashow mi hupiga kila sato, design ya Tracy na Marto
si ndio hukuja ruracio, kuotea soda na chapo

nina mbogi ya ushago, na manyako wananithago
nina jeshi ya kina zzero, na zimewashikia dago
mi hushindanga na akina wambo, kwa ile kibanda ya pango
tuko juu ya reggae kanambo, na tuko rada ya makanjo

say leave me alone
ka huna mpango ama form
usinipigie simu, dont be calling on my phone
leave me alone, if you cant keep up with the jones
i’d rather ukae mbali dont be coming to my zone

leave me alone, leave me alone
leave me alone, wachana na mimi
leave me alone, leave me alone
leave me alone, wachana na mimi

leave me alone, leave me alone
leave me alone, wachana na mimi
leave me alone, wachana na mimi
leave me alone, wachana na mimi

eeey
mnataka kunipimia life as if huwaga ni fare
mpaka watoto wa juzi sahii joh wananidare
hii maisha ni kuishi vile unataka ama nijea?
so sitaki nizame na story za pressure kama Natalie tewa

mtaa mi huwanga nimea, kwa teli ni mi huwa na air
i know you could think it aint fair, but my  we never care
siri ni kunyenyekea ndio ujue ni wapi unaelekea
so kuanzia leo, juu mi nadeclare , that lazima ngoma zitaenea

unapenda kuni bather, kunichafulia rada
huku mimi najikaza, sauti yangu mi na paza
mi nikipewa huwa najua na mada, bongo kapuka genge ama raga
tangu wajuwe sikuhizi mimi ni baba, shoree wangu wako chini ya waba

ni mimi ndo wanapenda kutupia lawama
juu sahii natengeneza pesa na hao hawana
hakuna kitu ya bure, buda ni kukazana
juu leo joh watakucheka lakini kesho ni karma

say leave me alone
ka huna mpango ama form
usinipigie simu, dont be calling on my phone
leave me alone, if you cant keep up with the jones
i’d rather ukae mbali dont be coming to my zone

leave me alone, leave me alone
leave me alone, wachana na mimi
leave me alone, leave me alone
leave me alone, wachana na mimi

leave me alone, leave me alone
leave me alone, wachana na mimi
leave me alone, wachana na mimi
leave me alone, wachana na mimi

siwaju(siwajui), siwatambu(siwatambui)
leo napiga mtumba nnaye kesho napiga louis(piga louis)
na haikuhusu(husu) yangu maisha(maisha)
leo mbonga chafu kesho ntakunyamazisha

everyday we on, now we in my zone
nakama hamna mpango, just get out of my phone
not with the game, so i suggest you dont
bring me the  just leave me alone

yaaa…
i threw the vibe and the  caught it
all you  is distorted
legend of every  rich potter
ama mnataka makipchoge

maisha yangu haiwahusu, nyi manyoka nawashuku
nawapiga marufuku, mi nikipiga tu luku
nasema siwatambui, hio ufala haikuwi
so kama wewe ni adui, leo utajua haujui

nasema siwatambu
hio ufala haikuwi
so kama wewe ni adui
leo utajua haujui

say leave me alone
ka huna mpango ama form
usinipigie simu, dont be calling on my phone
leave me alone, if you cant keep up with the jones
i’d rather ukae mbali dont be coming to my zone

leave me alone, leave me alone
leave me alone, wachana na mimi
leave me alone, leave me alone
leave me alone, wachana na mimi

leave me alone, leave me alone
leave me alone, wachana na mimi
leave me alone, wachana na mimi
leave me alone, wachana na mimi

 

 

 

Latest African Music Here


Follow Papa jones on Instagram: https://www.instagram.com/khaligraph_jones/

Blu Ink Corp presents Leave me Alone by Khaligraph Jones,

Audio recorded by Aress 66 at Blu Ink studios

Instrumental by Eibyondatrack

Video Shot and Directed by Trill Art in Huston Texas VIdeo

locations Dallas Tx and Huston (USA)

 

MUSIC

SHANI G Finds a Tender Balance Between Heartbreak and Acceptance on Her Soulful New Trap R&B Single “Crossroads”

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SHANI G Finds a Tender Balance Between Heartbreak and Acceptance on Her Soulful New Trap R&B Single “Crossroads”

Miami, FL, artist SHANI G has shaped her sound around melodic trap R&B and songwriting that feels drawn from the pages of a diary. On earlier releases such as “Comes back around” and “Just For You,” she introduced a voice that can move from exposed emotion to self-assurance and streetwise grit without sounding like she has changed characters. Her delivery is distinctive: soft and airy, often close to spoken conversation, with a lyrical sharpness that keeps even the gentler moments from feeling fragile.

That tension runs through much of her music. Love, heartbreak, loyalty, ambition, independence, and street life all find their way into her songs, but it is the personal angle that gives those familiar themes some weight. Sometimes she holds her feelings at a distance; elsewhere, she lets them come through without much protection. She can move from singing into rapping while keeping the same recognizable voice.

Her new single “Crossroads” leans into the more reflective side of that approach. The production has a clean, polished finish, but it retains the closeness of something made for a late-night listen rather than a crowded room. Soulful melodic details sit over an atmospheric trap backdrop, with the percussion kept deliberately restrained. There are no overpowering club-ready 808s competing for attention. The slower pace gives the instrumental melody space to settle and leaves the emotion of the song in the foreground.

SHANI G works comfortably within that space. Rather than pushing toward dense, rapid-fire verses, she follows a smooth, melodic cadence. Her voice carries the story in an almost conversational way, as though she is putting difficult thoughts into words while they are still fresh. The openness of the performance makes the song feel intimate, with little distance between the person telling the story and the listener hearing it.

At its heart, “Crossroads” is about a relationship reaching a point where two people can no longer continue in the same direction. Love and loss sit alongside the difficult choices that follow a separation. There is sadness in accepting that a shared chapter has ended, but also a tentative willingness to face whatever comes next. That mixture of melancholy and acceptance gives the song its emotional character, making it well suited to quiet, reflective listening.

SHANI G has never seemed particularly interested in staying within one fixed musical persona. Her confidence and sensitivity can coexist, and “Crossroads” finds her giving the latter more room without abandoning the edge in her sound. A relaxed, story-driven music video accompanies the single, with visuals that follow its mood and narrative.

Stream “Crossroads” here.

| INSTAGRAM | TIKTOK |

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Li63rty Embraces Vulnerability and Warm Afro Pop Rhythms With Roxy on Her Romantic New Single “Without Your Love”

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Li63rty Embraces Vulnerability and Warm Afro Pop Rhythms With Roxy on Her Romantic New Single “Without Your Love”

Li63rty has built her sound around golden-era hip-hop influences, sharp wordplay and soulful production, with lyrics that move between street life, love, loss, ambition, spirituality and personal growth. Her confident delivery is grounded in reflection, and she often draws on her own experiences to explore resilience and self-discovery. That sense of independence reaches beyond the studio. Through writing and entrepreneurship, she has made ownership and empowerment central to her creative outlook, encouraging listeners to push past limitations and live on their own terms.

On “Without Your Love,” however, she lets a different side of that personality come forward. Leaving behind the grit of Brooklyn drill and the hard edges of boom-bap, Li63rty settles into a warmer blend of Afro-pop and R&B. Singer Roxy joins her on the track, lending a soulful melodic hook that gives the song much of its emotional pull.

The production has an easy, sunlit warmth, though there is something quietly introspective about its mood. An infectious drum groove provides the foundation, while bright synth accents add movement and colour. The syncopated rhythm makes it easy to imagine the song playing at a party, but its unhurried pace is equally suited to a late-night drive.

This is Li63rty’s first official move into Afrobeat, and the shift feels comfortable rather than forced. The accompanying cinematic music video extends the song’s focus on devotion and loyalty, exploring the emptiness that can come with imagining life without the person you love.

Roxy handles the melodic centre with an airy, hypnotic vocal performance. Li63rty responds in a conversational flow, easing back from the aggression that often shapes her rap delivery. Her verses give the groove room to breathe, yet retain the Brooklyn confidence that defines her work. The contrast between Roxy’s smooth singing and Li63rty’s measured cadence helps the arrangement feel cohesive.

At its heart, “Without Your Love” is a direct expression of deep devotion and affection. The line “where would I be without your love.” captures the question running through the track. There is little posturing here. Li63rty sounds willing to admit just how much one person can mean to her, and that openness brings a welcome tenderness to the song.

The result is warm, romantic and uplifting, with a late-summer feel that suits its easygoing production. It can sit comfortably in the background while driving or relaxing, then come alive when the rhythm draws people onto the dance floor. For an artist usually associated with a harder hip-hop sound, “Without Your Love” offers an appealing change of pace and a convincing glimpse of her range.

“Without Your Love” is now streaming everywhere.

Follow Li63rty: Linktree · Instagram · X · YouTube · TikTok

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Nelia Ross Embraces Raw Pop Rock Vulnerability on “Unknown Man” as She Enters a New Chapter for GRAMMY Consideration

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Nelia Ross Embraces Raw Pop Rock Vulnerability on “Unknown Man” as She Enters a New Chapter for GRAMMY Consideration

For longtime listeners, Nelia Ross has built a reputation as a versatile Italian international artist working at the meeting point of classical vocal technique, contemporary songwriting, and theatrical performance. A crossover operatic soprano, accomplished pianist, composer, and songwriter, Ross carries a powerful, expressive voice that lets her move between opera, pop, and rock while retaining the emotional weight of her classical background. Her international career, spanning Europe and the United States, has placed her on orchestral stages, alongside world renowned artists, and within the more intimate setting of her own original work.

She returns with another accomplished performance on “Unknown Man,” a raw, emotionally heavy pop-rock ballad that deliberately pulls away from the polished classical crossover sound often associated with Ross. In its place is something grittier and closer to the nerve. The song has been submitted for consideration at the 69th Annual GRAMMY Awards in the categories of “Song of the Year,” “Record of the Year,” “Rock Song,” “Rock Performance,” and “Arrangements, Instruments and Vocals.” At the center of it is a performance shaped by technical control, but driven by vulnerability.

“Unknown Man” represents a clear stylistic turn toward a rawer pop-rock space. Lyrically, Ross focuses on the longing to connect with a mysterious, distant figure who carries deep emotional significance. Vulnerability and intimacy sit at the heart of the song, along with the quiet courage involved in opening oneself to a fragile connection and hoping that something uncertain might become lasting.

The track steps away from electronic loops and heavy dance syncopation. Its foundation is organic and atmospheric, with electric guitar taking a prominent role alongside cello, bass, and drums. Backing vocals from various singers support Ross without crowding her emotionally charged lead. The pacing remains deliberate, with a mid-tempo pulse giving the song enough structure to move forward while leaving space for its emotion to gather naturally.

The arrangement expands and contracts with that feeling. Sparse, quieter passages gradually give way to larger full-band crescendos, creating a sense of scale without losing the song’s intimacy. Real instrumentation remains central. Sweeping, cinematic strings recall Ross’s classical roots, while electric guitar, piano, and cello give shape to the track’s climactic passages and add weight to its darker atmosphere.

As a trained dramatic soprano, Ross approaches the performance from a different angle than strict operatic theater. Her verses can feel tender, breathy, and close to the microphone, then open into soaring belts when the choruses arrive. That contrast shows the depth of her control, though the most affecting moments are often the less polished ones. The “aches” and textural cracks of the performance are allowed to remain audible, giving the vocal a lived-in quality instead of sanding everything down into pitch-perfect digital smoothness.

The result feels closer to a dramatic stage soliloquy than a pristine studio exercise. There is a high-stakes quality to the delivery, drawing from the emotional gravity of a live, un-ironic classic rock ballad. Ross leans fully into the song’s tension, and the performance gains its force from that willingness to sound exposed.

Conceptually, “Unknown Man” keeps returning to yearning, vulnerability, and the uneasy space between emotional safety and deeper intimacy. Its central conflict comes from opening one’s heart to someone distant and mysterious, then hoping that a brief spark can survive long enough to become something real.

Taken as a whole, “Unknown Man” is cinematic, haunting, and intensely passionate. Its dramatic sweep recalls the theatrical scale of a classic 90s power ballad, while its emotional framing carries the darker vulnerability of contemporary pop. The mood is melancholic, yet there is a sense of bravery in the hope running through it.

“Unknown Man” is not Ross’s only entry this season. She has also submitted two original songs, “Soul” and “Uniti se distanti”, for official GRAMMY consideration for Pop Solo Performance/Arrangements, and Instruments and Vocals respectively.

Stream “Unknown Man” here and let us know if you feel that it is GRAMMY worthy.

Connect with Nelia Ross

Official Website
YouTube
Instagram
Facebook
Spotify
Apple Music

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