okay, you good? you ready? we can start, thank you so much
first, i’d like to thank everybody for showing up for this session
you honor these are the rappers the mass has been requesting
ladies and gentlemen, it’s so important that you follow
am your attorney but just address me as Mr. Omollo
and now your honor we gon go straight to the case
and address these people who insult you straight to your face
when these people working hard they busy taking the cake
heard the masses saying artist aint got paper to chase
and what a shame when they constantly building they brands
and all the dope music that they be giving they fans
they got —- to say so kindly lets give them the chance
First rapper kindly make your way to the stand
What’s your name? what you do?
Bey T, am the truth(and do you swear to saythe truth?)
I just said I am the truth, everything I ever wanted when spitting in a booth
I guess that’s coz it’s just in me when I flow i see the proof
Broady told me green light now its go i can’t stop
i be praying on daily getting closer to the top
they appearing to the real kinda something like a pop
hating when am doing kinda something like a app
got the city on my shoulders and the love now i receive
but my socials aren’t enough to see the media they receive
and we got our local talent but thts not what they perceive
coz they really is not limit all to my people to believe
music seems like real shit we just tryna make it out
Even started up a movement and they tried to make itcout
call the puppet out on-site she know what i’m talking about
But the truth will always shine and in God i never doubt
Hard work beats talent but with me its double trouble
and i gotta lot to say they can’t stop with a muzzle
watch when people hear music they dig it like a shovel
Mama said just let it be and pu the focus on the hustle
Men am rising from the dirt, ten toes on a gun
Real music knows no language, ima do it with my son
254 to the world when I look who i’mma run
i be queenng in my city, ts about time i take the crown
look back at how far i have come and how ts amazing
loving through the process in the race but i’m not racing
ma i’m the whip coz when they see me they are waving
they want me to blow nut wanna stay so i’ll be spacing
i don’t have the answer know who does so i’ll be praying
made it rhough the rough and now i’m shining when its raining
this is just the warm up but we winning through our training
Bey T got the fire but i blow up super saying
rising with the sun you gon see me out ya window
naenda juu now if you aint getting on my lingo
get into the chips i ain’t talking bout a pringo
Kenya dropped some heat, i aint talking bout a single
Thank you so much for that i’m just hoping they got the info
Bey T girl you the future when they acting like they aint know
but those tryna take what you came for
your honor tell me if you aint feeling what she saying though
Eyy, when will you people ever see the truth
the evidence is overwhelming yet you need a proof
leo me ndo lawyer so mtaniskiza tu
nimechoka hata na ngoso so kindly bring breeder proof
First off niko njaa ngekua refa si ningemeza whistle
juu uulize utanitambua lini ama unangojea yangu kifo
nizaliwa nikiwa pro me ni mnoma by default
na nadesire kuwa legend nigo down ka icon
niko kwa track na kali buda hii ni nini ka si dream ka true
si waljifanya hawanioni design ya pickaboo
after this ni Omollo alafu breeder 2
na ni kobra so kukipack itabidi umevunjika mguu
utasema aje sina bidii na me husinda stu
kukidnap soon as the beat starts speakers boom
ni me na mic solo kwa booth you snooze you loose
rap kwangu ni kama Ruto na 2022
alafu after hell si ni heaven paradise inaningoja
but pressure ya kuomoka ndo imenikalia ka sofa
industry ngori yaan ku maneuver si ni struggle
interviews mi siko booked kama libu haina kitabu
lakini story ni ile ile huwezi winda subiri mzoga
so nkajitupa kwa wanjo na watesa bila koja
si ni Tk ndo kikosi yangu na ni wicked
naplay role mbili bado attacker alafu defence
Mi huwapea maneno za busara
tangu nicresen bado na glesen
nabii hawezi pendwa mahali anatoka na hiyo ni mistake
si walifunga mlango so tunaknock doors off the hinges
na nina ugonjwa haina tiba na hiyo ugonjwa inaitwa realness
waambie wapunguze tamaa watuache pia si tudishi
na mafans asante sana bila nyinyi hatunge do this
na naapa kwamba siachi TK soldier until the finish
nishaikamilisha 10/10 kama willis
10 over 10 big shout out to 10 over 10
Big shout out to Willis Raburu kutusupport again and again
U breeder you did it my friend and they be feeling you man
and if we had more time i’d let you kill it again
we gotta pass it over
Yoh next witness are you ready?
Your honor, i gotta warn you this shawty hella petty
from Nakuru to Ni she got zero to give
Double S in the house baby girl where your ways whats up?
this the punch line queen lets get it, ooh we can get it for real
i’m the realest let’s get it
see i set the bar far yeah i give it hella heights
Welcome to the dark side where we give you hella price
coz this the i call a dream see its costing plenty nights
and the best to ever do this the game invited all the intruders
so you think a throwing shot i’m really aning with some shooters
they fishy cooking tuna all my cats is rocking is puma
get my —- tight as spread the name like city rumor
Coz these rappers dont come like this we run like this
and too cool sound like this and shine like this i got smoke…
and i talking canna and even that we grind like this
we green like the money calling pr…. i get it from the back
they don wanna open doors so we get in from the back
no debate bout who’s the best swear am really on they necks
never tripping for a cheque if they tripping get em checked
you can find me on a map dont know where yall at
i ain’t talking about shopping i’m taking all the bag
boazz clean i’m back heddy i’m bad at it i’m too good
been ready but yeah aint ready this soul cool with the new school
cut the crap and cut the cheque cut it now you not a threat
i start rapping the beast come up somn like the full moon
so what they talking bout bring more chic to the scene
but i swear yall don wanna bring chics to the scene
coz i around smoke all ya’ll in 1 session
now are we talking bout a crown b i got it no question
i do a little school but never s by the book
i’m selling the oor nd plenty silver stone in this hook
i’m giving them barz and barz like …..
to tell a legendary what exactly you tryna tell me
i’d seen n getting paper than a secretary
so i’m on my grind i keep my s on the lock
and if they f with me i gotta rep on the block
You rep the block? Baby girl you taking shots
assuming u serious you gon have to face the cops
your rage is off the cage not afraid to pop
but wait you do don gotta do that you was raised to rock
your honor i’m sorry for that’s how them OG’s do
i’m not only reppin these people they my hommies too
so let these m pay wat they owe these dudes
next rapper pia ni ngori woow
reckless shukran kwa kuka mbogi imekurequest sana
you ready to wrap it up? uko tayari?
yes banaa, nimekua nikingoja juu wako oy my case sana
tuchanue basi reason pia we unahate drama
yes check it… si eti nilifanya juu nimekosa kazi
najua ni nyi bado hukaa kwa izo keja zina parking
bado ndani ya ofisi mmejaza vitambi
na round hii kukuwa fisi ngumu juu wanafwata maganji
medidation kejani ka hakuna cheque wee nani
hii pande si hatuna kitu si huishi daily na imani
lullaby huku mtaa hukua sauti ya risasi
Jamaa mgreedy ana njaa inafaa unapakwa kamasi
juu ukilala joo huwa silali formation toka zamani
na sina kitu kwa sahani pia sifiki bei ya Dasani
aah na nikiwafikiria mnanisinya natapika
juu kama ni kutuibia hamfikirii hata dakikia
aah na sipendi wageni juu nina keja bile furniture
bila hata deni nkiona landlord mi nasafisha
ukiokota peana tu base inafaa
kaa ni yangu ni yangu nikitaka napeana yote kwa bar
hao hutupima sana ni juu izo suti wao wamevaa
shukran ganja farmer juu you after kipuff si hurelax
mi huomba ata kaa siendi church
budako madhako bradhako sister wote wanadeserve
na watajudge juu nacurse na ninachuki kwa verse
si ati amebeba ni ameumwa na nyuki kwa a
kila asubuhi naamka na uji kwa glass
na sijijui muhimu sana jo nirudishe class
ati jokes kwa hizi mambulu ni joo kuni kwa kunye
na bado bro hatupatani ka joh unyi na fudhi
sleki sana si hatulali hata kidogo
watiaji ndo huachanga waongeleshe jo kisogo
watiaji ndo si hupiganga wakijaribu kuleta zogo
watiaji ndo huingizana wakisharushiwa hongo
watiaji wamejaa kwa soko watiaji wanachoka foto
watiaji leo hamna che yenu juu tumeshawasha moto
thank you Reckless tushaskiza hao shuhuda
now lets get to the last witness tuheshimu mabudda
Motiiff nyonga beat kiasi, make sure level iko sawa
iko fiti buda now lets welcome chiwawa
naomba ruhusa mahakama nitoe ushuhuda
kuna shida nikisimama kwa huu muda?
kwanza kabla ya maneno yote waha nishukuru hii nafasi nimepata kueka akili huru
dunia haina haki ni shamba ya wanyama
wale wachache tumebaki mashida zinatuandama
sina rent sina dish kila siku joh nina struggle
juu natry kumake a living na kustay out of trouble
nimegie up talanta afadhali kuwa pedi
kukaa bila janta inaeza fanya msee adedi
ndio me hujam nikicheki matapeli mapocha
wanataka kuninyonya maskini nirudu ocha
lakinifans wananidai ndo siezi afford kudie
bora bado niko hainatumaini nitawai
ndo napush on kila siku atakama sio rahisi
kulala usiku ukijua unanyemelewa na fisi
naeka Mungu juu ya yote juu siwezi jisaidia
sheria mikononi naeza baki nawaibia
wakinifwata kwa giza wakiomba sana nidunde
wana keys smart kwa hii game nimeshika mic si bunde
haama plau plau ping ping kwa gari zao
kwenye manyumba zao nabring heat na sipendi madharau
ka nimekosea naomba usinimiss judge
hakuna Sunday me humiss church
KHALI CARTEL 3 (OFFICIAL VIDEO) ft Bey T, Breeder Lw, Silverstone Barz, Rekles, Chiwawa
Li63rty has built her sound around golden-era hip-hop influences, sharp wordplay and soulful production, with lyrics that move between street life, love, loss, ambition, spirituality and personal growth. Her confident delivery is grounded in reflection, and she often draws on her own experiences to explore resilience and self-discovery. That sense of independence reaches beyond the studio. Through writing and entrepreneurship, she has made ownership and empowerment central to her creative outlook, encouraging listeners to push past limitations and live on their own terms.
On “Without Your Love,” however, she lets a different side of that personality come forward. Leaving behind the grit of Brooklyn drill and the hard edges of boom-bap, Li63rty settles into a warmer blend of Afro-pop and R&B. Singer Roxy joins her on the track, lending a soulful melodic hook that gives the song much of its emotional pull.
The production has an easy, sunlit warmth, though there is something quietly introspective about its mood. An infectious drum groove provides the foundation, while bright synth accents add movement and colour. The syncopated rhythm makes it easy to imagine the song playing at a party, but its unhurried pace is equally suited to a late-night drive.
This is Li63rty’s first official move into Afrobeat, and the shift feels comfortable rather than forced. The accompanying cinematic music video extends the song’s focus on devotion and loyalty, exploring the emptiness that can come with imagining life without the person you love.
Roxy handles the melodic centre with an airy, hypnotic vocal performance. Li63rty responds in a conversational flow, easing back from the aggression that often shapes her rap delivery. Her verses give the groove room to breathe, yet retain the Brooklyn confidence that defines her work. The contrast between Roxy’s smooth singing and Li63rty’s measured cadence helps the arrangement feel cohesive.
At its heart, “Without Your Love” is a direct expression of deep devotion and affection. The line “where would I be without your love.” captures the question running through the track. There is little posturing here. Li63rty sounds willing to admit just how much one person can mean to her, and that openness brings a welcome tenderness to the song.
The result is warm, romantic and uplifting, with a late-summer feel that suits its easygoing production. It can sit comfortably in the background while driving or relaxing, then come alive when the rhythm draws people onto the dance floor. For an artist usually associated with a harder hip-hop sound, “Without Your Love” offers an appealing change of pace and a convincing glimpse of her range.
For longtime listeners, Nelia Ross has built a reputation as a versatile Italian international artist working at the meeting point of classical vocal technique, contemporary songwriting, and theatrical performance. A crossover operatic soprano, accomplished pianist, composer, and songwriter, Ross carries a powerful, expressive voice that lets her move between opera, pop, and rock while retaining the emotional weight of her classical background. Her international career, spanning Europe and the United States, has placed her on orchestral stages, alongside world renowned artists, and within the more intimate setting of her own original work.
She returns with another accomplished performance on “Unknown Man,” a raw, emotionally heavy pop-rock ballad that deliberately pulls away from the polished classical crossover sound often associated with Ross. In its place is something grittier and closer to the nerve. The song has been submitted for consideration at the 69th Annual GRAMMY Awards in the categories of “Song of the Year,” “Record of the Year,” “Rock Song,” “Rock Performance,” and “Arrangements, Instruments and Vocals.” At the center of it is a performance shaped by technical control, but driven by vulnerability.
“Unknown Man” represents a clear stylistic turn toward a rawer pop-rock space. Lyrically, Ross focuses on the longing to connect with a mysterious, distant figure who carries deep emotional significance. Vulnerability and intimacy sit at the heart of the song, along with the quiet courage involved in opening oneself to a fragile connection and hoping that something uncertain might become lasting.
The track steps away from electronic loops and heavy dance syncopation. Its foundation is organic and atmospheric, with electric guitar taking a prominent role alongside cello, bass, and drums. Backing vocals from various singers support Ross without crowding her emotionally charged lead. The pacing remains deliberate, with a mid-tempo pulse giving the song enough structure to move forward while leaving space for its emotion to gather naturally.
The arrangement expands and contracts with that feeling. Sparse, quieter passages gradually give way to larger full-band crescendos, creating a sense of scale without losing the song’s intimacy. Real instrumentation remains central. Sweeping, cinematic strings recall Ross’s classical roots, while electric guitar, piano, and cello give shape to the track’s climactic passages and add weight to its darker atmosphere.
As a trained dramatic soprano, Ross approaches the performance from a different angle than strict operatic theater. Her verses can feel tender, breathy, and close to the microphone, then open into soaring belts when the choruses arrive. That contrast shows the depth of her control, though the most affecting moments are often the less polished ones. The “aches” and textural cracks of the performance are allowed to remain audible, giving the vocal a lived-in quality instead of sanding everything down into pitch-perfect digital smoothness.
The result feels closer to a dramatic stage soliloquy than a pristine studio exercise. There is a high-stakes quality to the delivery, drawing from the emotional gravity of a live, un-ironic classic rock ballad. Ross leans fully into the song’s tension, and the performance gains its force from that willingness to sound exposed.
Conceptually, “Unknown Man” keeps returning to yearning, vulnerability, and the uneasy space between emotional safety and deeper intimacy. Its central conflict comes from opening one’s heart to someone distant and mysterious, then hoping that a brief spark can survive long enough to become something real.
Taken as a whole, “Unknown Man” is cinematic, haunting, and intensely passionate. Its dramatic sweep recalls the theatrical scale of a classic 90s power ballad, while its emotional framing carries the darker vulnerability of contemporary pop. The mood is melancholic, yet there is a sense of bravery in the hope running through it.
“Unknown Man” is not Ross’s only entry this season. She has also submitted two original songs, “Soul” and “Uniti se distanti”, for official GRAMMY consideration for Pop Solo Performance/Arrangements, and Instruments and Vocals respectively.
Stream “Unknown Man” here and let us know if you feel that it is GRAMMY worthy.
Originally from Michigan and now based in Philadelphia, Digital Guts is an artist who embraces anonymity, keeping attention on the music rather than the person behind it. That sense of mystery fits naturally with a deeply DIY approach. The self-titled 7-track album “Digital Guts” is a fascinating, genre-bending project, connecting an underground electronic and emo aesthetic with experimental, sample-heavy instrumental structures. The result feels committed to sonic exploration, with arrangements that resist cookie-cutter formulas and a production style that shifts deliberately from one track to the next.
Opener “Angels Ball Out” sets the record in motion with a grand introduction. Its beat leans heavily on clever, layered sampling, creating a textured foundation that feels nostalgic while remaining distinctly underground. The rhythm settles into a smooth, loop-centered hip-hop bounce. It functions almost like an overture, especially once the album reaches its final track, “Bye Bye,” which cleverly returns to “Angels Ball Out” through a full-circle structural reverse play. Weightless, ethereal, and triumphant, the opener creates a cinematic entryway into the album’s universe.
The second track, “Goth Girl,” moves directly toward darker alternative subcultures, driven by a shadowy trap bounce and alluring vocals. A deeply calming, hypnotic instrumental backdrop balances the vocal loop, while the rhythm stays slow, deliberate, and swaying. Much of the vocal cadence circles around one lingering question, “What you see in me?” At a faster tempo, that repetition might become tedious. Here, it works beautifully, drawing a comparison to Rihanna’s “Pour It Out,” filtered through a more gothic atmosphere.
What comes through is deep longing, melancholia, and romantic fixation. The restrained beat strengthens the sense of emotional vulnerability and keeps the listener absorbed in the atmospheric space surrounding the voice.
Third track “Broken” marks a huge sonic pivot. The smooth sampling falls away as the production dives headfirst into aggressive electronic hip-hop, powered by high-energy UK drum and bass patterns. The rhythm is high-octane, frenetic, and relentless. Its chaotic cadence recalls early The Prodigy and the aggressive electronic-punk style associated with Wargasm UK.
The mood is erratic, anxious, and explosive. “Broken” captures the sensation of mental fracturing or inner chaos, pushing the album’s energy suddenly into overdrive.
Another standout from the album is “cryonme,” easily its most experimental and polarizing track. The production is intensely maximalist, with so many elements moving at once that the beat can feel intentionally at odds with the underlying tone. Its eccentric layering carries a distinct art-pop Gorillaz influence, while hyper-pulsating electronic details become one of the track’s defining characteristics.
The rhythm is disjointed and constantly shifting. “cryonme” is among the album’s more lyric-driven moments, asking the listener to follow the vocal cadence through a maze of competing instrumental sounds. The mood is melodramatic, eccentric, and overwhelming. It resembles emotional overload poured into a blender, producing a surreal and slightly chaotic listening experience.
“Dreams” is a synthetic masterpiece, hauntingly beautiful throughout and capable of leaving a desirable aftertaste long after its final notes fade.
This, ladies and gentlemen, is the story of Digital Guts’ “Digital Guts,” streaming now on popular digital platforms.