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Top 10 Best Rappers in Kenya 2020

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The question of who is among the Top 10 Best Kenyan Rappers has always been up for debate but we promise to settle this here. With the fresh new wave in the Kenyan industry known as Gengetone, we have some new names that have made it to our Best Rappers in Kenya list. Here are the Best Kenyan Rappers in 2020.

 

10. Steph Kapela

As one of the most versatile artists in the rap game, Steph Kapela comes through with fire vocals and is also a songwriter. With only 7 songs and a couple of collaborations, Steph Kapela has made it to our list and is one of our favorites.

Steph Kapela songs have a little bit of everything in them, from Rap, Singing, trap and even soul, amazing right? Steph is super talented.steph kapela is one of the best kenyan rappers

9. King Kaka

Born Kennedy Ombima, King Kaka is a renowned rapper, songwriter and Businessman. King Kaka has been in the Rap industry for a very long time and has brought up other artist and given them a platform through Kaka Empire. King Kaka was born on 7 May 1987.

King Kaka’s successful hit song is known as ‘Dundaing’ which has over 4 million views on YouTube. The name ‘Dundaing’ means Partying.king kaka

8. Miracle Baby

Unlike many of the Legends on this list, Miracle Baby’s journey just started the other day. He is part of a group called Sailors and has technically made the group relevant after the hit song ‘Wamlambez’.

He is known for his fire catchy hooks and just gives a good vibe in every song he does. Miracle Baby will even be even better in the coming years.miracle baby

7. Xtatic

Her real name is Gloria Mecheo and has been a great rapper ever since, though she grew her fanbase after she featured in Khali Cartel 2 by Khaligraph Jones. She is also part of the new game and his fan base has been really growing of late.

Xtatic says she did petry before rap and that has really helped her with her music journey. She is one of the best rappers of the new generation in Kenya.xtatic is a female kenyan rapper

6. STL

Stella Nyambura Mwangi, a very talented female rapper who lives in Norway is the second female that is on the list. She is not only popularly in Kenya but also in Norway for she won the Melodi Grand Prix 2011.  Two successful albums, a lot of songs and collaborations with other artists, made STL one of the most famous artists in Kenya.

STL is also known for singing about the issues that disturb Kenya as a country. Her songs have been used before for an advertisement for Samsung for their Galaxy S9 smartphone.best female rapper in kenya

5. E-Sir

E-Sir was and is one of the best rappers in Kenya we have ever had. Unfortunately on 16 March 2003 he was involved in a car accident on the Great Rift Valley.  He has left behind “a huge musical footprint” due to his impact on his popularity and fanbase during his short career.

Even long after his departure E-Sir is and will be remembered for his music and how he shaped the rap industry in Kenya. E-sir was and is an inspiration to many. REST IN POWER.e sir was a kenyan rapper

4. Taio Tripper

Also known as Matthew Wakhungu is one of our favorites. He was part of the Hip-hop group Camp Mulla which was a major success in East Africa in 2011 and 2012 before their break up in 2013. He is also a deejay, songwriter and sound engineer.

Taio Tripper is one of the most prominent rappers in Kenya of our time, he is super-talented, and has his own unique style, which, made makes him a real star. Taio Tripper is on the road to becoming the best rapper in Kenya.taio tripper

3. Nyashinski

Incredible Nyamari Ongegu popularly known as Nyashinski is one who can sing love songs, rap and also release gospel songs. He was once a member of Kleptomaniax which was a Hip-hop group formed back in 1999 while in high school which won 3 awards.

The group never broke up but everyone somehow went their own way, who knows, we might hear from them soon. Nyashinski is regarded, and is,  as one of the most skillful and one of the best lyricist in East Africa.nyashinski is a kenyan rapper

 

2. Abbas Kubaff

Andrew Kabiru Karuku has now been in the industry for a very long time and is famous for hit songs such as “Tokelezea” and “Tokelezea”. Abbas Kubaff was born in  (8 January 1978) and has been winning awards across East Africa and producing music since 1995.

Abbas Kubaff has been considered as the Best Kenyan Rapper a lot of times. He was part of a rap group that later split in 2005. The rap group was made up of fellow rappers, Bamboo and KC. He has received awards from Chaguo La Teeniez Awards award(2008) and a Golden Mic award(2011).abbas kubaf

 

1. Khaligraph Jones

His real name is  Brian Ouko Omollo and he is also the only Kenyan on the Best Rappers in Africa. Khaligraph Jones was also the first rapper from Kenya to win awards and be internationally recognized by the Hip Hop community. Khaligraph Jones is also known for Khali Cartel which is a cypher he produces that showcases new talent in the rap industry.

He has a flow that is as quick as Twista’s (American) or M.I (Nigerian) and with this, he has gained a huge following with a lot of loyal fans. He first came to light in 2009 when he participated in the 2009 Channel O MC Africa Challenge and reached the finals. Khaligraph Jones is the Best Kenyan Rapper of all time.

Khaligraph Jones also won the SoundCity MVP award for best hip hop act early this year going against some Hip-hop Legends in Africa. The son ‘Leave me alone’ got him the award.

 

khaligraph jones is the best kenyan rapper


Top 10 Best Kenyan Rapper in 2020

  1. Khaligraph Jones
  2. Abbas Kubaff
  3. Nyashinski
  4. E-Sir
  5. Taio Tripper
  6. STL
  7. Xtatic
  8. Miracle Baby
  9. King Kaka
  10. Steph kapelaTop 10 Best Rappers in Kenya 2020Top 10 Best Rappers in Kenya 2020

 

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Li63rty Embraces Vulnerability and Warm Afro Pop Rhythms With Roxy on Her Romantic New Single “Without Your Love”

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Li63rty Embraces Vulnerability and Warm Afro Pop Rhythms With Roxy on Her Romantic New Single “Without Your Love”

Li63rty has built her sound around golden-era hip-hop influences, sharp wordplay and soulful production, with lyrics that move between street life, love, loss, ambition, spirituality and personal growth. Her confident delivery is grounded in reflection, and she often draws on her own experiences to explore resilience and self-discovery. That sense of independence reaches beyond the studio. Through writing and entrepreneurship, she has made ownership and empowerment central to her creative outlook, encouraging listeners to push past limitations and live on their own terms.

On “Without Your Love,” however, she lets a different side of that personality come forward. Leaving behind the grit of Brooklyn drill and the hard edges of boom-bap, Li63rty settles into a warmer blend of Afro-pop and R&B. Singer Roxy joins her on the track, lending a soulful melodic hook that gives the song much of its emotional pull.

The production has an easy, sunlit warmth, though there is something quietly introspective about its mood. An infectious drum groove provides the foundation, while bright synth accents add movement and colour. The syncopated rhythm makes it easy to imagine the song playing at a party, but its unhurried pace is equally suited to a late-night drive.

This is Li63rty’s first official move into Afrobeat, and the shift feels comfortable rather than forced. The accompanying cinematic music video extends the song’s focus on devotion and loyalty, exploring the emptiness that can come with imagining life without the person you love.

Roxy handles the melodic centre with an airy, hypnotic vocal performance. Li63rty responds in a conversational flow, easing back from the aggression that often shapes her rap delivery. Her verses give the groove room to breathe, yet retain the Brooklyn confidence that defines her work. The contrast between Roxy’s smooth singing and Li63rty’s measured cadence helps the arrangement feel cohesive.

At its heart, “Without Your Love” is a direct expression of deep devotion and affection. The line “where would I be without your love.” captures the question running through the track. There is little posturing here. Li63rty sounds willing to admit just how much one person can mean to her, and that openness brings a welcome tenderness to the song.

The result is warm, romantic and uplifting, with a late-summer feel that suits its easygoing production. It can sit comfortably in the background while driving or relaxing, then come alive when the rhythm draws people onto the dance floor. For an artist usually associated with a harder hip-hop sound, “Without Your Love” offers an appealing change of pace and a convincing glimpse of her range.

“Without Your Love” is now streaming everywhere.

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Nelia Ross Embraces Raw Pop Rock Vulnerability on “Unknown Man” as She Enters a New Chapter for GRAMMY Consideration

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Nelia Ross Embraces Raw Pop Rock Vulnerability on “Unknown Man” as She Enters a New Chapter for GRAMMY Consideration

For longtime listeners, Nelia Ross has built a reputation as a versatile Italian international artist working at the meeting point of classical vocal technique, contemporary songwriting, and theatrical performance. A crossover operatic soprano, accomplished pianist, composer, and songwriter, Ross carries a powerful, expressive voice that lets her move between opera, pop, and rock while retaining the emotional weight of her classical background. Her international career, spanning Europe and the United States, has placed her on orchestral stages, alongside world renowned artists, and within the more intimate setting of her own original work.

She returns with another accomplished performance on “Unknown Man,” a raw, emotionally heavy pop-rock ballad that deliberately pulls away from the polished classical crossover sound often associated with Ross. In its place is something grittier and closer to the nerve. The song has been submitted for consideration at the 69th Annual GRAMMY Awards in the categories of “Song of the Year,” “Record of the Year,” “Rock Song,” “Rock Performance,” and “Arrangements, Instruments and Vocals.” At the center of it is a performance shaped by technical control, but driven by vulnerability.

“Unknown Man” represents a clear stylistic turn toward a rawer pop-rock space. Lyrically, Ross focuses on the longing to connect with a mysterious, distant figure who carries deep emotional significance. Vulnerability and intimacy sit at the heart of the song, along with the quiet courage involved in opening oneself to a fragile connection and hoping that something uncertain might become lasting.

The track steps away from electronic loops and heavy dance syncopation. Its foundation is organic and atmospheric, with electric guitar taking a prominent role alongside cello, bass, and drums. Backing vocals from various singers support Ross without crowding her emotionally charged lead. The pacing remains deliberate, with a mid-tempo pulse giving the song enough structure to move forward while leaving space for its emotion to gather naturally.

The arrangement expands and contracts with that feeling. Sparse, quieter passages gradually give way to larger full-band crescendos, creating a sense of scale without losing the song’s intimacy. Real instrumentation remains central. Sweeping, cinematic strings recall Ross’s classical roots, while electric guitar, piano, and cello give shape to the track’s climactic passages and add weight to its darker atmosphere.

As a trained dramatic soprano, Ross approaches the performance from a different angle than strict operatic theater. Her verses can feel tender, breathy, and close to the microphone, then open into soaring belts when the choruses arrive. That contrast shows the depth of her control, though the most affecting moments are often the less polished ones. The “aches” and textural cracks of the performance are allowed to remain audible, giving the vocal a lived-in quality instead of sanding everything down into pitch-perfect digital smoothness.

The result feels closer to a dramatic stage soliloquy than a pristine studio exercise. There is a high-stakes quality to the delivery, drawing from the emotional gravity of a live, un-ironic classic rock ballad. Ross leans fully into the song’s tension, and the performance gains its force from that willingness to sound exposed.

Conceptually, “Unknown Man” keeps returning to yearning, vulnerability, and the uneasy space between emotional safety and deeper intimacy. Its central conflict comes from opening one’s heart to someone distant and mysterious, then hoping that a brief spark can survive long enough to become something real.

Taken as a whole, “Unknown Man” is cinematic, haunting, and intensely passionate. Its dramatic sweep recalls the theatrical scale of a classic 90s power ballad, while its emotional framing carries the darker vulnerability of contemporary pop. The mood is melancholic, yet there is a sense of bravery in the hope running through it.

“Unknown Man” is not Ross’s only entry this season. She has also submitted two original songs, “Soul” and “Uniti se distanti”, for official GRAMMY consideration for Pop Solo Performance/Arrangements, and Instruments and Vocals respectively.

Stream “Unknown Man” here and let us know if you feel that it is GRAMMY worthy.

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Digital Guts Builds a Restless Genre Bending World From Anonymity, DIY Instinct, and Sonic Experimentation on “Digital Guts”

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Digital Guts Builds a Restless Genre Bending World From Anonymity, DIY Instinct, and Sonic Experimentation on “Digital Guts”

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Originally from Michigan and now based in Philadelphia, Digital Guts is an artist who embraces anonymity, keeping attention on the music rather than the person behind it. That sense of mystery fits naturally with a deeply DIY approach. The self-titled 7-track album “Digital Guts” is a fascinating, genre-bending project, connecting an underground electronic and emo aesthetic with experimental, sample-heavy instrumental structures. The result feels committed to sonic exploration, with arrangements that resist cookie-cutter formulas and a production style that shifts deliberately from one track to the next.

Opener “Angels Ball Out” sets the record in motion with a grand introduction. Its beat leans heavily on clever, layered sampling, creating a textured foundation that feels nostalgic while remaining distinctly underground. The rhythm settles into a smooth, loop-centered hip-hop bounce. It functions almost like an overture, especially once the album reaches its final track, “Bye Bye,” which cleverly returns to “Angels Ball Out” through a full-circle structural reverse play. Weightless, ethereal, and triumphant, the opener creates a cinematic entryway into the album’s universe.

The second track, “Goth Girl,” moves directly toward darker alternative subcultures, driven by a shadowy trap bounce and alluring vocals. A deeply calming, hypnotic instrumental backdrop balances the vocal loop, while the rhythm stays slow, deliberate, and swaying. Much of the vocal cadence circles around one lingering question, “What you see in me?” At a faster tempo, that repetition might become tedious. Here, it works beautifully, drawing a comparison to Rihanna’s “Pour It Out,” filtered through a more gothic atmosphere.

What comes through is deep longing, melancholia, and romantic fixation. The restrained beat strengthens the sense of emotional vulnerability and keeps the listener absorbed in the atmospheric space surrounding the voice.

Third track “Broken” marks a huge sonic pivot. The smooth sampling falls away as the production dives headfirst into aggressive electronic hip-hop, powered by high-energy UK drum and bass patterns. The rhythm is high-octane, frenetic, and relentless. Its chaotic cadence recalls early The Prodigy and the aggressive electronic-punk style associated with Wargasm UK.

The mood is erratic, anxious, and explosive. “Broken” captures the sensation of mental fracturing or inner chaos, pushing the album’s energy suddenly into overdrive.

Another standout from the album is “cryonme,” easily its most experimental and polarizing track. The production is intensely maximalist, with so many elements moving at once that the beat can feel intentionally at odds with the underlying tone. Its eccentric layering carries a distinct art-pop Gorillaz influence, while hyper-pulsating electronic details become one of the track’s defining characteristics.

The rhythm is disjointed and constantly shifting. “cryonme” is among the album’s more lyric-driven moments, asking the listener to follow the vocal cadence through a maze of competing instrumental sounds. The mood is melodramatic, eccentric, and overwhelming. It resembles emotional overload poured into a blender, producing a surreal and slightly chaotic listening experience.

“Dreams” is a synthetic masterpiece, hauntingly beautiful throughout and capable of leaving a desirable aftertaste long after its final notes fade.

This, ladies and gentlemen, is the story of Digital Guts’ “Digital Guts,” streaming now on popular digital platforms.

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