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Exclusive Interview: Ty Bru Delves on His Creative Tastes, His Inspirations & His New Single “A Single Black & Bloody Rose”

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After Ty Bru exceptional single “A Single Black & Bloody Rose” was released, we caught up with an insightful interview with such a talented artist to explore his eidetic experience and what he had to say about his incredible musical journey so far. Read below to learn some interesting details about Ty Bru.

It’s an honor to speak with you today. Why don’t you give us some details about you and your story. How did you get to where you are today?

It started out 1999 at a fraternity function. I was a DJ at the time and then jumped on the microphone over an instrumental one night and the rest was history. I wrote songs before then, but never performed them outside of close friends or family. Since then I’ve performed in a dozen countries and received international awards for my music.

Congratulations on your latest track “A Single Black & Bloody Rose”, how do you feel about the newfound success?

I feel great about it. It was released on June 6, 2021 because it was the year anniversary of The Eastside March in Asheboro, NC. That march really helped bring a ton of light on the social injustices in the world and in turn the ones that are right here in our city.

A SINGLE BLACK AND BLOODY ROSE reveals the reasons why we marched last year and why we still fight and when it comes to music, this single has the potential to reach a much farther reach that what we can do in our community.

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What was the inspiration behind the single?

The hook was written after all charges were dropped in the case of Freddie Gray’s murder. A form of protest and showing respect to him, with him being the symbolic Black and Bloody Rose. While making sure I kept the militant mindset that we all have to make sure we are armed and protect ourselves at all costs, that’s that the second half of the hook means. “Bring down the levels” means it’s time to be quiet, ya know like speak less, act more which leads into “Hand on my metal with my eyes to the devil” meaning that I’ll keep my eyes on “the man” while exercising my right to bear arms.

After writing and recording the hook, the song wasn’t necessarily abandoned, but it was stagnant until three years later when George Floyd was murdered, then I figured it was time to finish the song. So my verse on the record is directly related to that Heinous act.

I felt I needed to have a few other rappers on there so that they could share a common voice but from their perspectives. So I reached out to an old friend, Seven Da Pantha, who is a member of the Black Panther Party in Washington state and has always been at the forefront of battling social injustices since the day I met him well over a decade ago, as you can hear, it was a really good fit.

I then reached out to WuTang affiliate, Judah Priest because I admire his powerful, strong voice and his position in the industry. We met at a show in Greensboro years ago and we had played with the idea of working together, and this was the perfect chance. He’s such a professional, I loved working with him and hope to work again soon.

The fourth artist I reached out to, Shadow from Charlotte has been an extremely active solider in the fights that Charlotte has gone through on the civil rights tip, but COVID19 really threw a wrench in that, so he was unable to be on this single release, but will certainly be on the album edition, his verse is on point and I’m excited to let the world hear this song in it’s entirety, like it was intended to be.

How would you describe your sound to someone who just listened to your music for the first time?

At the core of my lyrics and beats I choose is the authentic boombap hip hop I grew up on in the late 80s and 90s. I do deviate away from that from time to time, experimenting, expanding my sound and style, but for the most part it’s very boombapish. It’s very heartfelt and/or very in your face, blunt and abrasive, grimy at times, elegant at others.

Who has been the earliest influence who inspired you to take the plunge in the music scene?

The older I get and the more aware I get of my past and the road I’ve taken to get here, the clearer my inspirations get. Early in my career, I thought it was certain musicians and artists, but at 40 years old I am here to confidently say that my community, family and friends inspired me the most to plunge into this scene, because all of the aforementioned cherish music so much and music can be so therapeutic, and also it has excellent journalistic qualities as well.

What would your ultimate dream gig be?
When it comes to music, most of my dreams have come true. My bucket list is pretty much been checked off. I’ve performed in stadiums, concert halls and bars all over the world with some of the best artists that have lived. So I guess at this point, just to finish all that I’ve started, and that’s a lot. I’ve got tons of works in progress, it would certainly be an ultimate goal to get those finished before my last day.

What goals have you accomplished? What goals are you still working towards?

In the past year and a half I have become a very active leader and advocate of civil rights in my city and I’ve seen some very positive change and progression as a direct result in my leadership while teaming up with others of my same mindset. I helped co-found THE HOPE OF EASTIDE, which is dedicated to helping the minority youth in our area.

I lived in China for five years and was able to conduct business, teach, share my art and perform my music during that time. I did an extensive tour in Europe in 2005 and also a 20+ venue tour throughout Asia and the USA in 2008. I’ve won an award for Hip Hop Album of the year in 2016 at the Independent Music Awards at the Lincoln Center in New York City, beating out hip hop legend Masta Ace. I’ve won the best of the best award for photographer in my hometown last year and received dozens of awards in the international film festival circuit after picking up videography and directing as part of my profession.

With the second part of that question, the goals I’m still working toward is similar to the last answer, I want to finish everything I’ve started, all those songs, movies, books, etc. I wanna finish them all.

For our final question, what’s next for you?

Releasing this new album, TRIPLE BYPASS: UNDER ANESTHESIA and I am so excited about it. It comes our June 12, 2021 and it’s my best work. I have simultaneously been working on a few other albums, which one of them will include A SINGLE BLACK AND BLOODY ROSE.

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Ty Bru Like it used to Ty Bru Like it used to Exclusive Interview: Ty Bru Delves on His Creative Tastes, His Inspirations & His New Single “A Single Black & Bloody Rose”

MUSIC

DJ PAPPY’s “Offside Trap” Turns Three Lions Belief Into A Chant Ready World Cup Rallying Cry For England

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DJ PAPPY’s “Offside Trap” Turns Three Lions Belief Into A Chant Ready World Cup Rallying Cry For England

UK DJ, songwriter, and producer DJ PAPPY steps directly into football fever with “Offside Trap,” an electrifying new single made to rally behind England, the Three Lions, during this year’s World Cup campaign. Driven by urban energy, electronic force, and a stadium-sized sense of occasion, the track captures the belief, pride, and nervous excitement of a nation allowing itself to dream again.

Built for terraces, fan zones, pubs, clubs, festivals, and living rooms full of hoarse supporters, “Offside Trap” arrives as a full-throttle declaration of belief. It taps into that rare football mood when a country starts to feel something special taking shape, when every tackle, goal, chant, and final whistle seems to carry a little historical weight.

The track opens with a minimal, hypnotic, commanding melody that pulls the listener in immediately. The rawness of the intro feels deliberate, giving each note space while letting the tension build through restraint. It recalls the alluring opening of “Seven Nation Army” in spirit, though DJ PAPPY gives the idea his own melodic texture and personality. There is a gripping, chant-like quality here that football fans will instinctively understand, while the production remains firmly tied to his own energy and modern instincts.

From there, a march-like rhythm takes hold, setting the stage for enchanting male vocals that echo the spirit of the Three Lions’ roar. The performance feels confident, infectious, and emotionally charged, catching the pride of supporters who have carried England through decades of hope, heartbreak, and renewed belief. This time, the feeling seems different. This time, the dream feels alive.

Musically, “Offside Trap” brings together urban hip-hop cadence, electronic pulse, dance-driven momentum, and strong anthemic vocal harmonies. The result lands with streetwise swagger and stadium impact in equal measure.

The hook is where the song fully becomes a World Cup anthem. Big, communal, and hard to shake, it invites listeners to sing, clap, chant, and give themselves over to the moment. “Offside Trap” carries that unmistakable “olé, olé, olé” spirit, which makes it feel instantly at home wherever football fans gather to celebrate.

Arriving as excitement around the Three Lions reaches fever pitch, especially after that heart-racing 3-2 knockout win against Mexico, “Offside Trap” feels like the soundtrack to a nation standing on the edge of something unforgettable. The joy is real. The belief is growing. The chants are getting louder.

With “Offside Trap,” DJ PAPPY delivers what a great football anthem needs: energy, unity, pride, and a hook that stays in your head. It is a rallying cry for the fans, a celebration of the squad, and a reminder that when music and football collide, unforgettable moments can follow.

“Offside Trap” is available now on major streaming platforms.

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Michael M Jeni Turns Heartbreak Into Self Respect And Quiet Release On New R&B Single “Played”

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Michael M Jeni Turns Heartbreak Into Self Respect And Quiet Release On New R&B Single “Played”

Iowa-based Rwandese artist Michael M Jeni returns to his R&B roots with “Played,” a moody, atmospheric, and deeply personal release that leans into vulnerability without losing its smooth composure. The song, the fastest he has ever written, recorded, and released, traces the mental and physical exhaustion of giving chance after chance to someone you love, only to end up caught in the same pattern again.

Heartbreak sits at the center of “Played,” but the song is ultimately about reclaiming self-worth. It captures the moment when someone finally recognizes their own value and chooses growth over the comfort of what is familiar. That shift comes through clearly in the words, “I’m done with giving chances, let me find my way…you’re just somebody that I used to know.”

The production is built around minimalist, slow-burn R&B, with soft, crisp, and unobtrusive beats that leave space for the emotion to breathe. The intro feels floaty and atmospheric, carried by Michael’s rich, lush vocals as they set a silky foundation. The drums offer a gentle head-nod pulse rather than a heavy knock, giving the song room to ache instead of pushing it toward a forced climax.

“Played” moves at a slow-to-mid-tempo pace, shaped by a smooth, swaying groove that makes it feel like a private late-night confession. Its hook is catchy and memorable, creating a lingering, circular pull that stays with you after the final notes fade.

Velvety keys, warm low end, airy synths, and delicate percussion give Michael’s conversational tone the right setting. The lyrics feel personal and relatable because he delivers them with a natural ease, letting the song’s soulful and introspective mood land without overstatement.

Michael sings with controlled vulnerability. His runs and ad-libs are carefully placed, which keeps the emotion raw without turning it theatrical. His vocal identity here is rooted in emotional connection rather than vocal dominance, using melody, harmony, and rhythmic finesse to make the record feel heartfelt, memorable, and widely relatable.

“Too many times you broke the rules, too many times I played the fool, I gotta graduate from this, you’re just somebody I used to know…”

Those lyrics form the emotional core of the record, capturing the painful but necessary decision to step away from a relationship that has become a repeated cycle of hurt. Instead of sinking into bitterness, “Played” turns heartbreak into self-respect, making the act of leaving feel like a declaration of personal freedom.

“Played” also serves as a compelling precursor to Michael M Jeni’s forthcoming project, “KING,” offering listeners a glimpse into the vulnerability, growth, and self-discovery shaping this new chapter of his artistry. Named after the meaning of his surname in Kinyarwanda, “KING” is expected to explore resilience, identity, healing, and personal empowerment.

Stream “Played” here and find a home for it in your playlist.

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KING TYGUSS turns faith into a battle cry on the commanding new single “Made For This Moment”

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KING TYGUSS turns faith into a battle cry on the commanding new single "Made For This Moment"

KING TYGUSS approaches music as a calling, with artistry that carries the force of Gospel truth. He is the kind of Gospel hip-hop artist who treats every track as ministry, using rhythm, testimony, scripture, and raw emotion to reach hearts inside the church and beyond it. His work feels rooted in something lived rather than performed. That honesty, along with his spiritual conviction, gives his music a weight listeners can sense right away.

A devoted educator, army veteran, and proud servant of Christ, KING TYGUSS returns with one of his most commanding and spiritually charged releases so far, “Made For This Moment.” The single brings together hard-hitting modern drill production and an uplifting Gospel-centered message, shaping the track into a declaration of faith and a rallying call for believers walking in divine purpose.

At its heart, “Made For This Moment” celebrates spiritual awakening, identity, and victory through Christ. The song speaks to those who know they were created for a higher calling, soldiers for the Most High moving boldly through faith and purpose. With passionate lyricism and a firm, commanding delivery, KING TYGUSS reminds listeners that Christ gave His life for humanity, and through Him, believers can begin to understand why they were made and what they were destined to become.

Musically, the record carries as much range as its message. It is built on a dark, bass-heavy drill foundation that grabs attention immediately, driven by booming low-end percussion, sleek electronic drums, and eerie melodic textures. Even with that intensity, the instrumental leaves enough space for KING TYGUSS to move across the beat with sharp flows and magnetic conviction. From the opening moments, the hook locks into an anthemic energy that stays with you after the track ends.

As the song develops, “Made For This Moment” takes a surprising but natural sonic turn, shifting into a glossy, haunting early 2010s pop atmosphere that recalls the cinematic edge of Iggy Azalea’s “Black Widow.” Tense synth stabs, shadowy melodies, and polished electronic details blend smoothly with the aggressive drill framework, creating a dynamic listen that reflects the depth and urgency of the song’s spiritual message.

What makes “Made For This Moment” so impactful is KING TYGUSS’ ability to connect modern mainstream production with unwavering Gospel truth. He brings faith into contemporary sound without softening its message, creating music that feels spiritually grounded while still speaking clearly to today’s listeners.

The result is a soaring Gospel anthem for every soldier of Christ who has accepted the call to action. It is for those living boldly for Him, carrying His message each day, and knowing deep in their hearts that they were truly made for this moment.

With “Made For This Moment,” KING TYGUSS continues to show that Gospel hip-hop can be sonically inventive and spiritually transformative, offering music that inspires strength, conviction, and steady faith in a generation still searching for purpose.

Check this heartfelt tune below, add it to your favorite repertoire, and share it with other soldiers of Christ.

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