Track Taylor is slowly etching his name in the urban scene. With a new single titled “Antidote” Track Taylor has continued to prove the love he has for his craft through his creativity and influencing others with his music.
Our interview dives deep into his current and past releases, favorite accessories to use while performing and recording. Read on as you’ll find out about this talented producer you’ll quickly become obsessed with:
Read our interview where we discuss his inspirations as an artist and what’s next for the future!
Hi Track Taylor! Thank you for your time and for speaking with us! How’s everything going?
No problem at all. I’m happy to. Even with this pandemic, Things are pretty well.
No one I know is sick, and my regular job isn’t affected so I’m keeping up. And excited about the single of course
Who or what inspires you the most?
Well, this may sound a bit philosophical but I think it is just the frequencies itself. The ability to make and generate sound. Weave the soundwaves together sort of speak. In reality, we have just 9 tones you know. And take all the big Composers of old.
Such as Beethoven and Mozart. One would think that with only 9 tones they, and others would have done it all by all by now. But no. Music is still interesting. People still love it and engages in it. And I think we always will.
How did you get into your producing your own music?
It has much to do with my situation. I’m a married man now, and tired of the late night’s beer brawls with often occurs if you are part of a rock and roll community. Not necessarily fighting but just all the craziness that follows.
And I don`t really have the time to be in a band physically. And drunk drummers. Yeah tired of that too.
So this is really a great opportunity to be working 100% with my own ideas and soundscape without being forced to argue my way with 3 other bandmembers. And I can work at my own pace.
What can we expect from you in the remaining part of 2020?
I plan to release at least two more singles this fall and winter. I’ve been practicing a lot of mixing that sub-bass, so you can look forward to some bottom-heavy stuff 🙂 In addition, I Have a new computer, so you can expect more experimentation with effects.
I will be able to make more interesting sounds.
The old one crashed as soon as I tried a little reverb or graphic equalization. Hopefully, I will also manage to set up a more professional social network so it will be easy for others to get in touch in case they want a collab or send me to hate mail.
What is one message you would give to your fans?
Please follow the health regulations in your respective locations during this pandemic. It won’t go away by itself. We want to go to big concerts again. And hug our friends. Make it happen
If you could collaborate with any artist, who would it be?
There is a brilliant Norwegian woman name Ina Wroldsen. She is incredibly talented and her voice is just amazing. Like really. To have HER voice on one of my songs? Well, dreams come true
Make sure you keep up to date with Track Taylor on social media releases and performances.
About The Artist
Track Taylor is a new electronic music producer from Norway. He is a musician with a love for the heavy and groovy side of music. Though he is new to making music digitally, he has a background from several unknown but solid rock, metal, and stoner bands and knows his way around both the bass and electric guitar.
Taylor can be described as 50% musician and 50% sound enthusiast. He explains:
“A song doesn’t need to contain the most beautiful melody to engage me. A big part of my “musical” revelation growing up was when Rage Against The machine hit me in the face. I don’t think they have ever produced a single beautiful melody, but their sound is so unpolished and raw”
Taylor says he also is a big fan of the deep frequencies such as kick and bass and was probably why he was so into rock and metal since it was so “hard-hitting”.
As he got a bit older, he realized that his view was a bit narrow. Because as he says:
“My sincere opinion was that If it had synthesizers in it, it was fake. But as I progressed as a musician, I discovered bands such as Led Zeppelin, Blue Oyster Cult, and Opeth. And that softened my opinions a bit. Then came Prodigy along. And Nine Inch Nails, which are both hugely electronic-based bands. Some years went by, and then came Skrillex, Deadmau5, Kygo, Alan Walker, and others, which had a so nice sound that Taylor had to be true to his heart and admit to himself: Electronic music is not only OK, it is awesome! And the more he dived in, the more he loved it.
Those deep stomach twisting soundwaves and hard-hitting 808`s. He was sold. After just 10 months opening up the DAW for the first time, his first single “Antidote” is now being released on Spotify and other major streaming platforms 01.10.2020.
In an era when plenty of hip hop chases whatever trend is loudest, Mr.Reaper arrives with something darker and more inward looking. “My Escape” is a haunting new single that moves between psychological pressure and spiritual reckoning, turning fear into the starting point for a deeper kind of release.
At 2 minutes and 37 seconds, the track wastes no time building its world. From the opening moments, the atmosphere feels cold, eerie, and cinematic, like a signal coming from somewhere far away. It pulls the listener into a shadowed mental space where reality feels unstable and escape is less certain than it first appears.
That tension comes through clearly in one of the song’s most memorable lines: “We’re in a simulation, I don’t think they understand…”
The line lingers because it feels philosophical without becoming abstract. It speaks directly to the song’s central struggle, the need to break out of unseen mental and emotional traps.
As the production expands, heavy hip hop drums take control. Booming 808s, rumbling bass, and sharp hi hats give the track a tense, cinematic weight. The beat feels alive, built with purpose, and it gives Mr.Reaper the space to step fully into his darker lyrical persona.
Once he enters that space, he owns it.
Mr.Reaper moves across the beat with control and conviction. His voice is deep, steady, and commanding, carrying each line with emotional force. When he delivers:
“I can’t see, I can’t breathe, I’m surrounded by this mystery praying to God…”
“From darkness to light, we must choose what is in the light…”
“Walking to my destiny…”
the words feel like pieces of an inner conversation. They capture the pull between despair and hope, confusion and clarity, pain and transformation.
At its core, “My Escape” is a song about liberation. Not from a place, but from the prisons people carry inside themselves. It explores fear, betrayal, pressure, self doubt, and the identities that can form around pain. The track plays like a psychological and spiritual battle, where the hardest enemy to face is often the one within.
Still, there is awakening inside the darkness.
The title “My Escape” does not feel like a retreat. It feels like recognition. Freedom, in this song, comes from facing what hurts, understanding it, and turning that struggle into strength. The message is rooted in resilience, growth, and self mastery.
The cover art sharpens that idea. Its half human, half skeletal portrait reflects the tension between life and death, identity and shadow, reality and illusion. The skull suggests mortality and inner demons, while the human side points toward consciousness and awareness. Like the song, the image is bold, unsettling, and symbolic enough to stay with you.
With “My Escape,” Mr.Reaper delivers a release that feels deliberate, emotionally charged, and thought provoking. In a crowded musical landscape, his voice cuts through because it sounds committed to something real.
The journey inward may be the darkest path, but Mr.Reaper presents it as the one that leads toward true freedom.
Eye’z launches Kickstarter campaign to fund debut album “…The Album…”
RICHMOND, Calif., May 3, 2026, Pop singer, pianist, actress, and creative artist Eye’z has launched a Kickstarter campaign to fund her long awaited debut album, “…The Album…,” a full length project rooted in soul, personal expression, and artistic independence.
The campaign is now live on Kickstarter and has raised US$1,145 toward its US$20,000 goal, with 7 backers and 38 days remaining at the time of this release. The all or nothing campaign must reach its funding goal by Thursday, June 11, 2026, at 9:03 AM UTC+3 in order to receive funding.
For Eye’z, this album represents years of dedication, growth, and determination. After several attempts to record the project, she is turning to listeners, fans, and supporters of independent music to help bring the album to life with the care and quality it deserves.
“I’m Eye’z, a pop artist with my own style that rings through my soul,” says Eye’z. “I don’t like being compared to other artists even when there are similarities because what I create is my own.”
The album is intended to capture Eye’z as she hears herself, with more creativity, freedom, and emotional honesty than she has been able to fully realize before. Her influences include Judy Garland, Aaliyah, Michael Jackson, Fats Waller, Marian Anderson, and Jackie Wilson. While reflecting on the project, Eye’z says she was especially inspired by Jackie Wilson’s album “Beautiful Day.”
“Music isn’t just music from me, it’s artistry. It’s completeness,” she shares through the campaign. “This campaign is to help me finally create my full length album.”
Funds raised through Kickstarter will help cover studio production, recording in a studio with a grand piano, compatible audio engineers, music video production, marketing, promotion, and live performance expenses. Eye’z also plans to celebrate the album’s debut with a special live performance in the Bay Area, bringing together supporters, musicians, and fans for a release event filled with music, energy, and gratitude.
“One of the most exciting parts of this project will be celebrating the album’s debut with a live performance for fans,” says Eye’z. “I plan to organize a special concert in the Bay Area to mark the release, an unforgettable night filled with music, energy, and gratitude.”
The Kickstarter campaign includes several reward tiers for backers. Supporters can pledge US$25 for an early digital listen, US$50 for a sneak peek package, US$275 for exclusive VIP livestream access, US$300 for an album release party invitation, US$750 for limited exclusive merchandise and a personal call, US$1,000 for a personalized album shoutout, and US$10,000 for the opportunity to executive produce the debut album.
Eye’z says she plans to keep backers updated throughout the album making process and views supporters as an essential part of the journey.
“For the most part I plan on diving in and keeping in contact with all backers to update you on the progress of my album,” she says. “BECAUSE YOU ARE THE RECORD LABEL! LOL”
For Eye’z, the campaign is about more than funding an album. It is about creating a meaningful body of work and sharing it with the people who believe in her voice, her artistry, and her story.
“Let’s make some memorable music together,” says Eye’z. “It’s SHOWTIME!”
About Eye’z Eye’z is a pop singer, pianist, actress, and multifaceted creative artist based in Richmond, California. Her music is shaped by soul, pop, theatrical expression, and classic performance influences. With “…The Album…,” Eye’z is working to complete her debut full length project and share a personal, emotionally honest body of work with listeners around the world.
Let me tell you about Dutch 3Times, a genre-fluid lyricist and melodic craftsman whose music sits somewhere between Southern reflection and Detroit pressure. He has a sharp instinct for rhythm, moving between rap, melody, and tightly cut lyricism with ease. Whether he is working over heavy trap drums or slow, atmospheric production, Dutch 3Times knows how to make a beat feel alive. He does not simply settle into the pocket, he reshapes it. Welcome aboard, ladies and gentlemen.
The independent artist returns with “Distant Lover 4: Love, Lust & Heartbreak,” a bold and intoxicating 9-track project that runs 24 minutes and 14 seconds. It marks another strong chapter in his ambitious six-part “Distant Lover Saga,” a conceptual run built around the emotional extremes of love, lust, longing, and heartbreak. Seductive, reflective, dangerous, and thrilling, this latest release is a genre-bending statement from an artist willing to blur lines, bend sound, and follow feeling wherever it takes him.
Before the music even begins, the cover art sets the mood. Washed in luminous neon green, it feels like a futuristic dreamscape where passion and heartbreak have become their own coded language. Three glowing feminine silhouettes stand at the center, part muse, part memory, part mirage. They suggest desire, mystery, and emotional complication, while streams of digital text form a matrix-like backdrop repeating the album’s core themes, love, lust, heartbreak. The image is sleek, haunting, and cybernetic. In Dutch 3Times’ world, romance feels electric and elusive, deeply felt yet always slightly out of reach.
The music is just as immersive.
The opener, “No Stress” featuring Neisha Neshae, sets the tone with futuristic minimalism that actually works. Over a clean, sharp beat built from rubbery basslines, crisp percussion, and spacious melodic restraint, Dutch 3Times shows one of his strongest gifts, his ability to lock into the production until he feels fused with it. His flow moves with smooth confidence, calm and unbothered, while Neisha Neshae brings a sharper feminine edge that strengthens the chemistry without breaking the track’s hypnotic cool.
Then comes “No Secrets,” an explosive, hook-driven anthem powered by booming 808s and sliding drill basslines that tap into the raw force of UK and New York drill. Its refrain, “Girl you know what I mean, don’t keep no secrets from me,” gives the song instant replay value. Dutch’s commanding cadence and unmistakable voice push it even further, making it one of the project’s clear centerpieces.
“BackStreet Girls PT2” moves into darker territory, a woozy nocturnal trap trip that feels like wandering through a psychedelic after-hours haze. Warped synth textures, rolling low-end, and a slow hypnotic bounce give the track its pull. Dutch 3Times leans into melody here, letting his voice dissolve into the atmosphere until he feels less like a rapper in front of the beat and more like another instrument inside the mix, ghostlike, fluid, and intoxicating.
Tracks like “All Day All Night” bring polished modern rap swagger. Dark atmospheric keys sit against punchy, clean drums, leaving enough space for the bars to breathe. The song’s stripped-back confidence and easy hook give it anthem potential. It is simple, catchy, and hard to ignore.
“Do For Me” is one of the project’s most compelling moments. Cinematic, haunting, and experimental, it carries real danger in its DNA. The production feels deep, drugged, and immersive, covered in shadow and dramatic tension. Its repetitive hook stays with you after the song ends, circling in the mind like a temptation that refuses to fade.
What makes “Distant Lover 4: Love, Lust & Heartbreak” land is its range. Dutch 3Times builds a world where sleek hip-hop minimalism, explosive drill energy, hazy trap psychedelia, polished rap bravado, and cinematic experimentation sit together naturally. There is sensuality here. There is swagger. There is vulnerability. There is edge. More than anything, there is intention.
This is music for late-night drives, smoke-filled thoughts, reckless passion, quiet obsession, and every blurred feeling in between.
With “Distant Lover 4: Love, Lust & Heartbreak,” Dutch 3Times keeps shaping the “Distant Lover Saga” into something bigger than a sequence of releases. It is starting to feel like a living universe of emotion and sound.
There is something here for everyone. Find it now by streaming this project.