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Interview: Lorenzo Gabanizza Shares Insights on His Musical Journey

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After Lorenzo Gabanizza’s uniquely written EP  “Someone waiting at their door” was released, we caught up with an insightful interview with such a talented artist to explore his eidetic experience and what he had to say about his incredible musical journey so far. Read below to learn some interesting details about Lorenzo Gabanizza

 

Thank you for joining us today – Congratulations on the release of your EP “Someone waiting at their door”! How are you feeling about sharing this EP with the world?

Excited? And also grateful to all those people who have allowed the realization of this Ep. In particular, the musicians and staff who have collaborated, my dear friend and editor John Toso, the great fiddler Ian Cameron and the engineer Don Tyler, who has worked with Bob Dylan, one of my myths of all time. And Well, a great deal of people involved as Lydia Walis, Jennifer Dimer, Xenia, Stefano Bedini, Luca Legrenzi, and many others.

What led you to pursue a career in country music?

It’s not like I’ve pursued a career in country music. I don’t have a specific genre because I prefer to use my whole “chromatic scale”. I had the luck of having two parents loving music and having a terrific vinyl collection ranging from classical to hard rock. So, for me, at 5, it was normal to listen to Chopin, Mahalia Jackson, Elvis Presley, Jethro Tull, Led Zeppelin. Therefore, when I write music, I draw on all my baggage (including literary knowledge). In fact, I believe that music should not have limits, just as the artist at work should not be limited by preconceptions. I find labels limiting, disappointing. And harmful to the artist. If you browse my discography, you will realize that there is no genre linearity and this is due to the fact that I believe as I have already said, that an artist should use all the scale of his knowledge and emotions.

What’s your first memory of the guitar and what’s the first song you ever learned to play?

The first time I played the guitar I was 11 if I’m not mistaken. I started playing guitar because I wanted to be independent. I was already playing keyboard and drums, but the guitar seemed to me the most suitable instrument to for my compositions – and also the least noisy as my neighbors were not so happy with my drums exercising… There was no first song. I remember that I spent the first few days making my fingers bleed to learn the basic chords of a bouquet of songs, and then, writing in a notebook all the chords of the songs I preferred: Yellow river, Eloise, Candida, Roly Poly, Can’t help falling in love, I am I said, New Morning etc.

What’s the motivation behind your upcoming album “All the words we never said” and when can we expect it?

The meaning of this album is very clear from the title. There are words, meanings, feelings, truths we never tell, for various reasons. This album, therefore, chooses transparency and touches on burning and social topics such as George Floyd’s death, prejudice, violence, racism, but also feelings, depths never described before by myself; after all, freeing oneself from shields and preconceptions, for an artist, is, in my opinion, the true achievement of artistic maturity.

If you are asked to collaborate with a renowned musician, whose name will you write down?

Well, I have no problem collaborating with other artists, but it’s not my priority. I am always positive with this kind of things I mean. If I must mention someone, the most of them are dead, like John Lennon, Elvis Presley, Johnny Cash, Chester Bennington. The alive squad is composed by Jeff Christie, Barry Ryan Mike Shinoda, Bob Dylan, Neil Diamond, Kate Bush, David Gates, Johnny Rivers, John Carter…All people who surely don’t need my input.

What is one message you would give to your fans?       

Never give up on your dreams. Keep your feet on the ground but your soul high flying.

Are you working independently or with any production house or recording label?

At the moment I am working with an independent label. The album will be released under Nashville label AOK Records and Productions, under the production and management of Adam and Angel Knight. I will get amazing musicians in studio, so I am very excited to start working on this and I hope you people are eager to hear the final product as much as I am.

Thank you for speaking with us! For our final question, is there anything else you would like to add?

Follow me on my channels, listen my music on spotify, apple or any other platform and if you like what you hear, give me one like. It’s never said enough, especially in times like these, that the artist’s salary is the consensus of his audience. In the end, the magic of this profession is precisely this: by writing a song, we give to the audience a part of our heart and that piece of the heart becomes part of them and keeps beating when it touches their sensitivity. Success does not belong to the artist, but to his audience because without an audience, we are nothing; we are, as a Zen proverb said, like a man trying to clap with one hand.

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Interview: Lorenzo Gabanizza Shares Insights on His Musical Journey Interview: Lorenzo Gabanizza Shares Insights on His Musical Journey Interview: Lorenzo Gabanizza Shares Insights on His Musical Journey Interview: Lorenzo Gabanizza Shares Insights on His Musical Journey

MUSIC

Dutch 3Times turns love lust and heartbreak into a neon charged world of melody and temptation

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Dutch 3Times turns love lust and heartbreak into a neon charged world of melody and temptation

Let me tell you about Dutch 3Times, a genre-fluid lyricist and melodic craftsman whose music sits somewhere between Southern reflection and Detroit pressure. He has a sharp instinct for rhythm, moving between rap, melody, and tightly cut lyricism with ease. Whether he is working over heavy trap drums or slow, atmospheric production, Dutch 3Times knows how to make a beat feel alive. He does not simply settle into the pocket, he reshapes it. Welcome aboard, ladies and gentlemen.

The independent artist returns with “Distant Lover 4: Love, Lust & Heartbreak,” a bold and intoxicating 9-track project that runs 24 minutes and 14 seconds. It marks another strong chapter in his ambitious six-part “Distant Lover Saga,” a conceptual run built around the emotional extremes of love, lust, longing, and heartbreak. Seductive, reflective, dangerous, and thrilling, this latest release is a genre-bending statement from an artist willing to blur lines, bend sound, and follow feeling wherever it takes him.

Before the music even begins, the cover art sets the mood. Washed in luminous neon green, it feels like a futuristic dreamscape where passion and heartbreak have become their own coded language. Three glowing feminine silhouettes stand at the center, part muse, part memory, part mirage. They suggest desire, mystery, and emotional complication, while streams of digital text form a matrix-like backdrop repeating the album’s core themes, love, lust, heartbreak. The image is sleek, haunting, and cybernetic. In Dutch 3Times’ world, romance feels electric and elusive, deeply felt yet always slightly out of reach.

The music is just as immersive.

The opener, “No Stress” featuring Neisha Neshae, sets the tone with futuristic minimalism that actually works. Over a clean, sharp beat built from rubbery basslines, crisp percussion, and spacious melodic restraint, Dutch 3Times shows one of his strongest gifts, his ability to lock into the production until he feels fused with it. His flow moves with smooth confidence, calm and unbothered, while Neisha Neshae brings a sharper feminine edge that strengthens the chemistry without breaking the track’s hypnotic cool.

Then comes “No Secrets,” an explosive, hook-driven anthem powered by booming 808s and sliding drill basslines that tap into the raw force of UK and New York drill. Its refrain, “Girl you know what I mean, don’t keep no secrets from me,” gives the song instant replay value. Dutch’s commanding cadence and unmistakable voice push it even further, making it one of the project’s clear centerpieces.

“BackStreet Girls PT2” moves into darker territory, a woozy nocturnal trap trip that feels like wandering through a psychedelic after-hours haze. Warped synth textures, rolling low-end, and a slow hypnotic bounce give the track its pull. Dutch 3Times leans into melody here, letting his voice dissolve into the atmosphere until he feels less like a rapper in front of the beat and more like another instrument inside the mix, ghostlike, fluid, and intoxicating.

Tracks like “All Day All Night” bring polished modern rap swagger. Dark atmospheric keys sit against punchy, clean drums, leaving enough space for the bars to breathe. The song’s stripped-back confidence and easy hook give it anthem potential. It is simple, catchy, and hard to ignore.

“Do For Me” is one of the project’s most compelling moments. Cinematic, haunting, and experimental, it carries real danger in its DNA. The production feels deep, drugged, and immersive, covered in shadow and dramatic tension. Its repetitive hook stays with you after the song ends, circling in the mind like a temptation that refuses to fade.

What makes “Distant Lover 4: Love, Lust & Heartbreak” land is its range. Dutch 3Times builds a world where sleek hip-hop minimalism, explosive drill energy, hazy trap psychedelia, polished rap bravado, and cinematic experimentation sit together naturally. There is sensuality here. There is swagger. There is vulnerability. There is edge. More than anything, there is intention.

This is music for late-night drives, smoke-filled thoughts, reckless passion, quiet obsession, and every blurred feeling in between.

With “Distant Lover 4: Love, Lust & Heartbreak,” Dutch 3Times keeps shaping the “Distant Lover Saga” into something bigger than a sequence of releases. It is starting to feel like a living universe of emotion and sound.

There is something here for everyone. Find it now by streaming this project.

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3B Rich Bring Confidence and Late Night Ambition Into Focus On the Sleek and Hypnotic New Single “Slow Twerking”

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3B Rich Bring Confidence and Late Night Ambition Into Focus On the Sleek and Hypnotic New Single “Slow Twerking”

Afro Brazilian trio 3B Rich keep sharpening their place in contemporary music with the release of their latest single, “Slow Twerking.” Blending modern R&B, hip hop, and pop with an easy sense of control, the song lands as a hypnotic, club minded track full of cinematic detail and an undeniable groove.

Driven by smooth, pulsing production and airy synth work, “Slow Twerking” reaches beyond the usual dancefloor rush. There is a real story inside it. The track sketches the life of a dancer moving through the nightlife world, holding onto her confidence, resilience, and ambition. Through vivid lyrics, 3B Rich present a woman who commands attention while working toward something larger, supporting her child, investing in her education, and building a future for herself on her own terms.

A big part of the song’s appeal comes from the way the group handles its vocals. Brothers Hi-en, Mr. Spotlight, and J-Royal play off one another with the kind of chemistry that makes the track feel loose and precise at the same time. Verses, hooks, and melodies pass naturally between them. Each voice has its own character, but together they create a polished, unified sound. The hook stays with you, long after the song ends.

On the production side, “Slow Twerking” captures what makes 3B Rich stand out. They move between genres with care, never losing the emotional pull or rhythmic focus of the song. The layered arrangement, sharp sense of rhythm, and melodic immediacy make it easy to imagine the track thriving both on streaming platforms and in a live setting.

The single also arrives at an important point for the trio. As attention around “Slow Twerking” continues to build, 3B Rich are wrapping up work on their debut album. The project is expected to push further into the ideas introduced here, with more genre blending, stronger storytelling, and adventurous production choices. It speaks to the group’s drive to test their range while staying grounded in something genuine.

Originally from Los Angeles and now based in Las Vegas, 3B Rich bring a distinct West Coast feel that is shaped by broader global influences. Their music is marked by tight harmonies, a strong stage presence, and a creative vision that connects different sounds and cultural perspectives. As their catalog grows, so does the sense that they are becoming a genuinely forward looking act, one with the potential to leave a real mark on pop and urban music.

With more releases, live shows, and industry partnerships ahead, 3B Rich are moving steadily from rising talent to serious creative contender.

“Slow Twerking” is available now on all major streaming platforms.

For the latest music, video releases, and tour updates, follow 3B Rich on YouTube, Instagram, and TikTok.

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In Sylk McCloud’s Safeword, Bedroom R&B Meets Club Heat as Mr.24 Adds Grit to Bubu’s Midnight Pulse

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In Sylk McCloud’s Safeword, Bedroom R&B Meets Club Heat as Mr.24 Adds Grit to Bubu’s Midnight Pulse

Rising bedroom R&B crooner Sylk McCloud, hailing from SE Washington, DC, turns up the temperature on his latest single, “Safeword.” It’s a slow burner built for the club, where glossy modern R&B melts into a little hip hop swagger. BuBu The Producer keeps the track sleek and plush, while featured rapper and emcee Mr.24 slides in with a verse that sharpens the edge.

Right away, “Safeword” lands in that moody late night pocket. The instrumental is velvet smooth, but it moves with a steady, hypnotic groove that nudges you closer. Sylk sings like he’s speaking directly across a dark room, soft in tone yet sure of himself. That push and pull is the point, a mix of vulnerability and control, desire and hesitation, all held in tension without spilling into melodrama.

The song takes its cues from the “Shades of Grey” film series, leaning into trust, fantasy, and the charged negotiation that comes with intimacy. Sylk makes the hook the centerpiece, letting the melody do the seducing even as the lyrics get bold:

“Tell me you’re sexy, all positions go
Are you ready for submission
Fifty shades is what I’m giving
Satisfaction all positions
Only one thing missing
Tell me your safeword…”

Those lines set the mood with a teasing confidence that never feels rushed. The chorus is restrained and tempting, built to linger rather than hit and disappear. Sylk’s voice floats above the beat with a magnetic ease, so the hook sticks in your head and in your gut.

When Mr.24 arrives, the energy shifts without breaking the spell. His delivery brings a gritty smooth contrast to Sylk’s melodic glide, grounding the fantasy in something a little tougher. It’s a smart pairing. The two artists sound comfortable sharing the same space, which helps “Safeword” work in more than one setting, from a packed dance floor to a late night playlist you keep to yourself.

A lot of the track’s pull comes from the production choices. BuBu The Producer builds a lush, atmospheric soundscape that matches Sylk’s tone, leaving room for breath, for pause, for that moment before the next touch. It feels designed for slow dancing, for cruising through the city after midnight, or for setting the room’s temperature with intention.

With “Safeword,” Sylk McCloud keeps carving out his lane in contemporary R&B, blending emotional weight with sensual confidence. The single plays like a small, cinematic scene, intimate on purpose, polished without feeling distant.

“Safeword” is now available on all major streaming platforms.

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