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Interview: Stephanie Jeannot Share Insights About Her Musical Journey

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Stephanie Jeannot joins us again to discuss her new single ‘Haitian’, her inspirations, and what we can expect from her in the future! Make sure to check out our interview below:

Welcome – Thanks for sharing your music with us! How has 2020 been for you?

2020 is an experience. It started off with me thinking that it was going to be one of the greatest years because of how it came in. But once the truth settled in about how the rest of 2020 was going to be, my entire view of it changed.

I lost many people to this awful disease including my drummer, Richie Johnson, who I adored. That was my boy and he is so missed. I also lost a friend, Linda Bekham who was an amazing promoter for jazz events who helped me to put on a really nice live jazz birthday event last year.  Both of the aforementioned died days apart and the more the days progressed towards the end of March, the more people I was losing.

I decided to use my emotions productively when my Instagram friend, John Mueller from Chicago, IL and I started doing Zoom songwriting sessions which lead to the idea of putting together a musical project and giving ourselves a deadline to finish it.

Every night after that, I wrote a song or two with piano, drums, lyrics, lead and background vocals. I would send them to John as a rough draft and ask him to add him bass lines.  There were a few songs where he also created the musical melody and I added piano, lyrics and vocals.  Between the end of April and May, I composed over 25 songs of which, 13 is featured on the album we released on October 10, 2020 entitled, “The Stephanie Jeannot & The John Mueller Project”

Interview: Stephanie Jeannot Share Insights About Her Musical JourneyCongratulations on your new album “The Stephanie Jeannot & John Mueller Project,” Which song was your favorite to put together?

Thank you so much. I feel like with nine months, the project was like giving birth. We conceived and gave birth to what we had been doing the entire year. I have a lot of favorites on this album for a few reasons.

One of my favorites on the album is “Intoxicated By Your Love” because I was coming from church one Sunday afternoon during the quarantine and while I was driving, the song lyrics started to come to me so much that I had to tell Serie to open up my Voice Memo so I could record my thoughts. “Intoxicated By Your Love” is some of the ideas I would put down in reimagining Aretha Franklin’s tune “Respect.” I also love it because was able to not only play all the piano parts but also come up with a really cool piano solo and also chart the notes I was playing. I also love it because John Mueller was right there with me, riding tight to the waves of sound that was present in the tune. We make a good team and I love that. I originally wanted to name it 95 Proof thinking back to a time when I was a lush and drank 95% alcohol with my friends at the dorms and we all got sick off that 190-proof bottle of Grain alcohol. I have been sober for 7 years now but the experience of having been someone who used to love to indulge so much that I had a trophy case of empty bottles, gave me the words to be able to write this song and created the vibe that it needed.

Another of my favorites is “Haitian” because I am able to more express myself in Haitian Kreyol which I have been trying to do forever. I laugh because I used a translation book to create the hook which is 95% in Kreyol. But to get the point across of what I was trying to do which to meld my Americanism with my Haitian, and I did it; both musically and lyrically.

I love the song “Brooklyn” because it was my first time being able to be free with my poetry and actually spit it out without stumbling. I started writing poetry before I started writing songs. This song was kind of cool because John writes this funky bass line, drum groove and guitar riff and sent it my way. At first, it was going to be a song entitled “I write in Brooklyn.” But when I heard John’s bassline, I realized that it was meant to be an anthem of some sort and changed the entire lyrical content already drafted to … “Ain’t no other place like, ‘Brooklyn,’” and that in itself brought the beauty and culture of the unique borough of Brooklyn to life.  But what give is even more of that lovability is Bruffdacrowdpleaser adding his wit and character to it. This is the first song that I ever wrote a piano solo for.

I love “You are the One” because it is the first jazz song I ever wrote and I love “Rise Up” because though it has political context in its lyrics, it is the first ballad that I have ever written and I love “Moving Forward” because it was a song written to celebrate my nephew and my students graduating and running towards the next chapters of their lives.

How would you describe your music to a first-time listener?

My music is something to take your time to listen to because there is a story in every song that every person could relate to. The first two tracks are relative to people who work a 9-5 for a living. There are a few songs that amplify the idea of agape love, equality in justice and unity for the world. I wrote my first jazz piece and ballad ever. My music is familiar yet different. There is a song on there for everybody.

What is your creative process when creating new music?

My writing process varies. Sometimes I am sitting somewhere, and a song comes to me that demands me to write it. Other times, I am practicing my piano playing and I play a series of chords that inspires a song, which forces me to open my Sonar Cakewalk DAW to start layering my ideas down.

With this particular album, John and I came up with a few prompted titles for future songs to be written and many of the songs were written around the title idea. I was doing a lot of reading at that time and if I saw an interesting phrase that fit the topic, I wrote it down for future use. I was also entering a few 2000 words or more prompted short story writing contests, which helped me a lot with the art of telling stories in musical format.

Once I come up with an idea, I write the song until the entire draft is completed which includes music, lyrics, lead and background vocals. I was up until about 3AM every night from the end of April through mid-May, just writing and coming up with song ideas.

“Haitian” is beautiful! Tells us what you love about your culture.

Thank you. I love the language a lot. I think it is really nice and I love having something such as a foreign language that differentiates me from the bunch. I love Haitian music because it is jazzy and funky all at the same time and the dances that people do to it because the movements to the Kompas sounds are so graceful and beautiful. I love the food because there ain’t no cuisine like Haitian cuisine.

I have been to Haiti and so I appreciate the atmosphere and the people. The waterfalls, the mountains, the Greenland; all worth seeing.

Interview: Stephanie Jeannot Share Insights About Her Musical Journey

What would you say has been the single most influential factor in your success?

My most influential factor in my life is not allowing anyone, anything or any circumstances to take away the joy I have for being a musician who writes songs and performs music. I realize at the end of the day that I could let life break me and make me not want to participate in the very thing that brings me joy, or I could just work with what I have, where I am and put forward what was in me meant to take flight.

Plus when you have people like your parents, good friends and John who was such a motivating factor in this entire songwriting/album writing experience, helped to push me to just give my all and not allow anything to stop me.

Thank you for speaking with us! Is there anything else you would like to add?

Thank you for providing the platform for me to just share my story. I totally appreciate this experience.

 

MUSIC

Mr.Reaper turns My Escape into a shadowed search for freedom through fear inner conflict and spiritual clarity

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Mr.Reaper turns My Escape into a shadowed search for freedom through fear inner conflict and spiritual clarity

In an era when plenty of hip hop chases whatever trend is loudest, Mr.Reaper arrives with something darker and more inward looking. “My Escape” is a haunting new single that moves between psychological pressure and spiritual reckoning, turning fear into the starting point for a deeper kind of release.

At 2 minutes and 37 seconds, the track wastes no time building its world. From the opening moments, the atmosphere feels cold, eerie, and cinematic, like a signal coming from somewhere far away. It pulls the listener into a shadowed mental space where reality feels unstable and escape is less certain than it first appears.

That tension comes through clearly in one of the song’s most memorable lines: “We’re in a simulation, I don’t think they understand…”

The line lingers because it feels philosophical without becoming abstract. It speaks directly to the song’s central struggle, the need to break out of unseen mental and emotional traps.

As the production expands, heavy hip hop drums take control. Booming 808s, rumbling bass, and sharp hi hats give the track a tense, cinematic weight. The beat feels alive, built with purpose, and it gives Mr.Reaper the space to step fully into his darker lyrical persona.

Once he enters that space, he owns it.

Mr.Reaper moves across the beat with control and conviction. His voice is deep, steady, and commanding, carrying each line with emotional force. When he delivers:

“I can’t see, I can’t breathe, I’m surrounded by this mystery praying to God…”

“From darkness to light, we must choose what is in the light…”

“Walking to my destiny…”

the words feel like pieces of an inner conversation. They capture the pull between despair and hope, confusion and clarity, pain and transformation.

At its core, “My Escape” is a song about liberation. Not from a place, but from the prisons people carry inside themselves. It explores fear, betrayal, pressure, self doubt, and the identities that can form around pain. The track plays like a psychological and spiritual battle, where the hardest enemy to face is often the one within.

Still, there is awakening inside the darkness.

The title “My Escape” does not feel like a retreat. It feels like recognition. Freedom, in this song, comes from facing what hurts, understanding it, and turning that struggle into strength. The message is rooted in resilience, growth, and self mastery.

The cover art sharpens that idea. Its half human, half skeletal portrait reflects the tension between life and death, identity and shadow, reality and illusion. The skull suggests mortality and inner demons, while the human side points toward consciousness and awareness. Like the song, the image is bold, unsettling, and symbolic enough to stay with you.

With “My Escape,” Mr.Reaper delivers a release that feels deliberate, emotionally charged, and thought provoking. In a crowded musical landscape, his voice cuts through because it sounds committed to something real.

The journey inward may be the darkest path, but Mr.Reaper presents it as the one that leads toward true freedom.

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Eye’z launches Kickstarter campaign to fund debut album and bring fans into the heart of the creative process

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Eye’z launches Kickstarter campaign to fund debut album and bring fans into the heart of the creative process
FOR IMMEDIATE RELEASE

Eye’z launches Kickstarter campaign to fund debut album “…The Album…”

RICHMOND, Calif., May 3, 2026, Pop singer, pianist, actress, and creative artist Eye’z has launched a Kickstarter campaign to fund her long awaited debut album, “…The Album…,” a full length project rooted in soul, personal expression, and artistic independence.

The campaign is now live on Kickstarter and has raised US$1,145 toward its US$20,000 goal, with 7 backers and 38 days remaining at the time of this release. The all or nothing campaign must reach its funding goal by Thursday, June 11, 2026, at 9:03 AM UTC+3 in order to receive funding.

Supporters can view and back the campaign here:
https://www.kickstarter.com/projects/dmblk/the-album-0?ref=2rhwlg

For Eye’z, this album represents years of dedication, growth, and determination. After several attempts to record the project, she is turning to listeners, fans, and supporters of independent music to help bring the album to life with the care and quality it deserves.

“I’m Eye’z, a pop artist with my own style that rings through my soul,” says Eye’z. “I don’t like being compared to other artists even when there are similarities because what I create is my own.”

The album is intended to capture Eye’z as she hears herself, with more creativity, freedom, and emotional honesty than she has been able to fully realize before. Her influences include Judy Garland, Aaliyah, Michael Jackson, Fats Waller, Marian Anderson, and Jackie Wilson. While reflecting on the project, Eye’z says she was especially inspired by Jackie Wilson’s album “Beautiful Day.”

“Music isn’t just music from me, it’s artistry. It’s completeness,” she shares through the campaign. “This campaign is to help me finally create my full length album.”

Funds raised through Kickstarter will help cover studio production, recording in a studio with a grand piano, compatible audio engineers, music video production, marketing, promotion, and live performance expenses. Eye’z also plans to celebrate the album’s debut with a special live performance in the Bay Area, bringing together supporters, musicians, and fans for a release event filled with music, energy, and gratitude.

“One of the most exciting parts of this project will be celebrating the album’s debut with a live performance for fans,” says Eye’z. “I plan to organize a special concert in the Bay Area to mark the release, an unforgettable night filled with music, energy, and gratitude.”

The Kickstarter campaign includes several reward tiers for backers. Supporters can pledge US$25 for an early digital listen, US$50 for a sneak peek package, US$275 for exclusive VIP livestream access, US$300 for an album release party invitation, US$750 for limited exclusive merchandise and a personal call, US$1,000 for a personalized album shoutout, and US$10,000 for the opportunity to executive produce the debut album.

Eye’z says she plans to keep backers updated throughout the album making process and views supporters as an essential part of the journey.

“For the most part I plan on diving in and keeping in contact with all backers to update you on the progress of my album,” she says. “BECAUSE YOU ARE THE RECORD LABEL! LOL”

For Eye’z, the campaign is about more than funding an album. It is about creating a meaningful body of work and sharing it with the people who believe in her voice, her artistry, and her story.

“Let’s make some memorable music together,” says Eye’z. “It’s SHOWTIME!”

To support “…The Album…” on Kickstarter, visit:
https://www.kickstarter.com/projects/dmblk/the-album-0?ref=2rhwlg

About Eye’z
Eye’z is a pop singer, pianist, actress, and multifaceted creative artist based in Richmond, California. Her music is shaped by soul, pop, theatrical expression, and classic performance influences. With “…The Album…,” Eye’z is working to complete her debut full length project and share a personal, emotionally honest body of work with listeners around the world.

Media Contact
Eye’z
Email: [email protected]
Kickstarter: https://www.kickstarter.com/projects/dmblk/the-album-0?ref=2rhwlg

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Dutch 3Times turns love lust and heartbreak into a neon charged world of melody and temptation

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Dutch 3Times turns love lust and heartbreak into a neon charged world of melody and temptation

Let me tell you about Dutch 3Times, a genre-fluid lyricist and melodic craftsman whose music sits somewhere between Southern reflection and Detroit pressure. He has a sharp instinct for rhythm, moving between rap, melody, and tightly cut lyricism with ease. Whether he is working over heavy trap drums or slow, atmospheric production, Dutch 3Times knows how to make a beat feel alive. He does not simply settle into the pocket, he reshapes it. Welcome aboard, ladies and gentlemen.

The independent artist returns with “Distant Lover 4: Love, Lust & Heartbreak,” a bold and intoxicating 9-track project that runs 24 minutes and 14 seconds. It marks another strong chapter in his ambitious six-part “Distant Lover Saga,” a conceptual run built around the emotional extremes of love, lust, longing, and heartbreak. Seductive, reflective, dangerous, and thrilling, this latest release is a genre-bending statement from an artist willing to blur lines, bend sound, and follow feeling wherever it takes him.

Before the music even begins, the cover art sets the mood. Washed in luminous neon green, it feels like a futuristic dreamscape where passion and heartbreak have become their own coded language. Three glowing feminine silhouettes stand at the center, part muse, part memory, part mirage. They suggest desire, mystery, and emotional complication, while streams of digital text form a matrix-like backdrop repeating the album’s core themes, love, lust, heartbreak. The image is sleek, haunting, and cybernetic. In Dutch 3Times’ world, romance feels electric and elusive, deeply felt yet always slightly out of reach.

The music is just as immersive.

The opener, “No Stress” featuring Neisha Neshae, sets the tone with futuristic minimalism that actually works. Over a clean, sharp beat built from rubbery basslines, crisp percussion, and spacious melodic restraint, Dutch 3Times shows one of his strongest gifts, his ability to lock into the production until he feels fused with it. His flow moves with smooth confidence, calm and unbothered, while Neisha Neshae brings a sharper feminine edge that strengthens the chemistry without breaking the track’s hypnotic cool.

Then comes “No Secrets,” an explosive, hook-driven anthem powered by booming 808s and sliding drill basslines that tap into the raw force of UK and New York drill. Its refrain, “Girl you know what I mean, don’t keep no secrets from me,” gives the song instant replay value. Dutch’s commanding cadence and unmistakable voice push it even further, making it one of the project’s clear centerpieces.

“BackStreet Girls PT2” moves into darker territory, a woozy nocturnal trap trip that feels like wandering through a psychedelic after-hours haze. Warped synth textures, rolling low-end, and a slow hypnotic bounce give the track its pull. Dutch 3Times leans into melody here, letting his voice dissolve into the atmosphere until he feels less like a rapper in front of the beat and more like another instrument inside the mix, ghostlike, fluid, and intoxicating.

Tracks like “All Day All Night” bring polished modern rap swagger. Dark atmospheric keys sit against punchy, clean drums, leaving enough space for the bars to breathe. The song’s stripped-back confidence and easy hook give it anthem potential. It is simple, catchy, and hard to ignore.

“Do For Me” is one of the project’s most compelling moments. Cinematic, haunting, and experimental, it carries real danger in its DNA. The production feels deep, drugged, and immersive, covered in shadow and dramatic tension. Its repetitive hook stays with you after the song ends, circling in the mind like a temptation that refuses to fade.

What makes “Distant Lover 4: Love, Lust & Heartbreak” land is its range. Dutch 3Times builds a world where sleek hip-hop minimalism, explosive drill energy, hazy trap psychedelia, polished rap bravado, and cinematic experimentation sit together naturally. There is sensuality here. There is swagger. There is vulnerability. There is edge. More than anything, there is intention.

This is music for late-night drives, smoke-filled thoughts, reckless passion, quiet obsession, and every blurred feeling in between.

With “Distant Lover 4: Love, Lust & Heartbreak,” Dutch 3Times keeps shaping the “Distant Lover Saga” into something bigger than a sequence of releases. It is starting to feel like a living universe of emotion and sound.

There is something here for everyone. Find it now by streaming this project.

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