Thank you for joining us! Who Is DAV!D&CLARA and can you tell us a little bit about yourself?
I live in Albuquerque New Mexico, in the united states. I’m a self-taught singer, songwriter, artist, and producer. I produce with my computer I named Clara.
What’s the inspiration behind “Hey, Cowboy!”?
I was hanging out at my sister’s house, and she was listening to a lot of cross-over pop music. Like “Taki Taki” where you can incorporate multiple languages in one song. I wanted to try it, and did it on the fly and very happy with the result. The content of the song is referring to a relationship I had years ago with a man who’d always call me crazy but in an affectionate way. He was multilingual, in the united states you find a largely racist white-skinned population that looks down on that because they view it as being “dirty”, I never felt that way. It’s really a middle finger to the culture in my home state and city. If you’re gay – which I am – you’re viewed as being weak, inferior, stupid.
Add being half white and half Latino, and it makes things interesting. I won’t say challenging, I’ve used the whiteness of my skin to my advantage to keep myself safe, others haven’t been as lucky. So that’s why the song crosses over, sounding like an 80’s rock song, with country music elements, combined with English and Spanish lyrics. It’s a statement that love is stronger than any small-minded bias or uneducated based hatred. Love is all that matters. We only have this one life to live, and we should be enjoying it, not being hung up on antiquated social tropes.
What do you hope your listeners take away from your music?
Something to dance to, to live to, to groove to. Something that spices up your day. I want you to enjoy the music I made as much as I did making it.
Who are your biggest music influences?
Gwen Stefani, she’s the reason I started making music, her music saved me from a suicide attempt when I was 14. The usual pop megastars as well, Madonna, Britney Spears, but also a lot of left-field artists like Nine Inch Nails, Korn, Roisin Murphy, Grace Jones, VV Brown. I listen to a lot of Allie X – a Canadian born pop singer now living in Los Angeles -, her album “Super sunset” really impacted me.
2020 has been a long journey for many artists coming up in the music industry. How has this year changed the game for you?
It expanded the amount of listeners looking for more indie content, which was perfect for me. For here in the states, covid decimated the live music scene, leaving people to do live shows from home and thinking outside the box. For me, that’s what I’ve been doing for quite some time. In 2015 I started doing more live shows from home to not deal with bigoted music venues and open mics who didn’t care for my sexually fluid style of lyrical content. So for me, walk in the park. For others, it’s been a challenge. Even if it had I would’ve found a way.
Do you have any specific moments that make you think “this is it” towards pursuing your music career more than ever before?
Every time I compose a melody, everytime I get an idea to write. Every time I breathe, that is my affirmation to make even more art, whether audio or visual.
What’s something most people don’t know about you?
I absolutely love knitting.
Thank you for speaking with us! Is there anything else you would like to add?
Please check out my sites and follow along. My new album is to include an interactive story experience with “Anton!o”, a demon who was binded to my soul when I was a child. The album goes through the motions of the experience, the spiritual journey from darkness to the light.
UK DJ, songwriter, and producer DJ PAPPY steps directly into football fever with “Offside Trap,” an electrifying new single made to rally behind England, the Three Lions, during this year’s World Cup campaign. Driven by urban energy, electronic force, and a stadium-sized sense of occasion, the track captures the belief, pride, and nervous excitement of a nation allowing itself to dream again.
Built for terraces, fan zones, pubs, clubs, festivals, and living rooms full of hoarse supporters, “Offside Trap” arrives as a full-throttle declaration of belief. It taps into that rare football mood when a country starts to feel something special taking shape, when every tackle, goal, chant, and final whistle seems to carry a little historical weight.
The track opens with a minimal, hypnotic, commanding melody that pulls the listener in immediately. The rawness of the intro feels deliberate, giving each note space while letting the tension build through restraint. It recalls the alluring opening of “Seven Nation Army” in spirit, though DJ PAPPY gives the idea his own melodic texture and personality. There is a gripping, chant-like quality here that football fans will instinctively understand, while the production remains firmly tied to his own energy and modern instincts.
From there, a march-like rhythm takes hold, setting the stage for enchanting male vocals that echo the spirit of the Three Lions’ roar. The performance feels confident, infectious, and emotionally charged, catching the pride of supporters who have carried England through decades of hope, heartbreak, and renewed belief. This time, the feeling seems different. This time, the dream feels alive.
Musically, “Offside Trap” brings together urban hip-hop cadence, electronic pulse, dance-driven momentum, and strong anthemic vocal harmonies. The result lands with streetwise swagger and stadium impact in equal measure.
The hook is where the song fully becomes a World Cup anthem. Big, communal, and hard to shake, it invites listeners to sing, clap, chant, and give themselves over to the moment. “Offside Trap” carries that unmistakable “olé, olé, olé” spirit, which makes it feel instantly at home wherever football fans gather to celebrate.
Arriving as excitement around the Three Lions reaches fever pitch, especially after that heart-racing 3-2 knockout win against Mexico, “Offside Trap” feels like the soundtrack to a nation standing on the edge of something unforgettable. The joy is real. The belief is growing. The chants are getting louder.
With “Offside Trap,” DJ PAPPY delivers what a great football anthem needs: energy, unity, pride, and a hook that stays in your head. It is a rallying cry for the fans, a celebration of the squad, and a reminder that when music and football collide, unforgettable moments can follow.
“Offside Trap” is available now on major streaming platforms.
Iowa-based Rwandese artist Michael M Jeni returns to his R&B roots with “Played,” a moody, atmospheric, and deeply personal release that leans into vulnerability without losing its smooth composure. The song, the fastest he has ever written, recorded, and released, traces the mental and physical exhaustion of giving chance after chance to someone you love, only to end up caught in the same pattern again.
Heartbreak sits at the center of “Played,” but the song is ultimately about reclaiming self-worth. It captures the moment when someone finally recognizes their own value and chooses growth over the comfort of what is familiar. That shift comes through clearly in the words, “I’m done with giving chances, let me find my way…you’re just somebody that I used to know.”
The production is built around minimalist, slow-burn R&B, with soft, crisp, and unobtrusive beats that leave space for the emotion to breathe. The intro feels floaty and atmospheric, carried by Michael’s rich, lush vocals as they set a silky foundation. The drums offer a gentle head-nod pulse rather than a heavy knock, giving the song room to ache instead of pushing it toward a forced climax.
“Played” moves at a slow-to-mid-tempo pace, shaped by a smooth, swaying groove that makes it feel like a private late-night confession. Its hook is catchy and memorable, creating a lingering, circular pull that stays with you after the final notes fade.
Velvety keys, warm low end, airy synths, and delicate percussion give Michael’s conversational tone the right setting. The lyrics feel personal and relatable because he delivers them with a natural ease, letting the song’s soulful and introspective mood land without overstatement.
Michael sings with controlled vulnerability. His runs and ad-libs are carefully placed, which keeps the emotion raw without turning it theatrical. His vocal identity here is rooted in emotional connection rather than vocal dominance, using melody, harmony, and rhythmic finesse to make the record feel heartfelt, memorable, and widely relatable.
“Too many times you broke the rules, too many times I played the fool, I gotta graduate from this, you’re just somebody I used to know…”
Those lyrics form the emotional core of the record, capturing the painful but necessary decision to step away from a relationship that has become a repeated cycle of hurt. Instead of sinking into bitterness, “Played” turns heartbreak into self-respect, making the act of leaving feel like a declaration of personal freedom.
“Played” also serves as a compelling precursor to Michael M Jeni’s forthcoming project, “KING,” offering listeners a glimpse into the vulnerability, growth, and self-discovery shaping this new chapter of his artistry. Named after the meaning of his surname in Kinyarwanda, “KING” is expected to explore resilience, identity, healing, and personal empowerment.
Stream “Played” here and find a home for it in your playlist.
KING TYGUSS approaches music as a calling, with artistry that carries the force of Gospel truth. He is the kind of Gospel hip-hop artist who treats every track as ministry, using rhythm, testimony, scripture, and raw emotion to reach hearts inside the church and beyond it. His work feels rooted in something lived rather than performed. That honesty, along with his spiritual conviction, gives his music a weight listeners can sense right away.
A devoted educator, army veteran, and proud servant of Christ, KING TYGUSS returns with one of his most commanding and spiritually charged releases so far, “Made For This Moment.” The single brings together hard-hitting modern drill production and an uplifting Gospel-centered message, shaping the track into a declaration of faith and a rallying call for believers walking in divine purpose.
At its heart, “Made For This Moment” celebrates spiritual awakening, identity, and victory through Christ. The song speaks to those who know they were created for a higher calling, soldiers for the Most High moving boldly through faith and purpose. With passionate lyricism and a firm, commanding delivery, KING TYGUSS reminds listeners that Christ gave His life for humanity, and through Him, believers can begin to understand why they were made and what they were destined to become.
Musically, the record carries as much range as its message. It is built on a dark, bass-heavy drill foundation that grabs attention immediately, driven by booming low-end percussion, sleek electronic drums, and eerie melodic textures. Even with that intensity, the instrumental leaves enough space for KING TYGUSS to move across the beat with sharp flows and magnetic conviction. From the opening moments, the hook locks into an anthemic energy that stays with you after the track ends.
As the song develops, “Made For This Moment” takes a surprising but natural sonic turn, shifting into a glossy, haunting early 2010s pop atmosphere that recalls the cinematic edge of Iggy Azalea’s “Black Widow.” Tense synth stabs, shadowy melodies, and polished electronic details blend smoothly with the aggressive drill framework, creating a dynamic listen that reflects the depth and urgency of the song’s spiritual message.
What makes “Made For This Moment” so impactful is KING TYGUSS’ ability to connect modern mainstream production with unwavering Gospel truth. He brings faith into contemporary sound without softening its message, creating music that feels spiritually grounded while still speaking clearly to today’s listeners.
The result is a soaring Gospel anthem for every soldier of Christ who has accepted the call to action. It is for those living boldly for Him, carrying His message each day, and knowing deep in their hearts that they were truly made for this moment.
With “Made For This Moment,” KING TYGUSS continues to show that Gospel hip-hop can be sonically inventive and spiritually transformative, offering music that inspires strength, conviction, and steady faith in a generation still searching for purpose.
Check this heartfelt tune below, add it to your favorite repertoire, and share it with other soldiers of Christ.