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Emma Nhamburo Brings Back the Good Old Days of Music Industry With Her Spectacular Sound

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It’s tough to imagine that 15 years have passed since Emma Nhamburo dropped her first single “Must Be Love” with the FYA. The swaggering vocal prowess that helped drive FYA into the Reggae fusion, R&B, dancehall, and pop scene—in line with the bandmates Kezia (Kizzy) Bennett and Tenza Foster. Although famous in the early 2000s, the band has taken a few hiatuses over the years to pursue their solo careers.

No rookie in the industry, Emma’s sensational vocals have been fronting her band ‘FYA’ over the years as her signature vocal style soared with the help of the bandmates Kizzy and Tenza. Wanting to step out and release music under her own title, Emma’s new release is a pivotal moment for the up-and-coming artist as she starts her solo career with an afro-beat-soaked bang.

Her new single, which is expected to be released in March, is just the tip of the iceberg for the singer, and 2021 will also see her releasing new music and collaborating with artists from around the world.

Find more about where she has been, her call to music, and her mesmeric music journey on this interview. Here’s the full conversation with the singer:

 

In 2003, you were eventually signed with Def Jam Recordings. Tell us a little about that and what the label expected of you.

They expected us to complete the deal with them, although we never did because we only had a single released on the label.

Emma Nhamburo Brings Back the Good Old Days of Music Industry With Her Spectacular Sound

Your debut single “Boops” is definitely far beyond your average debut track from artists in those days. What was the motivation behind such a lyrically rich and melodically unique single?

“Boops” was actually a cover, the original song was by a Jamaican artist called Sly & Robbie, so just covered the song. It wasn’t an official release, a lot of people don’t know about that but it was just a song that was meant to introduce us to the market as FYA. The official single that was released from our album was “Must be love” so that’s why a lot of people don’t see “boops” on any albums.

Throughout your career, tell us about your best show and your worst show.

My best show to be quite honest was when we performed at the Prince’s Trust awards the year when Jay-Z first mentioned that he was going to retire, that was amazing. It was Royal Albert Hall and for those who know Royal Albert Hall it’s a big deal, we had acts from Beyonce, Jay-Z and a lot of acts from both America and the UK

The worst show would have been when we got lost and we ended up getting there after the whole club was literally leaving. I remember parking up outside and we were just looking at people leaving, it was just so heartbreaking.

As a songwriter, what kind of topics do you see yourself writing about most often? Whether it be lyrically or instrumentally. Shed some light on your songwriting structure(s).

The most important thing to me is the beat, I know a lot of people have got their own way of structuring or writing. But I feel like for me when I hear a beat, it literally speaks to my soul, so what happens is that when I hear a beat and it draws me up, my pen and paper come up straight away or wherever I can pop melody it will all come out and I will start writing.

I think mostly my songwriting is based on inspiration, you know I get inspiration even from speaking to my producers to find out what inspired them to make that particular beat or just being in a different place at a different time cause then I got a story to tell. I believe songwriting or singing is like telling a story, and so what I would normally do is for example, if I wanted to write a song I would literary sit listening to a beat sent in by the producer and have a dictaphone or my phone recording all of these ideas that I have.

My favorite time to write a song would be nighttime, anytime past 10 in the evening that’s when I settle in my own little world and start writing. Sometimes it depends on the inspiration, cause sometimes I do get ideas then immediately write the lyrics, and when the beat comes the lyrics magically fit in.

 

What’s the biggest message(s) you put out through your music? What do you hope to inspire your fans with, and what do you hope they gain from listening to your songs?

The message that I put out through my music is mostly positivity cause I believe music heals, music is a universal language so for me I always want to put positive vibes and good vibes. I always want to put my character in there so that people get to know me as well not just about me singing about love, I like to make people feel that Emma Nhamburo is there either by a laugh, a chant, a scream you know, you got to know that I am in there somehow

The biggest message to my fans is to be who you are and that I try to be as much of me as I can in my music, cause I think a lot of people are being taught to be something or to be someone that we are actually not. So I think in my music it reflects cause obviously coming from an African you would expect my parent wanted me to probably a doctor or be a nurse but that never happened, I was a musician, I followed my dreams, I followed my soul’s calling and my soul’s purpose, be yourself and find what makes you tick, what gives you joy, or what you are most passionate about.

What do you enjoy most about being a musician? What do you hate most?’

What I enjoy most about being a musician is the fact that I can create something that someone can relate to for example a love song, somebody might be able to relate to a love song I wrote when they are in love. I’ve got a couple of tracks coming which are so dear to my heart because I wrote them from a space of how I normally live my life, so for me, I get to live my life through a different lens, if that makes sense, I just literary pour everything in song and make it an experience for me as well as for my fans.

What part would I say I hate the most…that would be as a musician you just feel like you are always constantly on the go, you are in the studio, you are writing, creating, thinking about your next release, this person calling, you are having this conversation, so it’s a very demanding industry. Though I wouldn’t say I hate it because sometimes when I sit back and look at the amount of work that I have done, I feel really proud, though sometimes I just wish that I had more time to relax, but hey It is what it is, it comes with the industry.

If you could change anything about the industry, what would it be?

I would say we need more women in top roles, women need to be empowered to record their music, to express themselves cause I still feel like even up to this day and age music is still male-dominated. I think women need to be put on a platform where they can be as mothers and as queens, they need to be given credits for some of their creation they have done.

For example, in the UK, we don’t really have an afrobeat platform for women, they are there but they are not put on the pedestal where they are supposed to be sitting. And also sometimes there is stuff like racism, you know things that are not morally right for any artist no matter what the race, color, gender, whatever they are. It’s a creative industry and I know a lot of people say we are there to be judged but we are really not, we should be able to express how we feel and enjoy it.

 

We can’t wait to hear more of your future releases. When can we expect new music? And is it gonna be a single, or is it going to be an EP or album?

New music is definitely coming this year, I have a single coming out this march in Africa and February in the UK. It’s a single featuring a Nigerian Artist, Terry G and it’s going to be available on Spotify. I am so so excited about the single because we worked so damn hard on it in the studio a couple of times just to get it right.

An Ep should be dropping but I can’t promise when cause when it comes it needs to be amazing and at the moment that’s what I am working on for it to be great and give people what they have been waiting for. I have been away from the industry for so long and now I am coming back, so I can’t just come back half-hearted, I have to give it my all, so the EP still has no date as to when it’s going to drop but it is coming, and you will be getting more music and in the summer you might just get a summer track who knows? I am still in the studio working that out but New music is definitely coming, so keep an eye on my Spotify, on my Instagram where I will be updating everyone telling them what to come, what dates e.t.c

If you had one message to give your fans, what would it be?

If I had one message to give to my fans, well,  at the moment we are all going through a tough time, I would say stay positive because nothing lasts forever, this is only a season that we are going through, and would also say I love you so much. Thank you for all the support when you have been giving me throughout all the years.

Even after taking my break, I’m still seeing a lot of people showing me love, so I really appreciate it, stay supporting each other cause at the end of the day we are all we have. I LOVE YOU ALL

For our final question, is there anything else you would like to add?

I am glad to be back in the music industry, I am glad to be a voice for women because for me I am really rooting for us women to be able to support each other, to uplift each other. Sometimes I see women are not together, and I wouldn’t wanna see that because there is so much to be achieved, there is so much that needs to be done in terms of connecting with each other, collaborating with each other as creatives. So I feel like that’s my two cents, to see women win, to see us even from the African side and from the UK being able to crossover boundaries and literally connect on a deeper level more than a surface level

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Emma Nhamburo  Emma Nhamburo Brings Back the Good Old Days of Music Industry With Her Spectacular Sound 

 

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MUSIC

Martone and Intelligent Diva turn a painful breakup into a powerful house anthem with their new track “Too Bad, So Sad”

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Martone and Intelligent Diva turn a painful breakup into a powerful house anthem with their new track "Too Bad, So Sad"

Martone isn’t one to tell his story quietly; he’d rather broadcast it until the walls shake. Known as “The Emperor of House Music,” the Detroit artist has built a career on putting himself on the line. For over a decade, Martone has been recognized as a dance-floor architect who is also a storyteller, a cultural activist, and a model of genuine authenticity. He has consistently pushed boundaries with tracks like “Chocolate” and his album The Evolution of Martone, blending club beats with emotional substance. His latest release with Intelligent Diva, “Too Bad, So Sad,” continues that work, proving a heartbreak anthem can be a weapon.

At its heart, “Too Bad, So Sad” is about a breakup, but it’s not the kind that hides in the shadows. Martone opens with lines that feel both personal and cinematic. “I gave my heart, you played it like a game. Thought we had forever, but you just brought the shame.” This is a blunt confession, the kind you make after the tears have dried, when all that’s left is the plain truth. The simplicity of his words makes them hit harder because they don’t rely on metaphor; they are the wound itself. The hook, “Too bad, so sad, it doesn’t mean that I didn’t love you,” feels like a sigh and a shrug at once. It honors the love that was real while firmly closing the door on someone who failed to value it. Martone finds strength in that raw clarity.

Then Intelligent Diva enters, and her verse is like a best friend storming into your room while you’re crying. Her flow is sharp and her tone is commanding, instantly changing the song’s direction. She raps, “Never let nobody treat you like a doormat. You’re a prize to be won, go boast, go brag.” Her words are a pep talk, delivered with the urgency of someone who won’t let you stay down. Martone voices the ache, and Intelligent Diva provides the antidote. Their collaboration creates a dynamic conversation, moving from grief to grit. Her verse transforms the track from a sad diary entry into a rallying cry.

What makes the song feel so immediate is its real-life backdrop. Martone released “Too Bad, So Sad” only days after his divorce was finalized. The timing wasn’t planned, but it feels poetic. You can hear the weight of lived experience in every note. This isn’t just a story crafted for a song; it’s a piece of a life pressed into rhythm and melody.

In a time when dance music can feel like pure escapism, Martone makes sure the beat carries something real. “Too Bad, So Sad” is fueled by emotional honesty, offering both catharsis and empowerment. It’s a reminder that even the deepest heartbreak can be the start of a rebirth. Intelligent Diva’s feature acts as a lifeline, a testament to the power of support when you feel alone.

If you’ve ever found yourself picking up the pieces, this song is for you. Put it on repeat, let it sting, let it heal, and let it remind you that heartbreak is temporary. Reclaiming your power is the real goal. So dance, cry, or scream along. Whatever you do, don’t skip this one.

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Washington DC Rapper 40 Cal Blends Gritty Street Narratives with a Smoked Out Vibe in His New Track “Benihana”

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Washington DC Rapper 40 Cal Blends Gritty Street Narratives with a Smoked Out Vibe in His New Track "Benihana"

40 Cal returns with “Benihana,” a track straight from the blocks of Washington, D.C. It’s a smoked-out song that combines swagger with street reporting. The name is fitting, as the track serves up a kind of hazy, late-night bravado. Inspired by a calm smoke session, 40 Cal finds an honest balance between mood, memory, and menace.

The production features a humid, tropical-scented trap loop. It sits low and patiently, giving space for 40 Cal’s cadence to cut through. He raps like a person who has witnessed the worst and figured out how to translate it into sharp, often funny lines. His delivery can make you nod in agreement and wince at the same time. The lyrics are unapologetic, weaving weed metaphors together with imagery from the gutter. The chorus repeats the details of the scent and strain, becoming a kind of sensory anchor.

What really stands out is his ability to switch between swagger and storytelling. He places lines about graduating “from the streets” right next to darker threats involving body imagery and choppers, all while maintaining his distinct loner energy. Through it all, 40 Cal’s voice remains his own. The hook is simple but sticky, “Smoking out the bag got grass like a farmer… real tropical shit name like Benihana.” The words get stuck in your head because they successfully build a specific moment.

He effectively mixes violent imagery with small, humanizing details. Lines like “face so swollen” or “leave him fat like Homer” land with visual force and prevent the song from feeling like empty posturing. A rough humor is threaded through the track. An absurd line can undercut a threat, which makes the whole song feel more authentic and lived-in. The smoke session inspiration is clearly important here. The record’s structure mimics a late-night conversation, circular and relaxed until a sharp line suddenly raises the temperature.

If there is a critique to be made, it is that the song relies heavily on repetition and some familiar metaphors. The violent imagery can feel blunt, almost automatic, which some listeners might find distracting. At the same time, that bluntness can be interpreted as honesty. 40 Cal is not trying to make something pretty. He is reporting, turning the experience of survival into bars that hit fast and hard.

Ultimately, the track’s strength is its personality. 40 Cal comes across as hungry, proud, and sharp. He avoids overexplaining his life. Instead, he throws out images and lines, trusting the listener to understand. There is a magnetic confidence in that approach. With “Benihana,” he is staking his claim and reminding everyone that he is still a voice to be heard.

Let the hook loop and the beat roll. If the track grabs you, it belongs in your rotation. Share it with anyone who appreciates gritty storytelling and keep an eye on 40 Cal. He clearly has more stories to tell, and this track suggests he is just getting warmed up. It’s worth a listen and a spot on your playlist.

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The Seductive New Afrobeats Jam “Think About U” From Stayno and Joe O Is Inspiring a Viral Wave on TikTok

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The Seductive New Afrobeats Jam “Think About U” From Stayno and Joe O Is Inspiring a Viral Wave on TikTok

A new track from Nigerian producer Stayno and rising Afrobeats artist Joe O is already becoming a fan favorite, creating a life of its own on social media before it has even been officially released. Their new single, “Think About U,” is a slow-burning blend of Afrobeats, Brazilian funk, hip-hop, and soul that has inspired over 80 viral fan videos on TikTok.

The song finds its strength in the combination of Stayno’s thoughtful production and Joe O’s incredibly smooth vocals. It’s a seductive and contemplative track that tells a gangster’s story of heartbreak, love, and passion. Joe O delivers a hook that sticks with you long after the song is over, making it feel right at home on a dancefloor or for a late-night drive.

The buzz around the record grew significantly after Joe O’s recent performance at the Variety Playhouse in Atlanta. While on stage during Nigerian superstar BNXN’s Captain Tour, he gave the excited audience a live preview of the song. The moment helped introduce his sound to a new wave of fans and positioned him as one of Afrobeats’ most interesting new voices.

The song’s organic success on TikTok points to its wider appeal. Its relatable story and seductive groove have connected with listeners, sparking dance challenges, creative videos, and personal reactions from fans around the world.

“Think About U” works because of the clear chemistry between the two artists. Stayno’s world-class production feels perfectly matched with Joe O’s natural ability to create a memorable melody. It feels like a milestone for both as they continue to build their careers within the global Afrobeats scene.

Stayno is a Nigerian, Italy-born producer, songwriter, and DJ known for his ability to blend genres. He often infuses Afrobeats with sounds from funk, hip-hop, and soul, building a reputation for shaping a modern, innovative sound. Joe O is a fast-rising Afrobeats singer whose smooth voice and dynamic stage presence are quickly getting him noticed. This collaboration seems like a perfect match, resulting in a tune that feels genuinely special.

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