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Emma Nhamburo Brings Back the Good Old Days of Music Industry With Her Spectacular Sound

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It’s tough to imagine that 15 years have passed since Emma Nhamburo dropped her first single “Must Be Love” with the FYA. The swaggering vocal prowess that helped drive FYA into the Reggae fusion, R&B, dancehall, and pop scene—in line with the bandmates Kezia (Kizzy) Bennett and Tenza Foster. Although famous in the early 2000s, the band has taken a few hiatuses over the years to pursue their solo careers.

No rookie in the industry, Emma’s sensational vocals have been fronting her band ‘FYA’ over the years as her signature vocal style soared with the help of the bandmates Kizzy and Tenza. Wanting to step out and release music under her own title, Emma’s new release is a pivotal moment for the up-and-coming artist as she starts her solo career with an afro-beat-soaked bang.

Her new single, which is expected to be released in March, is just the tip of the iceberg for the singer, and 2021 will also see her releasing new music and collaborating with artists from around the world.

Find more about where she has been, her call to music, and her mesmeric music journey on this interview. Here’s the full conversation with the singer:

 

In 2003, you were eventually signed with Def Jam Recordings. Tell us a little about that and what the label expected of you.

They expected us to complete the deal with them, although we never did because we only had a single released on the label.

Emma Nhamburo Brings Back the Good Old Days of Music Industry With Her Spectacular Sound

Your debut single “Boops” is definitely far beyond your average debut track from artists in those days. What was the motivation behind such a lyrically rich and melodically unique single?

“Boops” was actually a cover, the original song was by a Jamaican artist called Sly & Robbie, so just covered the song. It wasn’t an official release, a lot of people don’t know about that but it was just a song that was meant to introduce us to the market as FYA. The official single that was released from our album was “Must be love” so that’s why a lot of people don’t see “boops” on any albums.

Throughout your career, tell us about your best show and your worst show.

My best show to be quite honest was when we performed at the Prince’s Trust awards the year when Jay-Z first mentioned that he was going to retire, that was amazing. It was Royal Albert Hall and for those who know Royal Albert Hall it’s a big deal, we had acts from Beyonce, Jay-Z and a lot of acts from both America and the UK

The worst show would have been when we got lost and we ended up getting there after the whole club was literally leaving. I remember parking up outside and we were just looking at people leaving, it was just so heartbreaking.

As a songwriter, what kind of topics do you see yourself writing about most often? Whether it be lyrically or instrumentally. Shed some light on your songwriting structure(s).

The most important thing to me is the beat, I know a lot of people have got their own way of structuring or writing. But I feel like for me when I hear a beat, it literally speaks to my soul, so what happens is that when I hear a beat and it draws me up, my pen and paper come up straight away or wherever I can pop melody it will all come out and I will start writing.

I think mostly my songwriting is based on inspiration, you know I get inspiration even from speaking to my producers to find out what inspired them to make that particular beat or just being in a different place at a different time cause then I got a story to tell. I believe songwriting or singing is like telling a story, and so what I would normally do is for example, if I wanted to write a song I would literary sit listening to a beat sent in by the producer and have a dictaphone or my phone recording all of these ideas that I have.

My favorite time to write a song would be nighttime, anytime past 10 in the evening that’s when I settle in my own little world and start writing. Sometimes it depends on the inspiration, cause sometimes I do get ideas then immediately write the lyrics, and when the beat comes the lyrics magically fit in.

 

What’s the biggest message(s) you put out through your music? What do you hope to inspire your fans with, and what do you hope they gain from listening to your songs?

The message that I put out through my music is mostly positivity cause I believe music heals, music is a universal language so for me I always want to put positive vibes and good vibes. I always want to put my character in there so that people get to know me as well not just about me singing about love, I like to make people feel that Emma Nhamburo is there either by a laugh, a chant, a scream you know, you got to know that I am in there somehow

The biggest message to my fans is to be who you are and that I try to be as much of me as I can in my music, cause I think a lot of people are being taught to be something or to be someone that we are actually not. So I think in my music it reflects cause obviously coming from an African you would expect my parent wanted me to probably a doctor or be a nurse but that never happened, I was a musician, I followed my dreams, I followed my soul’s calling and my soul’s purpose, be yourself and find what makes you tick, what gives you joy, or what you are most passionate about.

What do you enjoy most about being a musician? What do you hate most?’

What I enjoy most about being a musician is the fact that I can create something that someone can relate to for example a love song, somebody might be able to relate to a love song I wrote when they are in love. I’ve got a couple of tracks coming which are so dear to my heart because I wrote them from a space of how I normally live my life, so for me, I get to live my life through a different lens, if that makes sense, I just literary pour everything in song and make it an experience for me as well as for my fans.

What part would I say I hate the most…that would be as a musician you just feel like you are always constantly on the go, you are in the studio, you are writing, creating, thinking about your next release, this person calling, you are having this conversation, so it’s a very demanding industry. Though I wouldn’t say I hate it because sometimes when I sit back and look at the amount of work that I have done, I feel really proud, though sometimes I just wish that I had more time to relax, but hey It is what it is, it comes with the industry.

If you could change anything about the industry, what would it be?

I would say we need more women in top roles, women need to be empowered to record their music, to express themselves cause I still feel like even up to this day and age music is still male-dominated. I think women need to be put on a platform where they can be as mothers and as queens, they need to be given credits for some of their creation they have done.

For example, in the UK, we don’t really have an afrobeat platform for women, they are there but they are not put on the pedestal where they are supposed to be sitting. And also sometimes there is stuff like racism, you know things that are not morally right for any artist no matter what the race, color, gender, whatever they are. It’s a creative industry and I know a lot of people say we are there to be judged but we are really not, we should be able to express how we feel and enjoy it.

 

We can’t wait to hear more of your future releases. When can we expect new music? And is it gonna be a single, or is it going to be an EP or album?

New music is definitely coming this year, I have a single coming out this march in Africa and February in the UK. It’s a single featuring a Nigerian Artist, Terry G and it’s going to be available on Spotify. I am so so excited about the single because we worked so damn hard on it in the studio a couple of times just to get it right.

An Ep should be dropping but I can’t promise when cause when it comes it needs to be amazing and at the moment that’s what I am working on for it to be great and give people what they have been waiting for. I have been away from the industry for so long and now I am coming back, so I can’t just come back half-hearted, I have to give it my all, so the EP still has no date as to when it’s going to drop but it is coming, and you will be getting more music and in the summer you might just get a summer track who knows? I am still in the studio working that out but New music is definitely coming, so keep an eye on my Spotify, on my Instagram where I will be updating everyone telling them what to come, what dates e.t.c

If you had one message to give your fans, what would it be?

If I had one message to give to my fans, well,  at the moment we are all going through a tough time, I would say stay positive because nothing lasts forever, this is only a season that we are going through, and would also say I love you so much. Thank you for all the support when you have been giving me throughout all the years.

Even after taking my break, I’m still seeing a lot of people showing me love, so I really appreciate it, stay supporting each other cause at the end of the day we are all we have. I LOVE YOU ALL

For our final question, is there anything else you would like to add?

I am glad to be back in the music industry, I am glad to be a voice for women because for me I am really rooting for us women to be able to support each other, to uplift each other. Sometimes I see women are not together, and I wouldn’t wanna see that because there is so much to be achieved, there is so much that needs to be done in terms of connecting with each other, collaborating with each other as creatives. So I feel like that’s my two cents, to see women win, to see us even from the African side and from the UK being able to crossover boundaries and literally connect on a deeper level more than a surface level

Catch up with Emma Nhamburo on:

Emma Nhamburo  Emma Nhamburo Brings Back the Good Old Days of Music Industry With Her Spectacular Sound 

 

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MUSIC

Mr.Reaper turns My Escape into a shadowed search for freedom through fear inner conflict and spiritual clarity

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Mr.Reaper turns My Escape into a shadowed search for freedom through fear inner conflict and spiritual clarity

In an era when plenty of hip hop chases whatever trend is loudest, Mr.Reaper arrives with something darker and more inward looking. “My Escape” is a haunting new single that moves between psychological pressure and spiritual reckoning, turning fear into the starting point for a deeper kind of release.

At 2 minutes and 37 seconds, the track wastes no time building its world. From the opening moments, the atmosphere feels cold, eerie, and cinematic, like a signal coming from somewhere far away. It pulls the listener into a shadowed mental space where reality feels unstable and escape is less certain than it first appears.

That tension comes through clearly in one of the song’s most memorable lines: “We’re in a simulation, I don’t think they understand…”

The line lingers because it feels philosophical without becoming abstract. It speaks directly to the song’s central struggle, the need to break out of unseen mental and emotional traps.

As the production expands, heavy hip hop drums take control. Booming 808s, rumbling bass, and sharp hi hats give the track a tense, cinematic weight. The beat feels alive, built with purpose, and it gives Mr.Reaper the space to step fully into his darker lyrical persona.

Once he enters that space, he owns it.

Mr.Reaper moves across the beat with control and conviction. His voice is deep, steady, and commanding, carrying each line with emotional force. When he delivers:

“I can’t see, I can’t breathe, I’m surrounded by this mystery praying to God…”

“From darkness to light, we must choose what is in the light…”

“Walking to my destiny…”

the words feel like pieces of an inner conversation. They capture the pull between despair and hope, confusion and clarity, pain and transformation.

At its core, “My Escape” is a song about liberation. Not from a place, but from the prisons people carry inside themselves. It explores fear, betrayal, pressure, self doubt, and the identities that can form around pain. The track plays like a psychological and spiritual battle, where the hardest enemy to face is often the one within.

Still, there is awakening inside the darkness.

The title “My Escape” does not feel like a retreat. It feels like recognition. Freedom, in this song, comes from facing what hurts, understanding it, and turning that struggle into strength. The message is rooted in resilience, growth, and self mastery.

The cover art sharpens that idea. Its half human, half skeletal portrait reflects the tension between life and death, identity and shadow, reality and illusion. The skull suggests mortality and inner demons, while the human side points toward consciousness and awareness. Like the song, the image is bold, unsettling, and symbolic enough to stay with you.

With “My Escape,” Mr.Reaper delivers a release that feels deliberate, emotionally charged, and thought provoking. In a crowded musical landscape, his voice cuts through because it sounds committed to something real.

The journey inward may be the darkest path, but Mr.Reaper presents it as the one that leads toward true freedom.

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Eye’z launches Kickstarter campaign to fund debut album and bring fans into the heart of the creative process

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Eye’z launches Kickstarter campaign to fund debut album and bring fans into the heart of the creative process
FOR IMMEDIATE RELEASE

Eye’z launches Kickstarter campaign to fund debut album “…The Album…”

RICHMOND, Calif., May 3, 2026, Pop singer, pianist, actress, and creative artist Eye’z has launched a Kickstarter campaign to fund her long awaited debut album, “…The Album…,” a full length project rooted in soul, personal expression, and artistic independence.

The campaign is now live on Kickstarter and has raised US$1,145 toward its US$20,000 goal, with 7 backers and 38 days remaining at the time of this release. The all or nothing campaign must reach its funding goal by Thursday, June 11, 2026, at 9:03 AM UTC+3 in order to receive funding.

Supporters can view and back the campaign here:
https://www.kickstarter.com/projects/dmblk/the-album-0?ref=2rhwlg

For Eye’z, this album represents years of dedication, growth, and determination. After several attempts to record the project, she is turning to listeners, fans, and supporters of independent music to help bring the album to life with the care and quality it deserves.

“I’m Eye’z, a pop artist with my own style that rings through my soul,” says Eye’z. “I don’t like being compared to other artists even when there are similarities because what I create is my own.”

The album is intended to capture Eye’z as she hears herself, with more creativity, freedom, and emotional honesty than she has been able to fully realize before. Her influences include Judy Garland, Aaliyah, Michael Jackson, Fats Waller, Marian Anderson, and Jackie Wilson. While reflecting on the project, Eye’z says she was especially inspired by Jackie Wilson’s album “Beautiful Day.”

“Music isn’t just music from me, it’s artistry. It’s completeness,” she shares through the campaign. “This campaign is to help me finally create my full length album.”

Funds raised through Kickstarter will help cover studio production, recording in a studio with a grand piano, compatible audio engineers, music video production, marketing, promotion, and live performance expenses. Eye’z also plans to celebrate the album’s debut with a special live performance in the Bay Area, bringing together supporters, musicians, and fans for a release event filled with music, energy, and gratitude.

“One of the most exciting parts of this project will be celebrating the album’s debut with a live performance for fans,” says Eye’z. “I plan to organize a special concert in the Bay Area to mark the release, an unforgettable night filled with music, energy, and gratitude.”

The Kickstarter campaign includes several reward tiers for backers. Supporters can pledge US$25 for an early digital listen, US$50 for a sneak peek package, US$275 for exclusive VIP livestream access, US$300 for an album release party invitation, US$750 for limited exclusive merchandise and a personal call, US$1,000 for a personalized album shoutout, and US$10,000 for the opportunity to executive produce the debut album.

Eye’z says she plans to keep backers updated throughout the album making process and views supporters as an essential part of the journey.

“For the most part I plan on diving in and keeping in contact with all backers to update you on the progress of my album,” she says. “BECAUSE YOU ARE THE RECORD LABEL! LOL”

For Eye’z, the campaign is about more than funding an album. It is about creating a meaningful body of work and sharing it with the people who believe in her voice, her artistry, and her story.

“Let’s make some memorable music together,” says Eye’z. “It’s SHOWTIME!”

To support “…The Album…” on Kickstarter, visit:
https://www.kickstarter.com/projects/dmblk/the-album-0?ref=2rhwlg

About Eye’z
Eye’z is a pop singer, pianist, actress, and multifaceted creative artist based in Richmond, California. Her music is shaped by soul, pop, theatrical expression, and classic performance influences. With “…The Album…,” Eye’z is working to complete her debut full length project and share a personal, emotionally honest body of work with listeners around the world.

Media Contact
Eye’z
Email: [email protected]
Kickstarter: https://www.kickstarter.com/projects/dmblk/the-album-0?ref=2rhwlg

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Dutch 3Times turns love lust and heartbreak into a neon charged world of melody and temptation

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Dutch 3Times turns love lust and heartbreak into a neon charged world of melody and temptation

Let me tell you about Dutch 3Times, a genre-fluid lyricist and melodic craftsman whose music sits somewhere between Southern reflection and Detroit pressure. He has a sharp instinct for rhythm, moving between rap, melody, and tightly cut lyricism with ease. Whether he is working over heavy trap drums or slow, atmospheric production, Dutch 3Times knows how to make a beat feel alive. He does not simply settle into the pocket, he reshapes it. Welcome aboard, ladies and gentlemen.

The independent artist returns with “Distant Lover 4: Love, Lust & Heartbreak,” a bold and intoxicating 9-track project that runs 24 minutes and 14 seconds. It marks another strong chapter in his ambitious six-part “Distant Lover Saga,” a conceptual run built around the emotional extremes of love, lust, longing, and heartbreak. Seductive, reflective, dangerous, and thrilling, this latest release is a genre-bending statement from an artist willing to blur lines, bend sound, and follow feeling wherever it takes him.

Before the music even begins, the cover art sets the mood. Washed in luminous neon green, it feels like a futuristic dreamscape where passion and heartbreak have become their own coded language. Three glowing feminine silhouettes stand at the center, part muse, part memory, part mirage. They suggest desire, mystery, and emotional complication, while streams of digital text form a matrix-like backdrop repeating the album’s core themes, love, lust, heartbreak. The image is sleek, haunting, and cybernetic. In Dutch 3Times’ world, romance feels electric and elusive, deeply felt yet always slightly out of reach.

The music is just as immersive.

The opener, “No Stress” featuring Neisha Neshae, sets the tone with futuristic minimalism that actually works. Over a clean, sharp beat built from rubbery basslines, crisp percussion, and spacious melodic restraint, Dutch 3Times shows one of his strongest gifts, his ability to lock into the production until he feels fused with it. His flow moves with smooth confidence, calm and unbothered, while Neisha Neshae brings a sharper feminine edge that strengthens the chemistry without breaking the track’s hypnotic cool.

Then comes “No Secrets,” an explosive, hook-driven anthem powered by booming 808s and sliding drill basslines that tap into the raw force of UK and New York drill. Its refrain, “Girl you know what I mean, don’t keep no secrets from me,” gives the song instant replay value. Dutch’s commanding cadence and unmistakable voice push it even further, making it one of the project’s clear centerpieces.

“BackStreet Girls PT2” moves into darker territory, a woozy nocturnal trap trip that feels like wandering through a psychedelic after-hours haze. Warped synth textures, rolling low-end, and a slow hypnotic bounce give the track its pull. Dutch 3Times leans into melody here, letting his voice dissolve into the atmosphere until he feels less like a rapper in front of the beat and more like another instrument inside the mix, ghostlike, fluid, and intoxicating.

Tracks like “All Day All Night” bring polished modern rap swagger. Dark atmospheric keys sit against punchy, clean drums, leaving enough space for the bars to breathe. The song’s stripped-back confidence and easy hook give it anthem potential. It is simple, catchy, and hard to ignore.

“Do For Me” is one of the project’s most compelling moments. Cinematic, haunting, and experimental, it carries real danger in its DNA. The production feels deep, drugged, and immersive, covered in shadow and dramatic tension. Its repetitive hook stays with you after the song ends, circling in the mind like a temptation that refuses to fade.

What makes “Distant Lover 4: Love, Lust & Heartbreak” land is its range. Dutch 3Times builds a world where sleek hip-hop minimalism, explosive drill energy, hazy trap psychedelia, polished rap bravado, and cinematic experimentation sit together naturally. There is sensuality here. There is swagger. There is vulnerability. There is edge. More than anything, there is intention.

This is music for late-night drives, smoke-filled thoughts, reckless passion, quiet obsession, and every blurred feeling in between.

With “Distant Lover 4: Love, Lust & Heartbreak,” Dutch 3Times keeps shaping the “Distant Lover Saga” into something bigger than a sequence of releases. It is starting to feel like a living universe of emotion and sound.

There is something here for everyone. Find it now by streaming this project.

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