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Exclusive Interview: DJ T Beauty Delves on Her Creative Tastes, Musical Influences & Her Musical Journey

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Exclusive Interview: DJ T Beauty Delves on Her Creative Tastes, Musical Influences & Her Musical Journey

When did you first think of becoming a DJ and was it a nonchalant decision?

I thought about being a DJ for many years. I remember first wanting to be a dj when I was introduced to Salt n Peppa in the 90’s. All of my attention was on their DJ Spin(derella). I had NEVER seen a female DJ. Seeing her do it with so much skill, finesse and style really opened my eyes to another world! It honestly took me YEARS and a big push to decide that I was going to actually give it an honest try.

How did you develop a keenness for the Afrobeat genre?

Oh my God. I just love the music! It’s, honestly, what I listen to in my personal time. I can literally throw on one of my Afrobeat mixes and be fine listening to that and nothing else for hours. Its something about the beat. I love rhythmic music. Afrobeats reminds me a lot of the style of music that is played in DC called Go-Go. Its highly percussive and music like that makes people dance and come together. When I play afrobeats, even when it is in Yoruba or Igbo and we don’t even understand the lyrics fully, it doesn’t stop people from dancing. I love anything that brings my people together. I love anything that makes my people dance.

How do you motivate yourself when things are not going your way as your profession requires a lot of effort?

That’s a good question. I, just like many people across the country, especially creatives, deal with bouts depression from time to time, lapses in creativity, and the absence of motivation. Here recently, with the COVID-19 pandemic, I think everyone’s mental strength has been tested. And in times like these, I give myself permission to rest and recoup. I do a lot of self care and mediation to stay grounded and I write. Writing really gives me a space to express myself and how I’m feeling and once I’ve expressed it, I can let it go. I eat a nice meal, light my candles, have a glass of wine and just be god to myself. Then I’ll write out my feelings and burn the page and try to start the next day with a new perspective, a fresh mindset and a game plan.

Who has been the earliest influence who inspired you to take the plunge in the music scene?

Of course, DJ Spinderalla as I said earlier. But I was basically birthed into the music scene. My father (Justin ‘Jrok’ Young) is a professional guitarist that has traveled the world and he’s a pretty big deal at home. I’ve always been surrounded by musicians, artists and creatives. When I connected with Youngman, he saw something in me and invested by purchasing my entire DJ setup! That was the push I needed. I had no choice by to learn how to use it. I did some ‘binge learning’ from DJ Carlo Atentidio via Youtube. I did invested in a few workshops with Beat Refinery. I put in the practice time and told a few friends what I had up my sleeve. My very first client Ashley Williams, is like a sister to me and without ever hearing me spin, she hired me for her private party. She was blown away and has hired me for everything she ever done since. I, actually, did her wedding earlier this year.

Is being a DJ a full-time job, a side hustle, or something you do for fun? (or some combo of the above)

It’s full time fun! I do have a secondary business, Selfie Supreme Photo Booth which I started before I became a DJ. Fortunately, the Photo Booth business has only enhanced my services as a DJ and has become a popular add-on service that I am able to offer my clients.

Exclusive Interview: DJ T Beauty Delves on Her Creative Tastes, Musical Influences & Her Musical Journey

What goals have you accomplished? What goals are you still working towards?

When I first started djaying, my short term goal was to service a wedding. I have scratched that goal off of my list server times. When I landed Beer Fest at Nationals Stadium Park, I felt very accomplished because. Had only been a DJ for one year when we began our working relationship but I have been reigning queen of DC Beerfest for 3 years strong now. The only type of event I haven’t serviced yet that is still a goal for me is a high school prom. I believe I should be able to accomplish that one once COVID-19 over. I also enrolled in school for Audio Production and was able to get my certificate from Full Sail University and expect to graduate with my bachelors in 2022. So my goals now are more so geared toward my career as a producer. I’m ready to make and mix some records.

How has the current music industry helped you grow as one of the best DJs in the afro scene?

To be honest, I believe, at least in my area, which is Washington DC, I was one of the only DJ’s that I know of that was playing afrobeats specifically. Dj’s in DC used to play a lot of hip hop, r&b, of course Go-Go music being that its the sound of the city… and they would play reggae. But I’d like to think I had a big hand in bringing Afrobeats specifically to the DMV. I can remember private events and large festivals where I would always, as I call it, “ sneak in some Afrobeats” and I definitely had to sneak it in the set because it wasn’t requested . But I would throw some of my favorites in there and people would dance and come and ask me what the song was and things like that. And I remember one day when Davido’s “If” had finally made it to my local radio station, I almost cried. I was so happy that my favorite music was now mainstream. And so with that, I think that the increasing popularity of artists like WizKid, David and Burna Boy in the US, it has made it a lot easier for me to play what I love because now everybody else loves it as well. I don’t have to ‘sneak’ it in anymore. I get requests for Afrobeats now and now, people know to call me for those vibes because I know the so genre extensively.

Can we expect any upcoming projects soon? Please shed some light upon it.

I have been trying to get my brother KidCash on a record over the pandemic. He’s a fire rap artist that I’m excited about but he has been so busy defeating these battle rappers lately, I think we are going to be waiting a while on that one. In the meantime, I have been working on a single for an artist named Zoë called “cLass weiRdo” and cooking up some other songs for her long awaited project. Her fans should definitely stay tuned because she is in the zone!

Can we expect any upcoming projects soon? Please shed some light upon it.

Yes. Be sure to connect with me on instagram @DJ_TBeauty.

I want to take the time and space to say “Thank you” to my management Moment Ent Group and Domo ‘Youngman’ Lee for believing in me and being my support. My children, Zoë, Miaya, Daniyah, & DJ, I love you. Thank you for all the motivation and for sharing me with the world. To my parents (Tan Young & Jrok) and siblings (Leah Jones & KidCash), I am officially “the Famous one” now.  To my clients and many supporters, you are the BEST!

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Exclusive Interview: DJ T Beauty Delves on Her Creative Tastes, Musical Influences & Her Musical Journey Exclusive Interview: DJ T Beauty Delves on Her Creative Tastes, Musical Influences & Her Musical Journey

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Michael M Jeni Turns Heartbreak Into Self Respect And Quiet Release On New R&B Single “Played”

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Michael M Jeni Turns Heartbreak Into Self Respect And Quiet Release On New R&B Single “Played”

Iowa-based Rwandese artist Michael M Jeni returns to his R&B roots with “Played,” a moody, atmospheric, and deeply personal release that leans into vulnerability without losing its smooth composure. The song, the fastest he has ever written, recorded, and released, traces the mental and physical exhaustion of giving chance after chance to someone you love, only to end up caught in the same pattern again.

Heartbreak sits at the center of “Played,” but the song is ultimately about reclaiming self-worth. It captures the moment when someone finally recognizes their own value and chooses growth over the comfort of what is familiar. That shift comes through clearly in the words, “I’m done with giving chances, let me find my way…you’re just somebody that I used to know.”

The production is built around minimalist, slow-burn R&B, with soft, crisp, and unobtrusive beats that leave space for the emotion to breathe. The intro feels floaty and atmospheric, carried by Michael’s rich, lush vocals as they set a silky foundation. The drums offer a gentle head-nod pulse rather than a heavy knock, giving the song room to ache instead of pushing it toward a forced climax.

“Played” moves at a slow-to-mid-tempo pace, shaped by a smooth, swaying groove that makes it feel like a private late-night confession. Its hook is catchy and memorable, creating a lingering, circular pull that stays with you after the final notes fade.

Velvety keys, warm low end, airy synths, and delicate percussion give Michael’s conversational tone the right setting. The lyrics feel personal and relatable because he delivers them with a natural ease, letting the song’s soulful and introspective mood land without overstatement.

Michael sings with controlled vulnerability. His runs and ad-libs are carefully placed, which keeps the emotion raw without turning it theatrical. His vocal identity here is rooted in emotional connection rather than vocal dominance, using melody, harmony, and rhythmic finesse to make the record feel heartfelt, memorable, and widely relatable.

“Too many times you broke the rules, too many times I played the fool, I gotta graduate from this, you’re just somebody I used to know…”

Those lyrics form the emotional core of the record, capturing the painful but necessary decision to step away from a relationship that has become a repeated cycle of hurt. Instead of sinking into bitterness, “Played” turns heartbreak into self-respect, making the act of leaving feel like a declaration of personal freedom.

“Played” also serves as a compelling precursor to Michael M Jeni’s forthcoming project, “KING,” offering listeners a glimpse into the vulnerability, growth, and self-discovery shaping this new chapter of his artistry. Named after the meaning of his surname in Kinyarwanda, “KING” is expected to explore resilience, identity, healing, and personal empowerment.

Stream “Played” here and find a home for it in your playlist.

Connect with Michael M Jeni

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KING TYGUSS turns faith into a battle cry on the commanding new single “Made For This Moment”

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KING TYGUSS turns faith into a battle cry on the commanding new single "Made For This Moment"

KING TYGUSS approaches music as a calling, with artistry that carries the force of Gospel truth. He is the kind of Gospel hip-hop artist who treats every track as ministry, using rhythm, testimony, scripture, and raw emotion to reach hearts inside the church and beyond it. His work feels rooted in something lived rather than performed. That honesty, along with his spiritual conviction, gives his music a weight listeners can sense right away.

A devoted educator, army veteran, and proud servant of Christ, KING TYGUSS returns with one of his most commanding and spiritually charged releases so far, “Made For This Moment.” The single brings together hard-hitting modern drill production and an uplifting Gospel-centered message, shaping the track into a declaration of faith and a rallying call for believers walking in divine purpose.

At its heart, “Made For This Moment” celebrates spiritual awakening, identity, and victory through Christ. The song speaks to those who know they were created for a higher calling, soldiers for the Most High moving boldly through faith and purpose. With passionate lyricism and a firm, commanding delivery, KING TYGUSS reminds listeners that Christ gave His life for humanity, and through Him, believers can begin to understand why they were made and what they were destined to become.

Musically, the record carries as much range as its message. It is built on a dark, bass-heavy drill foundation that grabs attention immediately, driven by booming low-end percussion, sleek electronic drums, and eerie melodic textures. Even with that intensity, the instrumental leaves enough space for KING TYGUSS to move across the beat with sharp flows and magnetic conviction. From the opening moments, the hook locks into an anthemic energy that stays with you after the track ends.

As the song develops, “Made For This Moment” takes a surprising but natural sonic turn, shifting into a glossy, haunting early 2010s pop atmosphere that recalls the cinematic edge of Iggy Azalea’s “Black Widow.” Tense synth stabs, shadowy melodies, and polished electronic details blend smoothly with the aggressive drill framework, creating a dynamic listen that reflects the depth and urgency of the song’s spiritual message.

What makes “Made For This Moment” so impactful is KING TYGUSS’ ability to connect modern mainstream production with unwavering Gospel truth. He brings faith into contemporary sound without softening its message, creating music that feels spiritually grounded while still speaking clearly to today’s listeners.

The result is a soaring Gospel anthem for every soldier of Christ who has accepted the call to action. It is for those living boldly for Him, carrying His message each day, and knowing deep in their hearts that they were truly made for this moment.

With “Made For This Moment,” KING TYGUSS continues to show that Gospel hip-hop can be sonically inventive and spiritually transformative, offering music that inspires strength, conviction, and steady faith in a generation still searching for purpose.

Check this heartfelt tune below, add it to your favorite repertoire, and share it with other soldiers of Christ.

Connect with KING TYGUSS:
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The Traveling High Priest delivers a transcendental anthem featuring the phenomenally gifted Jhonni Blaze

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The Traveling High Priest delivers a transcendental anthem featuring the phenomenally gifted Jhonni Blaze

With a biography that reads like a mystery, I’d best describe The Traveling High Priest as a prophetic spiritual phenomenon wrapped in the form of an artist, minister, and messenger. His artistry does not operate within the ordinary boundaries of music alone; it feels like a fusion of prophecy, spoken-word ministry, gospel rap, spiritual storytelling, and supernatural theater. He presents himself less as a conventional entertainer and more as a vessel carrying divine revelation through sound, speech, prayer, and presence. Welcome aboard!

Now that we are here, it wouldn’t hurt to talk about that ethereal performance he recently delivered with the single “Right One” featuring female vocalist Jhonni Blaze. This is a spiritually charged and emotionally immersive collaboration and marks The Traveling High Priest’s first-ever gospel release and serves as the official lead single from his highly anticipated upcoming album. Already generating major momentum online — including nearly one thousand TikTok creations — “Right One” is quickly proving itself to be more than just a song; it is becoming a movement of healing, reflection, faith, and emotional honesty.

From the very first seconds, “Right One” creates an atmosphere that feels both intimate and transcendent. The intro arrives like a warm tropical breeze, carried by silky island-infused rhythms that sway with grace rather than force. The cadence is smooth, fluid, and deeply inviting. Gentle Afro-Caribbean percussion rolls beneath the production with hypnotic precision, allowing the beat to breathe naturally while soft melodic textures drift across the instrumental like sunlight reflecting on ocean waves. Every element feels intentional, warm, and emotionally alive.

The song immediately finds its emotional center through Jhonni Blaze’s unforgettable hook:
“You said you’d change. I believe every word. Gave you my heart even when it hurt. Stayed through the nights when love felt cold. Held on to you when I should have let go.”

Her delivery is soulful, vulnerable, and magnetic — setting the emotional tone for the entire record while bringing a powerful sense of human fragility and longing to the forefront. Then comes the arrival of The Traveling High Priest, whose entrance completely transforms the energy of the track. Delivering in his divinely inspired and unclassified spiritual language, he brings an otherworldly presence that feels less like conventional performance and more like prophetic expression poured directly into sound.

As he enters, the production effortlessly morphs into a floating, atmospheric Afro-Amapiano groove layered with minimalist yet deeply textured percussion. The beat does not rush. It lingers. It breathes. Dusty underground drums, airy melodic spacing, and smoky rhythmic textures create a hypnotic sonic environment where every word, cadence, and vocal inflection carries spiritual weight. Even without understanding the exact language, listeners can feel the emotional and spiritual gravity behind his delivery.

The chemistry between The Traveling High Priest and Jhonni Blaze becomes one of the song’s defining strengths. Her melodic vulnerability and his spiritually charged presence complement each other perfectly, creating a listening experience that feels healing, uplifting, and emotionally transporting. As the groovy Amapiano stabs settle into the mix and the fading harmonies dissolve into the instrumental atmosphere, “Right One” leaves listeners suspended in reflection, faith, and feeling.

The accompanying music video further elevates the experience. Visually stunning and cinematic in presentation, the video places both artists in a scenic studio-inspired environment filled with striking photography, immersive lighting, and captivating aesthetics. Rather than relying on excessive distractions, the visual allows the music, emotion, and chemistry between the artists to remain the focal point — making it the perfect companion piece to a record already resonating deeply with audiences worldwide.

For The Traveling High Priest Thee, “Right One” is not simply another release — it is testimony transformed into music. Speaking openly about his battles with PTSD, anxiety, and depression, he reveals that the song was born directly from GOD’s guidance and his own personal journey toward healing and purpose.

That sincerity pulses throughout every second of “Right One.” Beneath its lush production and hypnotic groove lies a deeper message about spiritual discernment, emotional boundaries, redemption, and divine direction. The Traveling High Priest Thee uses the song not only as art, but as ministry — encouraging listeners to stop walking into doors GOD never granted and to trust the path GOD has designed specifically for them.

“Right One” is available now on YouTube and continues to gain momentum across streaming and social platforms as listeners around the world connect with its message of healing, faith, surrender, and transformation.

Check it out, subscribe to his channel, stream, save and share this divine masterpiece.

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