Growing up in San Diego California Chris Del Camino had a tumultuous childhood largely due to the estranged relationship he had with his father who was an alcoholic and subjected to some of the abuse he suffered too as a child to Chris. By age seven his father and mom divorced and most of his early childhood to late teens has seen Chris survive through an engulfing web of confusion, self-doubt, and self-loath, and the track, “Self Love” is like an affirmation to his palpable compassion to his younger self.
Chris Del Camino who is now residing in the California Bay Area has been an ardent saxophonist for the most part of his musical life and toured for nearly a decade in the reggae/pop prose HIRIE before going solo as an artist in 2018 while also continuing touring and creating with HIRIE. He is now set to create a major wave of momentum with his new single, “Self- Love” which is due on Sunday, August 1st, 2022 on all digital streaming platforms.
This track is more than just the cheerful reggae beats; it has a deeply meaningful, impactful, and therapeutic message behind the passionately delivered lyrics. And for all those who have spent large parts of their lives showing love to others and denying that compassion to themselves, then this is the right track to allow you to shine that love on yourself for you deserve it. Self-compassion is important because we are the only people we spent most of our lives around and thus we deserve most of our love from none other than us!
This track will be appreciated by reggae lovers with the melody also adapting a modern pop feel and thrill created around the luxurious instruments fronted by the conga-like drum and the electric guitar. The way he has been able to fashion a catchy chorus that is candidly engaging is also a spectacular highlight of this track. So this is the track to remind you that you found your self-love and no one can take that away from you!
Follow Chris Del Camino on the attached socials so as to take on this music journey with him from this day henceforth. Stay tuned for “Self Love” which will be dropping this coming Sunday on the 1st of August and you wouldn’t want to miss such a moving song based on real-life experience!
Based in Malta, composer Serag Baddar turns a long-held guitar idea into something intimate and absorbing on “Limerence.” The post-rock track grew from a riff he wrote 15 years ago, with one section carrying a subtle nod to Buckethead’s “Padmasana,” whose rhythm guitar left a clear impression on Baddar.
Crisp, mellow, and atmospheric, “Limerence” moves through clean guitar layers and an ethereal sense of space. Silken vocals shimmer underneath, adding a restrained melancholy that suggests heartbreak without overwhelming the arrangement.
Baddar’s background in heavy metal remains important to the song, even as he strips away high-gain distortion and conventional vocal delivery. In their place, structure and melody do most of the emotional work. At the center is a clean, melodic guitar riff designed to flow ergonomically across the fretboard, giving the performance a natural physical ease.
The quieter acoustic and clean passages of progressive metal are an obvious reference point. Opeth and Tool, two bands that have shaped Baddar’s style, can be heard in the track’s sense of structure and restraint. Its spacious ambient textures also draw from the accessible melodic soundscapes associated with instrumental artists such as Buckethead. “Padmasana” is especially relevant, with its rhythm guitar inspiring a small section of “Limerence.”
The pacing is deliberate and unhurried, in keeping with post-rock’s slow-burn character. Its rhythmic framework stays steady, patient, and evocative, giving the central guitar melody room to breathe. Notes are allowed to ring out and decay naturally rather than being crowded by unnecessary movement.
Much of the song’s appeal comes from that simplicity. The arrangement avoids excessive time-signature gymnastics and settles into a smooth, approachable cadence that strengthens its hypnotic quality. That choice suits the meaning behind “Limerence,” the intense and involuntary psychological state of romantic obsession and infatuation that Baddar seeks to capture emotionally.
Because the released track is a “demo” mix, it retains a raw, unpolished authenticity. That texture fits Baddar’s philosophy of “writing for dopamine,” prioritizing emotional resonance and the organic “magic” of a creative spark over pristine, heavily compressed commercial engineering.
The result is intimate and thoughtful. It feels reflective and deeply personal, like a bedroom guitarist finally translating a 15-year-old teenage memory into a cohesive, immersive piece of music. The closing stretch brings the song’s crisp, clean, haunting guitar riff into sharper focus, giving the track a fitting climax and reminding us how much of its emotional weight rests on that original idea.
Baddar waited until he felt his technical ability and musical vision had matured enough to do the riff justice before recording and releasing it. He approaches music as a philosophical hobby, creating for the pleasure of the craft rather than under commercial pressure.
Taken as a whole, “Limerence” is an accomplished, carefully felt performance worth spending time with. It is streaming now.
Omer B has built a significant part of his artistic identity around collaboration, working with musicians from across the world. On “Bending Time,” he leans fully into that instinct. The track brings together guitar virtuoso Oz Noy, drummer Oded Kafri, bassist Andy Warner, and Abramo Riti on Hammond organ, giving Omer B a formidable cast for what he does best: composing exceptionally good music.
“Bending Time” is a high energy, five minute instrumental funk rock piece that establishes its character almost immediately. Omer B’s guitar locks in with Kafri’s forceful drumming from the opening stretch, creating an intro that feels urgent, muscular, and inviting. Once the Hammond and bass enter the picture, the arrangement opens up into something richer and more expansive.
That introduction builds tension quickly while setting a steady sense of anticipation. You can hear the rhythm gathering momentum as the groove takes hold. At its core is a relentless, head bobbing funk rock backbeat. The pace is fast, yet the players remain firmly in the pocket, giving the song a driving foundation that keeps it moving at full speed without sacrificing its groove.
As composer, Omer B acts as the track’s anchor. He resists overcrowding the arrangement with constant shredding, choosing instead to work through sharp, syncopated rhythm chops and clearly defined melodic motifs. His guitar helps shape the song’s architecture, from its central themes to the heavy, overdriven chord progressions that guide each transition.
Oz Noy’s entrance raises the temperature. He slips naturally into the established groove, echoing the track’s hauntingly familiar melodic cadence while bringing in a streak of “twisted blues” character. His solos are explosive without feeling detached from the arrangement, and they push the song into a higher gear.
The interplay becomes especially satisfying when Noy’s lead lines careen over Omer B’s heavy rock foundation. Kafri’s airtight drumming, Warner’s bass, and Riti’s Hammond keep the music grounded while the guitars add a fiery improvisational edge. That tension gives “Bending Time” a sense of motion that suits its title.
Unpredictable, futuristic, and haunting, “Bending Time” plays like an exhilarating experiment that draws strong performances from everyone involved. Omer B’s experience as an amateur race driver also seems to surface in the track’s polished, high octane momentum. There is a clear feeling of speed, control, and mechanical precision running through the performance.
By the end, the vintage rock swagger and modern fusion sophistication feel naturally connected. In my professional opinion, they should “frame the arrangement!”
UK DJ, songwriter, and producer DJ PAPPY steps directly into football fever with “Offside Trap,” an electrifying new single made to rally behind England, the Three Lions, during this year’s World Cup campaign. Driven by urban energy, electronic force, and a stadium-sized sense of occasion, the track captures the belief, pride, and nervous excitement of a nation allowing itself to dream again.
Built for terraces, fan zones, pubs, clubs, festivals, and living rooms full of hoarse supporters, “Offside Trap” arrives as a full-throttle declaration of belief. It taps into that rare football mood when a country starts to feel something special taking shape, when every tackle, goal, chant, and final whistle seems to carry a little historical weight.
The track opens with a minimal, hypnotic, commanding melody that pulls the listener in immediately. The rawness of the intro feels deliberate, giving each note space while letting the tension build through restraint. It recalls the alluring opening of “Seven Nation Army” in spirit, though DJ PAPPY gives the idea his own melodic texture and personality. There is a gripping, chant-like quality here that football fans will instinctively understand, while the production remains firmly tied to his own energy and modern instincts.
From there, a march-like rhythm takes hold, setting the stage for enchanting male vocals that echo the spirit of the Three Lions’ roar. The performance feels confident, infectious, and emotionally charged, catching the pride of supporters who have carried England through decades of hope, heartbreak, and renewed belief. This time, the feeling seems different. This time, the dream feels alive.
Musically, “Offside Trap” brings together urban hip-hop cadence, electronic pulse, dance-driven momentum, and strong anthemic vocal harmonies. The result lands with streetwise swagger and stadium impact in equal measure.
The hook is where the song fully becomes a World Cup anthem. Big, communal, and hard to shake, it invites listeners to sing, clap, chant, and give themselves over to the moment. “Offside Trap” carries that unmistakable “olé, olé, olé” spirit, which makes it feel instantly at home wherever football fans gather to celebrate.
Arriving as excitement around the Three Lions reaches fever pitch, especially after that heart-racing 3-2 knockout win against Mexico, “Offside Trap” feels like the soundtrack to a nation standing on the edge of something unforgettable. The joy is real. The belief is growing. The chants are getting louder.
With “Offside Trap,” DJ PAPPY delivers what a great football anthem needs: energy, unity, pride, and a hook that stays in your head. It is a rallying cry for the fans, a celebration of the squad, and a reminder that when music and football collide, unforgettable moments can follow.
“Offside Trap” is available now on major streaming platforms.