MUSIC
Arizona-Based Emcee Cedrick Bogan’s “It’s Just Levels to Me” Showcases Why He’s One of the Best in the Game.
Published
2 years agoon
By
Delvin
The year 2023, like the years before, has seen Tucson, AZ-based rapper and emcee Cedrick Bogan deliver back-to-back smash hits. He ain’t even letting us rest, man. Already this year, he has delivered multiple hit singles such as “Knock A Bully Out The Way”, “My City Never Sleeps”, “It Matters How I Do It” and several EPs including “ManCave 4”, “You Can Thank Me Later” and the star-studded “Upper Echelon EP.” It is safe to say that man never sleeps because how else can one artist deliver such tremendous records in a single year…and it ain’t done yet!
As one of the rawest voices coming out of Arizona, Cedrick seamlessly combines intense autobiographical narratives, a hunger to assert his lyrical prowess, and an imaginative referential approach to hip-hop that has justified his latest project, “It’s Jus Levels To Me”- a raw masterpiece that references the inimitable level he’s at as an emcee compared to other artists of similar standing.
He lyrically proves that there are levels to this game with his pen game that is replete with thought-spurring bars, imposing flows, and dexterous wordplay.
The beat here is catchy and hypnotic and really works well with his first-class delivery as he goes on to cement himself as one of the best lyricists of all time.
At the track’s heart is also that captivating hook that will haunt you beyond the track. Within the track’s 1 minute and 45 seconds, Cedrick has already said what he intended to say and wrapped this thing up… you can say he eats it up and leaves no crumbs behind.
I dig everything he says on this beat with his expressive voice, which is ideal for the genre. His unstrained and raw performance proves that hip hop is more than just the music; it is a creative expression outlet and an art of storytelling.
Any hip-hop and rap fanatic that appreciates the art of emceeing will 100% feel the vibe in this masterpiece that is now streaming on all the popular digital platforms.
Follow the link below and let Cedrick rap his way into your heart.
To connect with other Cedrick Bogan fans, follow him on:
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MUSIC
Van Hechter’s “Boy Problems” Is a Deep and Danceable Bilingual Anthem for Anyone Tired of Lukewarm Love
Published
4 days agoon
7:30 amBy
Delvin
Montreal-based pop sensation and LGBTQ activist Van Hechter is back with “Boy Problems,” a stunning new single. The track merges his signature upbeat charm with rare emotional depth. Hechter, known for hits like “Disco Brother,” “Hot Damn,” and “Love Elastic,” reveals a new side to his magnetic electro-pop personality, offering a message that is both radiant and raw.
At 4 minutes and 24 seconds, “BoyProblems” is a bilingual (French & English) eruption of glitter, melancholy, and empowerment. It’s built on irresistible synths, glossy production, and pulsing basslines. The song invites listeners into a world where heartbreak beats in rhythm with liberation. The melodies feel euphoric on the surface, yet are stained with a haunting vulnerability, proving that dancing and deep feeling can exist together.
At its core, the song is a manifesto about refusing to settle for half-love. Van delivers lyrics that make you sway, smile, and suddenly pause; the truth stings. If love isn’t loud, real, and fully given, he’d rather walk away. It’s a reminder wrapped in rhythm: loving yourself means refusing the small version of what you deserve.
Filled with Hechter’s signature humor, glamour, and optimism, “Boy Problems” is a club anthem and a soul-stirrer all at once. The bilingual lyrics expand its emotional reach. The track feels at home anywhere, from Parisian dance floors and New York rooftops to headphones on a bus or speakers at Pride.
This is a jam that makes you feel like you’re flying, free from pretense. It’s definitively dance-pop and unmistakably Van Hechter, though the smile has a real heartbeat underneath. Listeners will hear that signature flair; he’s still cheeky, stylish, and unapologetically queer. His artistry is simply sharpened with new emotional honesty. This is a growth moment, delivered with a wink and a synth hook.
“Boy Problems” is a significant step beyond a simple catchy single. It’s a toast to self-worth. A glittering rebellion against lukewarm love. A reminder that the dance floor can be a place to heal. This sonic centerpiece belongs on your playlist, and on your friends’ too.
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MUSIC
IanPlug’s new song “Love Spells” is a cosmic Afro house confession about a toxic desire that feels inescapable
Published
1 week agoon
8:32 pmBy
DelvinThe music of Kenyan, American-based electronic producer IanPlug often lands at the intersection of the digital cosmos and raw human emotion. He crafts immersive soundscapes that fuse the ethereal glow of spacey electronica with the pulse of modern trap and the tenderness of dreamy pop. His signature aesthetic features shimmering, high-pitched synths that spiral into the stratosphere, gritty, fast-paced drums with trap energy, and psychedelic textures suggesting a journey through a starlit void. He layers cosmic atmospheres over beats that bang, all while weaving in heart-tugging melodies that hover just beneath the surface.
IanPlug’s newest release, “Love Spells,” feels raw, layered, and unfiltered. The track is immediate and moving, feeling less like simple production and more like soul in the basslines and a heartbeat in the synths.
“Love Spells” features vocal collaborator Gabe Lucas and producer Mentura. It clocks in at a compact 2 minutes and 26 seconds, a brief runtime that sacrifices no impact.
From the first note, “Love Spells” establishes its atmosphere. Crisp, processed vocals open the track in a hypnotic chant: “You got a hold on me, you got control of me, you got just what I want.” It’s a hook that instantly lodges in the mind. What follows is a lush fusion of futuristic electronic production and a deep Afro-house groove. The track is driven by hard-hitting drums and shimmering synths that pulse like a broken heart still beating for the wrong person.
Thematically, “Love Spells” dives straight into the paradox of a toxic love story you can’t escape. “She ain’t good for me,” the vocals confess. The production mirrors this, enveloping the listener in a dreamy, dark, emotional tug-of-war that seems to glitch between desire and doom.
The release is part of a trilogy, with IanPlug also offering “Love Spells – Slowed + Reverb” and “Love Spells – Sped.” Vibesoulja joins the expanded mix on these versions, deepening the track’s emotional and sonic versatility.
In a field often driven by energy alone, IanPlug is aiming for something deeper. He is making electronic music with soul, using texture for storytelling, and creating beats that seem to hurt just as much as they heal.
“Love Spells” provides more than just a track; it’s an experience. It’s a journey through shadows, strobing light, and the inescapable pull of a love that lingers like a ghost.
As IanPlug prepares to release more material, his sound continues a bold evolution, remaining experimental yet rooted in emotional resonance. He is building worlds, one electrifying frequency at a time.
“Love Spells” is available now on all major streaming platforms.
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MUSIC
For His Glory Worship returns with an anthem of heavenly majesty titled “King Eternal – Extended”
Published
3 weeks agoon
8:15 pmBy
Delvin
For His Glory Worship has always kept the focus where it belongs: on Christ. The collective exists to glorify God through dynamic, uplifting music rooted entirely in His Word. Their mission stays clear and unwavering: to lead believers into authentic worship that magnifies Christ alone.
Now, For His Glory Worship is back with a breathtaking new release titled “King Eternal (Extended)”, a 5-minute-and-34-second worship experience that transcends musical boundaries and invites listeners into deep, heartfelt adoration.
From its opening moments, “King Eternal” draws you into an atmosphere of divine reverence and rhythmic excellence. The production blends minimalist pop sensibilities with a synth-driven sound reminiscent of late-1980s reinvention, balanced with the clarity and warmth of modern worship production. Clean and layered, the track moves through quiet, contemplative verses before bursting into a chorus of radiant exaltation. It becomes a sonic representation of heaven meeting earth.
Anchored by a mid-tempo, syncopated groove, the track’s crisp programmed drums, pulsating synth basslines, and dynamic shifts create an irresistible sense of anticipation and movement. As the song progresses toward its final crescendo, around the 3:45 mark, the energy ignites into something grand and cinematic. Brass, woodwinds, and deep percussive elements swell together in glorious harmony, embodying the majesty of the eternal King.
Lyrically, the song captures the essence of eternal worship, its powerful chorus echoing timeless truth:
“To the King eternal, immortal, invincible, the only God forever crowned with praise, the honor and glory forever and ever, amen.”
Every note and every lyric serve one purpose: to glorify Jesus Christ, the King of Kings and Lord of Lords. The male and female vocals intertwine seamlessly, singing with conviction and sincerity. The kind that invites worshippers to join in spirit and truth.
Beyond its captivating sound, “King Eternal (Extended)” is a message to the nations. A declaration of faith and sovereignty. It proclaims that Jesus Christ is the Eternal King, whose rule is unending and unshakable. As Scripture reminds us in Revelation 19:16, He is the supreme ruler above all powers, visible and invisible. The One who triumphs over sin, death, and darkness.
Dr. Beverlin Hammett, the visionary founder of For His Glory Worship, continues her mission of writing music that calls believers to genuine, heart-centered worship. Through “King Eternal,” she offers a vibrant tribute to the King eternal, immortal, and invisible, encouraging every listener to lift their life and voice as an offering of praise to the One who reigns forever.
With “King Eternal – Extended,” For His Glory Worship reaffirms their purpose. This isn’t about fame, stage lights, or recognition. It’s about the glory of God and the advancement of His Kingdom through sound.
A new anthem has been born. All honor and glory to the King Eternal, forever and ever. Amen.
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