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Emma Nhamburo Brings Back the Good Old Days of Music Industry With Her Spectacular Sound

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It’s tough to imagine that 15 years have passed since Emma Nhamburo dropped her first single “Must Be Love” with the FYA. The swaggering vocal prowess that helped drive FYA into the Reggae fusion, R&B, dancehall, and pop scene—in line with the bandmates Kezia (Kizzy) Bennett and Tenza Foster. Although famous in the early 2000s, the band has taken a few hiatuses over the years to pursue their solo careers.

No rookie in the industry, Emma’s sensational vocals have been fronting her band ‘FYA’ over the years as her signature vocal style soared with the help of the bandmates Kizzy and Tenza. Wanting to step out and release music under her own title, Emma’s new release is a pivotal moment for the up-and-coming artist as she starts her solo career with an afro-beat-soaked bang.

Her new single, which is expected to be released in March, is just the tip of the iceberg for the singer, and 2021 will also see her releasing new music and collaborating with artists from around the world.

Find more about where she has been, her call to music, and her mesmeric music journey on this interview. Here’s the full conversation with the singer:

 

In 2003, you were eventually signed with Def Jam Recordings. Tell us a little about that and what the label expected of you.

They expected us to complete the deal with them, although we never did because we only had a single released on the label.

Emma Nhamburo Brings Back the Good Old Days of Music Industry With Her Spectacular Sound

Your debut single “Boops” is definitely far beyond your average debut track from artists in those days. What was the motivation behind such a lyrically rich and melodically unique single?

“Boops” was actually a cover, the original song was by a Jamaican artist called Sly & Robbie, so just covered the song. It wasn’t an official release, a lot of people don’t know about that but it was just a song that was meant to introduce us to the market as FYA. The official single that was released from our album was “Must be love” so that’s why a lot of people don’t see “boops” on any albums.

Throughout your career, tell us about your best show and your worst show.

My best show to be quite honest was when we performed at the Prince’s Trust awards the year when Jay-Z first mentioned that he was going to retire, that was amazing. It was Royal Albert Hall and for those who know Royal Albert Hall it’s a big deal, we had acts from Beyonce, Jay-Z and a lot of acts from both America and the UK

The worst show would have been when we got lost and we ended up getting there after the whole club was literally leaving. I remember parking up outside and we were just looking at people leaving, it was just so heartbreaking.

As a songwriter, what kind of topics do you see yourself writing about most often? Whether it be lyrically or instrumentally. Shed some light on your songwriting structure(s).

The most important thing to me is the beat, I know a lot of people have got their own way of structuring or writing. But I feel like for me when I hear a beat, it literally speaks to my soul, so what happens is that when I hear a beat and it draws me up, my pen and paper come up straight away or wherever I can pop melody it will all come out and I will start writing.

I think mostly my songwriting is based on inspiration, you know I get inspiration even from speaking to my producers to find out what inspired them to make that particular beat or just being in a different place at a different time cause then I got a story to tell. I believe songwriting or singing is like telling a story, and so what I would normally do is for example, if I wanted to write a song I would literary sit listening to a beat sent in by the producer and have a dictaphone or my phone recording all of these ideas that I have.

My favorite time to write a song would be nighttime, anytime past 10 in the evening that’s when I settle in my own little world and start writing. Sometimes it depends on the inspiration, cause sometimes I do get ideas then immediately write the lyrics, and when the beat comes the lyrics magically fit in.

 

What’s the biggest message(s) you put out through your music? What do you hope to inspire your fans with, and what do you hope they gain from listening to your songs?

The message that I put out through my music is mostly positivity cause I believe music heals, music is a universal language so for me I always want to put positive vibes and good vibes. I always want to put my character in there so that people get to know me as well not just about me singing about love, I like to make people feel that Emma Nhamburo is there either by a laugh, a chant, a scream you know, you got to know that I am in there somehow

The biggest message to my fans is to be who you are and that I try to be as much of me as I can in my music, cause I think a lot of people are being taught to be something or to be someone that we are actually not. So I think in my music it reflects cause obviously coming from an African you would expect my parent wanted me to probably a doctor or be a nurse but that never happened, I was a musician, I followed my dreams, I followed my soul’s calling and my soul’s purpose, be yourself and find what makes you tick, what gives you joy, or what you are most passionate about.

What do you enjoy most about being a musician? What do you hate most?’

What I enjoy most about being a musician is the fact that I can create something that someone can relate to for example a love song, somebody might be able to relate to a love song I wrote when they are in love. I’ve got a couple of tracks coming which are so dear to my heart because I wrote them from a space of how I normally live my life, so for me, I get to live my life through a different lens, if that makes sense, I just literary pour everything in song and make it an experience for me as well as for my fans.

What part would I say I hate the most…that would be as a musician you just feel like you are always constantly on the go, you are in the studio, you are writing, creating, thinking about your next release, this person calling, you are having this conversation, so it’s a very demanding industry. Though I wouldn’t say I hate it because sometimes when I sit back and look at the amount of work that I have done, I feel really proud, though sometimes I just wish that I had more time to relax, but hey It is what it is, it comes with the industry.

If you could change anything about the industry, what would it be?

I would say we need more women in top roles, women need to be empowered to record their music, to express themselves cause I still feel like even up to this day and age music is still male-dominated. I think women need to be put on a platform where they can be as mothers and as queens, they need to be given credits for some of their creation they have done.

For example, in the UK, we don’t really have an afrobeat platform for women, they are there but they are not put on the pedestal where they are supposed to be sitting. And also sometimes there is stuff like racism, you know things that are not morally right for any artist no matter what the race, color, gender, whatever they are. It’s a creative industry and I know a lot of people say we are there to be judged but we are really not, we should be able to express how we feel and enjoy it.

 

We can’t wait to hear more of your future releases. When can we expect new music? And is it gonna be a single, or is it going to be an EP or album?

New music is definitely coming this year, I have a single coming out this march in Africa and February in the UK. It’s a single featuring a Nigerian Artist, Terry G and it’s going to be available on Spotify. I am so so excited about the single because we worked so damn hard on it in the studio a couple of times just to get it right.

An Ep should be dropping but I can’t promise when cause when it comes it needs to be amazing and at the moment that’s what I am working on for it to be great and give people what they have been waiting for. I have been away from the industry for so long and now I am coming back, so I can’t just come back half-hearted, I have to give it my all, so the EP still has no date as to when it’s going to drop but it is coming, and you will be getting more music and in the summer you might just get a summer track who knows? I am still in the studio working that out but New music is definitely coming, so keep an eye on my Spotify, on my Instagram where I will be updating everyone telling them what to come, what dates e.t.c

If you had one message to give your fans, what would it be?

If I had one message to give to my fans, well,  at the moment we are all going through a tough time, I would say stay positive because nothing lasts forever, this is only a season that we are going through, and would also say I love you so much. Thank you for all the support when you have been giving me throughout all the years.

Even after taking my break, I’m still seeing a lot of people showing me love, so I really appreciate it, stay supporting each other cause at the end of the day we are all we have. I LOVE YOU ALL

For our final question, is there anything else you would like to add?

I am glad to be back in the music industry, I am glad to be a voice for women because for me I am really rooting for us women to be able to support each other, to uplift each other. Sometimes I see women are not together, and I wouldn’t wanna see that because there is so much to be achieved, there is so much that needs to be done in terms of connecting with each other, collaborating with each other as creatives. So I feel like that’s my two cents, to see women win, to see us even from the African side and from the UK being able to crossover boundaries and literally connect on a deeper level more than a surface level

Catch up with Emma Nhamburo on:

Emma Nhamburo  Emma Nhamburo Brings Back the Good Old Days of Music Industry With Her Spectacular Sound 

 

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MUSIC

Taarifa kwa Vyombo vya Habari – wimbo mpya wa Into the Blood: “Play Your Clarinet!”

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Taarifa kwa Vyombo vya Habari – wimbo mpya wa Into the Blood: “Play Your Clarinet!”

Katika wimbo wao mpya wenye mchangamsho “Play Your Clarinet!”, Into the Blood wanaunganisha midundo ya kielektroniki inayoshika kwa urahisi na mgeuko wa kusisimua: solo la klaneti lenye mionjo ya jazz kutoka kwa Peter Fuglsang. Uchezaji wake unaongeza mguso wa uchezaji wa moja kwa moja unaokamilisha msingi wa kidijitali wa wimbo huu, na kuunda tukio la kipekee kabisa la kusikiliza.

Wimbo huu utazinduliwa kimataifa tarehe 22 Novemba katika lugha 11 tofauti—ikiwemo Kiswahili, Kifaransa, Kiingereza na Kichina n.k.—pamoja na toleo lisilo na sauti za kuimba.

Jiunge nasi katika safari ya kimataifa
Acha “Play Your Clarinet!” ikupeleke kuvuka mipaka, sauti na tamaduni. Wimbo mmoja. Lugha kumi na moja. Utasikika kwenye majukwaa yote makubwa ya kusikiliza muziki mtandaoni, na video za maneno ya wimbo zitapatikana kwenye YouTube. Jifunge mkanda na ufurahie safari!

Orodha ya video za “Play Your Clarinet!” – video za maneno ya wimbo katika lugha zote 11 kwenye YouTube:
https://www.youtube.com/playlist?list=PLuQcCz0vhEKyPigEcJ1-Du7YhrzZdLrex

“Destination 11” – video ya muziki:
https://www.youtube.com/watch?v=r8l72BtPBd8

Kuhusu Into the Blood
Duo la Into the Blood—Jens Brygmann (sauti za kuimba na ngoma za kidijitali) na Carsten Bo Andersen (kinanda na sintesa)—imekuwa ikifanya kazi tangu mwaka 2016. Muziki wao umekuwa ukipigwa kwenye vituo mbalimbali vya redio duniani, vikiwemo vya Uingereza, Australia na Ufaransa.

Toleo la asili la “Play Your Clarinet!” pia linapatikana kwenye rekodi ya vinili ya inchi 12 kama sehemu ya mradi wao mkubwa wa Destination 11, unaojumuisha video ya muziki ya dakika 11. Video hiyo imewahi kuonyeshwa katika matamasha mbalimbali ya kimataifa ya filamu fupi, na hadi sasa tayari imeshinda tuzo mbili nchini India, kufikia hatua ya fainali kwenye East Village New York Film Festival na Las Vegas International Film & Screenwriting Festival, nusu fainali kwenye Seattle Film Festival na robo fainali kwenye Synergy Film Festival huko Los Angeles.

Mradi wa Destination 11 umefadhiliwa na White City Consulting na Custom Coaching.

Upakuzi kupitia Dropbox – Hapa unaweza kupakua nyenzo za promosheni:
https://www.dropbox.com/scl/fo/sai0udu4imfwdmktxf5cj/ADqWOKnmQZjDm3PsXL3yzvs?rlkey=75i1ctld2guy8tcp6snp112j9&st=jtgfu546&dl=0

Salamu za muziki kutoka
Into the Blood
Jens Brygmann & Carsten Bo Andersen 📧 [email protected]

Into the Blood – mitandao ya kijamii:
https://linktr.ee/intotheblood

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Van Hechter’s “Boy Problems” Is a Deep and Danceable Bilingual Anthem for Anyone Tired of Lukewarm Love

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Van Hechter’s “Boy Problems” Is a Deep and Danceable Bilingual Anthem for Anyone Tired of Lukewarm Love

Montreal-based pop sensation and LGBTQ activist Van Hechter is back with “Boy Problems,” a stunning new single. The track merges his signature upbeat charm with rare emotional depth. Hechter, known for hits like “Disco Brother,” “Hot Damn,” and “Love Elastic,” reveals a new side to his magnetic electro-pop personality, offering a message that is both radiant and raw.

At 4 minutes and 24 seconds, “BoyProblems” is a bilingual (French & English) eruption of glitter, melancholy, and empowerment. It’s built on irresistible synths, glossy production, and pulsing basslines. The song invites listeners into a world where heartbreak beats in rhythm with liberation. The melodies feel euphoric on the surface, yet are stained with a haunting vulnerability, proving that dancing and deep feeling can exist together.

At its core, the song is a manifesto about refusing to settle for half-love. Van delivers lyrics that make you sway, smile, and suddenly pause; the truth stings. If love isn’t loud, real, and fully given, he’d rather walk away. It’s a reminder wrapped in rhythm: loving yourself means refusing the small version of what you deserve.

Filled with Hechter’s signature humor, glamour, and optimism, “Boy Problems” is a club anthem and a soul-stirrer all at once. The bilingual lyrics expand its emotional reach. The track feels at home anywhere, from Parisian dance floors and New York rooftops to headphones on a bus or speakers at Pride.

This is a jam that makes you feel like you’re flying, free from pretense. It’s definitively dance-pop and unmistakably Van Hechter, though the smile has a real heartbeat underneath. Listeners will hear that signature flair; he’s still cheeky, stylish, and unapologetically queer. His artistry is simply sharpened with new emotional honesty. This is a growth moment, delivered with a wink and a synth hook.

“Boy Problems” is a significant step beyond a simple catchy single. It’s a toast to self-worth. A glittering rebellion against lukewarm love. A reminder that the dance floor can be a place to heal. This sonic centerpiece belongs on your playlist, and on your friends’ too.

Catch Up With Van Hechter on:

Established Hip Hop Artist ReachingNOVA Creates a Free-flowing Lyrical Course with His Single "C'est La Vie"

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TR Craze brings his South Sudanese story to the gritty drill anthem “Tule Tule” with Jamaican-UK rapper Caine Marko

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TR Craze brings his South Sudanese story to the gritty drill anthem "Tule Tule" with Jamaican-UK rapper Caine Marko

Sometimes a song shows up like that friend who kicks open the door without knocking, grinning and saying, “get your shoes, we’re leaving.” “Tule Tule,” the new single from South Sudanese artist TR Craze featuring Jamaican-UK rapper Caine Marko, moves exactly like that. The track is bold and charged, carrying the weight of lived experience while stomping over a dark, menacing drill beat that feels built for the streets as much as the club.

TR Craze’s backstory reads like a movie script Hollywood studios would fight over. He was born in South Sudan, shaped by the trauma of civil war, and pushed into the harsh realities of refugee life. He literally survived the treacherous routes through Libya and across the Mediterranean Sea to reach Europe. This man distills survival into rhythm. On “Tule Tule,” you can feel that heart, that urgency, and that fire in his delivery, channelled into a raw, assertive drill performance that cuts through even if you don’t understand a single word of the opening verse. At its core, “Tule Tule” is a raw, assertive drill track that isn’t afraid to bare its teeth.

The word “Tule” comes from Nuer. It refers to youth games and the electric thrill of chasing something, whether that’s victory, joy, or destiny. TR Craze uses that spirit like a drumbeat beneath his voice. The choruses hit with a communal, call-and-response warmth but here that playfulness is flipped into a gritty, chant-like hook – “Tule Tule” – that feels like the rallying cry of a crew on the move. Even without translating the lyrics, the tone tells you everything. This is about motion, pursuit, celebration, and refusing to stay stuck in the past, all wrapped in an unapologetic, high-adrenaline atmosphere. Lyrically, the track leans into street life, dominance and crew loyalty, matching the tension in the beat.

Behind them, producer Kyxxx builds a dark, tense soundscape, stitching drill drums with Brazilian bounce and Bhangra-flavoured rhythmic elements that keep the track constantly on edge. The result is a gritty, energetic and unapologetic atmosphere that pulls you straight into their world.

Then Caine Marko slides in for the second verse, and the whole energy pivots into a sharp, swagger-heavy bounce. His flow is clean but gritty, confident and confrontational, shifting between braggadocio and sly charm.

“She knows I’m a wolf and I run the pack,” he starts, classic alpha talk, but delivered with a laid-back grin. “She come first like running track,” he continues, flipping between affection and athletic metaphors like a man who’s too used to moving fast.

Then he opens up the verse more: “Doing dirt and getting with a bitty, I only pretty… then back to the city. Got me some liquor then it got me some weed.” It’s lifestyle rap, but the reckless, unapologetic kind. It’s the messy, outside-at-night, live-in-the-moment vibe that balances TR Craze’s more grounded narrative. When he ends with “you going to hang with the gang,” the energy snaps into a group-hyped finale, a reminder that music like this isn’t meant to be consumed alone, underlining the crew-first loyalty at the heart of the record.

“Tule Tule” works because it blends worlds without softening its raw, street-hardened edge. It merges East African emotion, Caribbean-UK swagger, drill and hip-hop grit, Brazilian and Bhangra textures in Kyxxx’s production, diaspora storytelling, and a spirit of joy that refuses to be dimmed by pain.

Let “Tule Tule” run while you’re walking, cooking, texting, or plotting big dreams – or getting ready to step out with your crew.

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