Just like they promised, artistic collective PDS has officially released the 22-track album “No Song (Hold On)”, a project that has everything a music fan could want, spanning 1 hour and 21 minutes. Without wasting much time, let’s delve into what makes this project one of the most remarkable releases of the year.

PDS kicks off the album with the irresistibly upbeat anthem “Money Dance (Got Money)” featuring Jackson. This beat is right on the money—a masterpiece reminiscent of mid-2000s hip-hop and R&B, fusing a sultry, exotic flair with the grit of a club-ready anthem. Each element is expertly layered to craft a soundscape that balances playfulness with evocative charm, drawing listeners into a captivating groove. Jackson’s delivery is nothing short of iconic. His flow is effortless, dripping with confidence and charisma, creating an infectious cadence that aligns perfectly with the lively beats.

“Phenomenal Woman (My Story)” is, as the title suggests, a captivating, empowering anthem for strong-willed, independent women. This is an ode to women who exude confidence and elegance, astonishing the world with their presence. Featuring Deborah Ware’s emotive, velvety vocals, this track thrives on a sleek, West Coast-inspired G-Funk beat, built upon crisp basslines and shimmering synths that radiate confidence and swagger.

The title track, “No Song (Hold On)”, features PDS’ new signee, Julia, whose hauntingly beautiful vocals deliver a memorable, poignant chorus. The male vocalist on the first verse adds an emotional touch of R&B with his graceful, delicate vocals before the rap artist injects style and sophistication with seamless flow and cadence. Julia rounds out the performance with her hypnotic vocals, offering a transcendental experience.

“There You Are (Here I Am)” is smooth, tender, and soulful, capturing the vulnerability of physical distance between two yearning hearts. Guest vocalist Mila Franc and a male singer deliver a heartfelt ballad duet, vividly expressing their emotions over a tenderly nourished R&B soundscape, making it deeply relatable.

“Even Though (Come Back)” showcases Julia’s powerhouse vocals over a touchingly beautiful piano melody and dense R&B beats. The song is a heartfelt confession of longing, with Julia’s range harkening back to the glory days of vocalists like Mariah Carey. Its counterpart, “Even Though (Ex Responds),” is a vibrant blend of hip-hop and R&B. The male artist expresses himself through a poetic, conversational rap style, while Julia tries to comfort him with assurances of doing better this time around. The twist ending—where the ex-boyfriend hangs up—adds a dramatic touch.

Another standout masterpiece is “Lights Camera Action (Rap Ballad).” This track is a masterclass in hip-hop and classical innovation, seamlessly entwining expressive violin strings with signature hip-hop beats. Freddy Jackson delivers a masterful performance, showcasing his artistry with passion and precision. The captivating chorus encapsulates the track’s empowering message about life, growth, and success.

There is so much more to enjoy from “No Song (Hold On)” as PDS goes above and beyond in delivering catchy and timeless music, just as promised.

Like I said, “No Song (Hold On)” lives up to its hype!

| HNA® Music |

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Sir Juanzarelli’s artistry is a fusion of exceptional versatility, raw talent, and relentless innovation, making him one of the most dynamic performers you are about to come into contact with. At the heart of his music lies an extraordinary ability to seamlessly bridge generational gaps, effortlessly moving between nostalgic R&B and contemporary R&B with sensible ease, creating a sound that is both distinctive and universal. His artistry embodies both smooth, emotive intimacy and high-energy brilliance, catering to a wide spectrum of emotions and experiences…one of the many reasons why you should have him as a personal favorite!

“Drunk On This Liquor” is Sir Juanzarelli’s newest release, and it is a profoundly endearing tour de force, to say the least. The intro is warm, mellow, and candidly inviting as the gentle guitar melodies set a mellifluent tone, joined halfway by the strings that give it an almost haunting orchestral feel, and before you can digest all this awesomeness, those deep, synth-peppered basslines evoke an urban, contemporary thrill that strip dancers live so passionately for!

As a vocalist with both power and range, Sir Juanzarelli ebbs and flows confidently, his rich, silky, and velvety vocal tones in perfect sync with the unmistakably fine beats unfolding underneath him. His words have been expressed vividly; it is so easy to get immersed in the music and vividly picture what the song is all about.

Let’s talk about that chorus: catchy, infectious, and memorable, and the kind that gets stuck in your head even after the song is no more. His willingness to express both vulnerability and sensuality makes this track more of an experience and less of just an ordinary song.

And yes, the song has its atmospheric moments that bond well with the smoothness and richness of Sir Juanzarelli’s voice. In his own words, “Drunk On This Liquor” is a soulful love story relatable to anyone who’s faced the arrival of a new love while dealing with the obsession of a toxic ex who refused to let go, which forces a sensual, sexual, drunken, crazy night.

In essence, Sir Juanzarelli is a master of reinvention, a powerhouse of talent whose artistry thrives at the intersection of vocal excellence, dynamic performance, and genre-defying creativity. As such, let us accord him the respect he deserves, and what better way to start than with streaming “Drunk On This Liquor” adding it to our playlists, and recommending it to our friends and ex-lovers for that matter?

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Talk about bringing back that endlessly fun New Jack Swing era, albeit with a more contemporary touch; – fast-rising artist D. Lew the Don has just released the project of the year with his new 8-track debut album “It Was Good To See You” that sees him sit in at the driver’s seat and take us on an adventurous journey, each track fascinatingly tailored for listeners with diverse tastes like you in what makes up an overall cohesive project that marks a significant milestone in his budding career. This album has something for everyone—the high-energy, cinematic hip-hop jams with R&B influences, summer bangers, dancehall tunes, trap-soul, atmospheric, and dynamic productions that are a testament to D. Lew the Don’s production finesse.

“Degrees” is an unconventional masterpiece with a high-pedigree underground rap chaos backed by modern-day lyrical allure. The high-end basslines and ominously captivating beats provide the perfect landing for the lyrical expression of D. Lew the Don as he delivers some powerful bars, speaking his mind in a thought-provoking manner, seamlessly transitioning from one deep verse to the next whilst maintaining a strong presence throughout.

“Summer Fever” is meant to ignite your spark for those unforgettable summer moments where all caution is thrown out to the wind as you live largely, infused with that golden glow of possibility. This is the right banger to blast out loud as it feels like the anthem of freedom. It is dancehall-peppered with electro-dance pop influences, providing a delightful backdrop for D. Lew who is equal to the task, creating this infectious cadence with the beats—an exciting testament to his versatility.

At the start, “Sleepeyes” feels very Chris Brown-ish. As it builds tone, you can feel it is another danceable masterpiece that invites you to the dancefloor as the catchy and infectious hooks, “…maybe you could be my baby” envelop you in this anthemic allure that haunts you way outside the track’s runtime. The upbeat percussive beats with a dynamic edge, backed by D. Lew’s unmistakable voice stretch the limits of pop and hip-hop in the most captivating way. You’ll love it!

“Main” is a masterclass in Trap-soul creativity and a personal favorite. The way D. Lew floats nicely over this equally fresh, intriguing, and nostalgic beat leaves nothing to be desired. This jam is the embodiment of an enchanting ballad where the artist’s creatively raw expressive freedom balances perfectly with his own willingness to be vulnerable at heart.

“Put It Down” is a magnificent blend of R&B and hip-hop with beats that are warm, inviting, and memorable. D. Lew makes his mark expressively, his singing and rapping prowess put to the test and passing with flying colors. I like the way he has built on this track, delivering two more versions of it in “Put It Down (Afternoon Mix)” and “Put It Down (Evening Mix)”

“Put It Down (Afternoon Mix)” is a trap banger with signature vivacious beats that are met with the unforgettable hooks, “Put it down on me, work it girl on me,” D. Lew affirming his finer tastes in life, hard work and discipline to get there and the essence of enjoying these fruits with the one you love.

Just like the evening sun’s setting glow with strokes of liquid gold, signifying the end of a somewhat beautiful day, “Put It Down (Evening Mix)” is a slowed, reverb mix that is gentle and puts a listener in a trance-like state, the now-too-familiar lyrics and hooks warming themselves even more to the listener.

“Capstone – Outro” is a stroke of D. Lew’s lyrical genius as he goes hard, over an equally heavy production, his words cutting through like open-heart surgery as he takes a more personal, emotional, hard-hitting and still introspective approach to put his message across.

As I said, “It Was Good To See You” is an endlessly listenable project and the best advert for D. Lew’s artistry as he seeks to make his mark on the ever-evolving industry. He is more than ready!

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