CrisisKhan Shares Insights on His Musical Journey

We are happy to have you. What’s the first thing you hope new listeners feel when listening to your music?
I hope they feel the same energy I feel when I’m composing and recording the song.

“Flawless” goes hard from start to finish with a blend of smooth lyricism and clean production. How did this song come together?
It came together over a couple of bottles of Hennessy and a whole lot of strippers.

What influenced you to pursue music? When did you feel inspired to start sharing your music with the world?
Just listening to music and hearing others creatively tell their story and share their experiences made me want to do the same.

Which song of yours is your favorite & why?
Definitely Zone because it’s the most personal to me. There is so much in there that unless you’ve been around me you might not catch it all but if you know you know.

What’s been your greatest musical accomplishment so far?
I hold myself to a very high standard and I honestly don’t believe I can consider any of my current accomplishments great when I look at what all the greats have accomplished before me.

Do you have any dream collaborations? Who are they?
To be honest, I’m so focused on myself I don’t even look at other rappers in the kind of light where I could even have a dream collaboration but I do love working with talented singers like Natalie Nichole.

What’s the biggest lesson you’ve learned about music while doing this and connecting with your community?
It’s typically a slow and expensive grind but you can’t put a price on generational wealth and music is eternal.

What can your fans expect from you in 2021?
For me to be better and more consistent than I was in 2020 or any year before that and continuously improve as an artist as the year goes on.

Thank you for speaking with us! For our final question, is there anything else you would like to add?
I love all my supporters, thanks for all the love you guys show me and “SexMoneyWar” is going to surprise you so be ready for that.

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